Lets start of with some looks I wore in the beginning, from Faithfull the Brand. A brand that I love and support for years and I enjoy to wear all year long.

Polka dot set

Here I stayed in Reids Belmond Palace, a place I adore and always like to say even if im from the island.

We had dinner at Brisa do Mar, ocean and island view, and the food is fresh and super traditional island d flavours with a twist. You can book dinner there even if you are not staying at the hotel.

Next to Reids if also have an Italian Gelato place, so good!

My all year sunglasses, love them!! And lip combo is this lip liner in the shade light brown, this lipstick in the shade Nude Poetry and gloss.

Another summer dress I loved!!! Bag was kindly gifted by YSL. And these sandals that have a tiny heel and a The Row vibe.

The summer blues, wearing my favorite blue tee (cut and feel similar to FloreFlore ones), crochet flats and flared skirt.

Most worn pieces: Shirt; Shorts; Sandals; Dress ; Necklace; Blue print shorts that I am obsessed wearing with ballet flats.

Once again, dont sleep on Zara home clothing pieces. They are really on point, with embroidery and different details. Got this one on sales this summer.

And a pop of red. Got this vintage perfume holder that I use has a necklace. It’s from YSL Opium scent and still has the perfume inside. My favorite white tee and a statement dress with the perfect shade of red in my opinion.

I was lucky to be invited to experience the Savoy The Reserve, it was an amazing experience. The service was exceptional, amazing view and food. The spa is also a divine.

What I wore: A vintage YSL sarong, super colourful and fun. And super out of the box of me but I was feeling something fun for summer.

Added a vintage diamond in a shape of a heart with my other necklace that I´ve been wearing a lot during this month. So its super interesting, that I found myself rewearing a lot of pieces I had in my Madeira home, like this Magda Butrym silk skirt with a big flower detail and this old backless dress (that is actually from Zara - next image) that is just the perfect lbd. And I wore a printed dress with oriental details.

Stay tuned for this month, with some Fall moodboards, Fall Wishlist, Home updates, Vintage finds, trips, Fashion Week….. & more

xx

Her wardrobe reflected the changing spirit of her generation. She favored clean silhouettes and well-defined proportions, often wearing turtlenecks, tailored trousers, button-down shirts, knee-length skirts, long coats, and relaxed dresses. Rather than relying on elaborate decoration, she allowed the cut and character of each garment to shape the look. Her clothes appeared purposeful and modern, while still retaining a sense of femininity.

Her beauty was equally important to her image. MacGraw moved away from the highly polished glamour associated with earlier Hollywood stars. Her long, dark hair, expressive eyes, natural makeup, and relaxed presence gave her an approachable yet striking appearance. She demonstrated that a woman could look glamorous without appearing excessively made up or carefully constructed.

One of the most distinctive aspects of MacGraw’s style was her blending of masculine and feminine elements. Crisp shirts, tailored trousers, structured jackets, and flat shoes gave her wardrobe a sense of practicality and strength, while skirts, soft knits, scarves, and dresses introduced a more romantic quality. This tension between the traditionally masculine and feminine became an important part of her visual identity. Her clothes suggested independence without sacrificing elegance.

MacGraw’s influence grew considerably after the success of Love Story in 1970. As Jenny Cavilleri, she wore sweaters, scarves, coats, skirts, and everyday separates that felt youthful and believable. Her character’s wardrobe helped establish a new kind of screen fashion: aspirational, but not distant from ordinary women. MacGraw became associated with a generation that wanted clothing to reflect personality and freedom rather than social convention.

Her impact also extended beyond individual garments. She represented a broader cultural shift toward a more relaxed and self-directed approach to femininity. Her later association with animal rights, yoga and wellness further strengthened this image.

MacGraw’s enduring relevance can be seen in the continued appeal of many elements of her wardrobe. A sharply cut trouser, a classic white shirt, a camel coat, a fitted knit, or a pair of understated boots can still feel contemporary. Her style offers lessons in proportion, layering, and the importance of choosing clothes that complement rather than overwhelm the wearer. She represents more than a particular fashion era. She helped redefine what a glamorous woman could look like: polished but relaxed, feminine yet strong, and fashionable without appearing governed by fashion.

