When streaming platforms began changing hands and films started to come and go from their libraries, DVDs became even more sacred, and I began picking up more and more titles in charity shops, second-hand stores and market stalls.

I bought Hollywood Friday-night-at-the-movies fare, Cockney gangster movies, indie films and lots of rom-coms.

I quickly realised I had no room on my shelves for all this stuff, so I transferred them into DVD wallets. I threw out all the cases and kept the discs.

Also, if you’re thinking about starting a collection, anyone talking about DISC ROT or DVDs dying after 10 years is talking shit.

I think it started with Warner Bros. being cheap assholes and printing on DVD-Rs — the same kind of discs you’d burn your own downloads onto.

Some of these discs are 20+ years old and still play perfectly.

200 Cigarettes — 1999 — Risa Bramon Garcia
27 Dresses — 2008 — Anne Fletcher
30 Days of Night — 2007 — David Slade
300 — 2006 — Zack Snyder
The 39 Steps — 1935 — Alfred Hitchcock
500 Days of Summer — 2009 — Marc Webb
The 51st State — 2001 — Ronny Yu
A Long Way Down — 2014 — Pascal Chaumeil
A Man Called Hero — 1999 — Andrew Lau
A Room for Romeo Brass — 1999 — Shane Meadows
A Serious Man — 2009 — Joel Coen & Ethan Coen
An Evening with Kevin Smith — 2002 — Kevin Smith
The Accidental Spy — 2001 — Teddy Chan
Adulthood — 2008 — Noel Clarke
Adventureland — 2009 — Greg Mottola
After Hours — 