Decades later, MacGraw remains a compelling style reference because her clothes were closely connected to her personality. She understood that memorable fashion is not simply about following trends; it is about creating a visual identity. Her combination of tailored pieces, relaxed silhouettes, natural beauty, and independent spirit established an aesthetic that continues to resonate with women seeking elegance with character.

xx

Iconic printed skirt; V neck yellow sweater; Sunglasses; Khaki Jacket; Belt; Heeled sandals; Brown bag; Straw hat; White dress; Heeled pumps; Trench coat; Watch; White belted dress; Linen wrap skirt

Read more

Enjoy

xx

Clothing is more than something we wear to protect ourselves from the weather. Throughout history, the way people dressed communicated their personality, social position, culture, and respect for the people and places around them. One important idea that seems to be disappearing today is “dressing for the occasion.” In the past, people often carefully chose their clothes depending on where they were going and who they would meet.

Today, however, casual clothing has become so common that the difference between what we wear to a special event, a restaurant, school, work, or even a ceremony is becoming less noticeable. Although fashion is constantly changing, the tradition of dressing appropriately for different occasions is one that i consider bringing back.

One reason this concept is disappearing is the increasing popularity of casual fashion. Comfortable clothes such as sweatpants, hoodies, sneakers, and T-shirts (That I also love) are now accepted in many situations where people would once have dressed more formally. Social media and the modern lifestyle have also encouraged people to prioritize comfort and convenience. Working from home, online meetings, and relaxed workplaces have made traditional dress codes less important. As a result, many people no longer feel that they need different clothes for different occasions.

Another reason is that society has become more focused on individual freedom and self-expression (AMEN to that). And this is not necessarily a bad thing. People should be able to express themselves through their clothing and feel comfortable in what they wear. However, dressing only according to personal preference can sometimes make us forget that clothing can also communicate respect for other people. Wearing appropriate clothes to a wedding, graduation, formal dinner, interview, or ceremony shows that we understand the importance of the event and have made an effort to be part of it.

Dressing for the occasion can also affect the way we feel and behave (Its psychology). When people put effort into their appearance, they often feel more confident and prepared. For example, wearing formal clothes to an important interview can create a more professional mindset, while dressing elegantly for a celebration can make the event feel more special. Clothes can influence not only how others see us but also how we see ourselves. Making an effort to dress appropriately can therefore help us take certain moments more seriously.

Bringing back the idea of dressing for the occasion does not mean that everyone should return to strict or old-fashioned dress codes. Fashion should continue to change, and comfort should remain important. Instead, it means understanding that different situations deserve different levels of effort.

BUT BEFORE YOU COME AT ME:

It is true that expecting people to dress appropriately can sometimes create pressure, especially for those who cannot afford expensive or formal clothing. However, dressing for the occasion does not necessarily mean buying new or expensive clothes. Being appropriately dressed is more about understanding the context and making a reasonable effort with what you already have. Respecting an occasion does not require designer clothes, expensive accessories, or following a strict dress code.

The argument that some people simply do not care about dressing is also understandable, but personal choice does not mean that there should be no social expectations at all. In many situations, we already accept certain expectations because they show consideration for others. We dress differently for a job interview than for going to the beach, not because one type of clothing makes us better people, but because we understand that different situations have different meanings. Choosing to ignore those expectations is also a choice, but it can affect how our actions are perceived by others.

It is also important to distinguish between judging someone’s worth and judging whether their clothing is suitable for a particular situation. Saying that someone’s outfit is inappropriate for a wedding, graduation, or formal ceremony does not mean that the person is less intelligent, less valuable, or less deserving of respect. It simply means that their clothing does not match the expectations of that particular event. We make similar distinctions in many other areas of life without necessarily judging a person’s character.

If we completely reject the idea of dressing for an occasion because it might be judgmental, we risk losing an important form of social communication. Clothing can show that we understand the importance of a moment and that we are willing to participate in it. The goal should not be to create a society where people are constantly judged by what they wear, but rather one where people understand that making an effort can itself be a form of respect. Dressing for the occasion should therefore be about consideration, not wealth, status, or perfection.

Dressing for the occasion is about more than fashion. It is about awareness, respect, and recognizing that some moments are more meaningful than others. In a world where casual clothing has become the norm, making an effort with our appearance can help us preserve a sense of occasion. We do not need to return to the strict fashion rules of the past, but we should bring back the idea that what we wear can reflect the importance of where we are and what we are doing. Dressing appropriately is a simple way of showing respect for ourselves, for others, and for the moments we choose to celebrate.

Let me know your thoughts

xx

xx

• The Chanel concealer that blends seamlessly into the skin (for real!!), hydrates the skin without any oily effect. I´ve been using this only in certain areas of my face and no foundation.

• Continuing with Chanel Beauty, during the summer season I love wearing this line and specially, I love the smell (reminds me of the ocean. I have sensitive skin and it works). The water-light texture glides on with a sensorial burst of freshness, then transforms into the comfort of a cream, leaving skin hydrated.

• I was kindly gifted this Tom Ford scent - Taormina orange- at first I was sceptical because I don’t love the scents of this blue line ( like the Neroli Portofino). I really like the scent because its bring, vibrant but then it has a subtle hint of spice because of the blood orange and cardamom. The cardamom, in particular, gives the fragrance a richness and warmth that makes it feel incredibly luxurious.

• Another skincare product I am obsessed since day one - Emma Lewisham Supernatural Vitale Elixir serum - a brand that I just discovered and i wish I knew before. It’s a sustainable brand, this product in particular has a “cosmeceutical-grade facial muscle relaxant” - promotes itself as a topical alternative to Botox injections. It left my skin feeling hydrated but never heavy or greasy. The immediate effect is a plumper and luminous skin.

Read more

I found several pieces that im eyeing and some are already in the check out cart.

Read more

Maybe it’s an oversized Oxford borrowed from your dad, a vintage leather jacket discovered in the men’s section of a thrift store, or your partner’s hoodie that somehow feels softer than anything you own. Whatever the piece, women’s fascination with menswear isn’t a passing trend—it’s a fashion love affair that has endured for decades.

The irony? What began as an act of rebellion has become one of the most timeless expressions of style.

In the 1930s, Katharine Hepburn scandalized audiences by wearing tailored trousers instead of dresses. Marlene Dietrich transformed the tuxedo into an emblem of glamour and defiance. Decades later, Yves Saint Laurent forever changed fashion with Le Smoking, the tuxedo designed exclusively for women, proving that power dressing could be just as sensual as an evening gown.

The conversation continued through every generation. Princess Diana's oversized Harvard sweatshirt, biker shorts, and baseball caps became the blueprint for off-duty luxury long before Instagram existed. In the 1990s, Carolyn Bessette-Kennedy mastered minimalist tailoring with borrowed-from-the-boys shirts and perfectly cut coats.

Fashion, after all, loves contrast

Fashion has always flirted with the unexpected. Nothing embodies that better than masculine tailoring worn through a feminine lens. The sharp shoulders of an oversized blazer paired with silk slip dresses, relaxed denim balanced with delicate jewelry, or crisp button-down shirts styled effortlessly over swimwear all tell the same story: confidence doesn’t need to fit perfectly. The appeal starts with comfort, but it doesn’t end there.

The Psychology of Borrowing

There’s a reason a man’s Oxford shirt often feels more luxurious than one made specifically for women. Menswear is typically cut with ease, designed for movement rather than restriction. The fabrics are heavier, the construction more durable, and the silhouettes intentionally uncomplicated. But comfort is only part of the story.

Borrowing menswear creates a visual tension that I adore. Sharp tailoring softens against delicate skin. Oversized proportions make the body appear even more elegant. A blazer that’s two sizes too big somehow feels infinitely more sophisticated than one that’s perfectly fitted.It’s the art of looking like you didn’t try too hard—even if every detail was considered.

Then there’s the emotional element.

A father’s leather jacket. A grandfather’s vintage watch. A partner’s oversized cashmere sweater.Some clothes don’t just tell stories—they carry them. Vintage menswear feels authentic because it has already lived a life before becoming part of yours. Love my vintage YSL men shirts!

Perhaps the real secret of menswear’s appeal is that women rarely wear it to look masculine. They wear it to feel like themselves.

The borrowed blazer becomes a dress. The Oxford shirt transforms into beachwear. The bomber jacket is softened with pearls and ballet flats. Every piece is reimagined. In the end, borrowing from the boys’ closet isn’t really borrowing anymore. It’s reclaiming timeless design, celebrating individuality, and reminding us that the best fashion has never cared which side of the closet it came from.

Because style, at its best, isn’t defined by gender. It’s defined by confidence—and nothing looks better than that.

xx

xx

Buuuuuut, in my opinion Prada occupies a unique position within this landscape. Under the creative direction of Miuccia Prada and, since 2020, her collaboration with Raf Simons, the brand has redefined what “newness” means. Rather than inventing novelty for its own sake, they question the very nature of fashion, proposing that innovation comes from rethinking familiar ideas, challenging conventions, and creating new emotional and intellectual experiences.

Unlike many luxury brands that rely on spectacle or seasonal trends, Prada’s approach is rooted in critical thinking. Miuccia Prada has often argued that fashion should provoke reflection rather than simply satisfy desire. Her collections resist straightforward beauty, instead embracing contradiction, ambiguity, and complexity. Raf Simons complements this philosophy with his own interest in youth culture, subcultures, industrial design, music, and modern art. Together, they have developed a creative language in which newness emerges through reinterpretation rather than reinvention.

One of the most significant elements that brings newness to Prada is the concept of contradiction. Miuccia Prada has long described her fascination with opposing ideas: elegance versus awkwardness, femininity versus masculinity, luxury versus utility, tradition versus futurism. Rather than resolving these opposites, Prada allows them to coexist within the same garment. A perfectly tailored wool coat may be paired with nylon accessories; delicate embroidery may appear on utilitarian workwear; evening dresses may be worn with heavy boots. These juxtapositions create visual tension, forcing viewers to reconsider established ideas of beauty and sophistication.

This strategy reflects a broader postmodern approach to design. Instead of pursuing harmony, Prada celebrates complexity. Fashion becomes less about achieving perfection and more about revealing the contradictions that define contemporary life. The result is clothing that feels intellectually stimulating rather than merely decorative.

Another source of innovation is their redefinition of beauty. Traditional luxury fashion often emphasizes perfection, glamour, and idealized bodies. Prada deliberately challenges these conventions by embracing what Miuccia Prada famously described as the “ugly” or the “unattractive.” Colors may intentionally clash, proportions may appear awkward, silhouettes may exaggerate the body instead of flattering it. Rather than rejecting beauty altogether, Prada expands its definition, suggesting that beauty can emerge from discomfort, imperfection, and unexpected combinations.

This philosophy distinguishes Prada from brands that rely on conventional attractiveness. Instead of designing garments that simply please the eye, Prada creates clothing that demands attention because it resists immediate understanding. The viewer is encouraged to question why something feels strange before recognizing its elegance.

Their collaboration also introduces newness through the dialogue between generations. Miuccia Prada and Raf Simons come from different cultural and professional backgrounds. Miuccia’s work has always been shaped by political thought, intellectual discourse, and feminist ideas, while Simons emerged through youth culture, music, minimalism, and contemporary art. Their partnership therefore becomes a conversation between different experiences of modernity.

Importantly, this collaboration is not based on compromise but on productive tension. Instead of blending their styles into a uniform aesthetic, they preserve their individual perspectives. Collections often reveal traces of both designers simultaneously: Miuccia’s fascination with historical references and irony alongside Simons’ architectural precision and emotional minimalism. This creative exchange generates originality because each designer continually challenges the assumptions of the other.

Newness also appears through their reinterpretation of historical dress. Prada rarely invents completely unfamiliar garments. Instead, it revisits archetypes—school uniforms, military jackets, bourgeois tailoring, workwear, knitwear, and evening dresses—and transforms them through unexpected materials, proportions, or styling. This process demonstrates that innovation does not necessarily require inventing new forms but can emerge from changing the context in which familiar forms are understood.

For example, uniforms, traditionally associated with conformity and discipline, become expressions of individuality through unusual proportions or luxurious materials. Classical tailoring is softened by technical fabrics, while traditionally feminine garments are stripped of decorative excess. In this way, Prada constantly negotiates between memory and modernity.

Material experimentation represents another important dimension of Prada’s creative process. Since the late twentieth century, the brand has challenged conventional definitions of luxury through its use of industrial materials, particularly nylon. Originally associated with practicality rather than prestige, nylon became one of Prada’s most recognizable signatures. This decision transformed perceptions of luxury itself by suggesting that value lies not only in rare materials but also in innovative design.

Equally significant is their treatment of silhouette and proportion. Instead of following the body naturally, Prada often creates garments that reshape it. Oversized tailoring, exaggerated shoulders, elongated sleeves, cropped jackets, and unconventional layering all disrupt familiar proportions. These alterations encourage the wearer to experience clothing differently, emphasizing movement, volume, and architectural form rather than conventional fit.

Such experimentation reflects the influence of architecture and industrial design within Prada’s creative vocabulary. Garments function almost as constructed spaces rather than simple coverings for the body. Fashion becomes an exploration of form, structure, and spatial relationships.

Another defining characteristic of their work is the emphasis on emotion over trend. Many fashion brands respond directly to market demand or social media aesthetics, producing collections designed for immediate visual impact. Prada often moves in the opposite direction. Their collections ask emotional and philosophical questions: What makes clothing meaningful? How does dress shape identity? How do garments communicate vulnerability, authority, intimacy, or uncertainty?

This approach explains why Prada’s collections frequently become more appreciated over time than immediately after their presentation. Rather than offering instant gratification, they invite continued interpretation. Newness therefore becomes intellectual rather than purely visual.

The runway itself functions as another medium for innovation. Prada’s fashion shows are conceived as immersive environments in which architecture, sound, lighting, and performance contribute equally to the narrative. Minimalist interiors, industrial materials, domestic settings, or surreal environments transform the runway into an extension of the garments’ ideas. Fashion is presented not simply as clothing but as part of a broader cultural conversation.

Perhaps the most radical contribution of Miuccia Prada and Raf Simons is their rejection of the assumption that newness requires constant disruption. Instead of chasing novelty, they cultivate evolution. Every collection develops ideas introduced previously, refining rather than abandoning them. This slower process contrasts sharply with today’s accelerated fashion cycle and demonstrates that innovation can arise through continuity, reflection, and sustained experimentation.

Ultimately, Prada’s newness lies not in producing clothes that have never been seen before, but in changing the way fashion is perceived. Through contradiction, intellectual inquiry, material innovation, historical reinterpretation, collaborative dialogue, architectural thinking, and emotional storytelling, Miuccia Prada and Raf Simons have established a model of creativity that resists superficial trends. Their work suggests that the future of fashion is not defined by endless novelty but by the ability to rethink existing ideas in increasingly meaningful ways. In doing so, Prada continues to demonstrate that the most enduring innovation is not visual shock, but the transformation of how we understand clothing, beauty, luxury, and identity.

xx

My summer mood is always full white looks, light layers, lace or embroidery details, 50 shades of blue, playing with accessories and more color. At the moment I super drawn to flowers, more specifically roses (white and shades of pink, not red. And for years I disliked roses lol, even thought my name Rosa means rose), roses in gardens, paintings with roses, decadent vase of roses.

I drawn to find special vintage pieces, but not the boring kinds. Special with different textures, materials (like wood), colours and prints(oh la la). Im looking into vintage Yves Saint Laurent, Giorgio Armani, Prada and Hermès - already have a pretty good list of finds - saying this, here are my obsessions of the moment.

Read more

Heatwave 9 proof looks but make it easy chic and elevated!

xx

This will not be your typical minimal vintage finds, here to show you interesting, special pieces to have. Also, I am adding a lot of my secret Vinted finds!!!!

Read more

But the meaning of luxury has transformed. In today’s world, luxury is everywhere. It appears constantly on our screens, across social media, and in the global marketplace. What was once hidden behind closed doors has become widely visible. Designer brands, luxury travel, exclusive products, and premium experiences are no longer symbols of a distant world; they have become part of everyday culture.

The paradox of modern luxury is that the more accessible it becomes, the less powerful its original meaning feels. When everyone can see luxury, imitate luxury, and sometimes even purchase luxury, the true rarity moves somewhere else.

That rarity is taste.

Taste is the invisible quality that separates possession from appreciation. It is not measured by price tags, brand names, or the ability to acquire more. Taste is the ability to understand value beyond appearance — to recognize craftsmanship, simplicity, authenticity, and timelessness. It is knowing that something does not become beautiful because it is expensive; it becomes valuable because it carries meaning.

A person with taste does not need to announce their success. Their choices speak quietly. They understand that elegance is not found in excess, but in balance. They appreciate the details others overlook: the quality of a material, the story behind an object, the atmosphere of a place, the sincerity of a conversation. Taste is not about showing the world what you have; it is about revealing how deeply you understand what matters.

In a culture that often celebrates more - more possessions, more attention, more visibility - taste represents something different. It represents restraint. It is the confidence to choose less, but choose better. It is the wisdom to recognize that abundance does not always create richness. Sometimes the most sophisticated choice is simplicity.

True luxury has also moved beyond objects. The greatest luxuries in life are not things that can be placed in a collection or displayed in a photograph. They are experiences, moments, and qualities that cannot be reproduced. A beautiful home means little without the people who fill it with warmth. A successful life means little without the relationships that give it meaning.

The ultimate expression of taste is perhaps the way we value human connection. The conversations we remember, the friendships we protect, the love we give and receive. These are the treasures that become more valuable with time. Unlike material possessions, relationships cannot be replaced by something newer or more expensive. They require presence, care, and attention.

This leads to a deeper understanding of luxury: the rarest luxury is time.

Time is the one thing no amount of money can truly buy (such a cliche I know). It is the freedom to slow down, to be present, to enjoy a moment without constantly chasing the next achievement. In a world where people are increasingly connected yet often overwhelmed, having time to think, create, rest, and share meaningful moments has become a privilege.

And beyond time, there is health. The foundation that allows us to experience everything else. Good health, both physical and mental, is a form of wealth greater than any possession. Without health, success loses its meaning, and luxury becomes empty.

Perhaps the greatest evolution of luxury is the realization that a truly rich life is not defined by what surrounds us, but by what lives within us. It is found in the people we love, the memories we create, the time we protect, and the health that allows us to enjoy it all.

Luxury can be manufactured. Trends can be purchased. Status can be displayed. But taste, meaningful relationships, time, and health remain the rarest forms of wealth.

Because in the end, the greatest luxury is not having everything. It is having what truly matters.

xx

We went to several museums and had the opportunity to see amazing exhibitions like Calder at Louis Vuitton Foundation, Matisse at Grand Palais and Alaïa with C.Dior. Besides that, the vibe of Paris during summer is totally different and people watching too. I had my dose of inspiration and my creative battery got full. Saying this, I would like to share some things that are on my mind, from objects to vintage pieces, beauty and new pieces on my closet.

The mood is decadent easy summer, keeping it simple. It’s all about details. Notes on statement pieces, clear jewellery, vintage lace/lingerie dresses, all white looks, contrast black and white pieces and more vintage.

Read more

This will not be your typical minimal vintage finds, here to show you interesting, special pieces to have. Also, I am adding a lot of my secret Vinted finds!!!!

Amazing linen and crochet capris; a good pair of Oversized sunglasses ; a classic Sheer dress; super versatile; Cartier watch but super on budget; This tee got me going crazy; Tassel pearl necklace; 1920´s bag in perfect condition; classic YSL belt; Nude sheer skirt; unique Vintage hair pins; special satin rose heeled mules; this dream everyday jacket; we love Phoebe Philo for Celine era shoes

Read more

xx

Let’s dive into my summer inspo world, the books and movies on my list.

. Bare back dresses - sensual summer

. Interiors with personality and stripped sofas

Read more

During summer accessories are you best friends, it helps you not get bored and just have fun. You can risk it all!! Lets deep dive into the world of summer accessories (more focused in jewellery, head pieces, scarves, sunglasses, hats) and how to elevate our looks.

xx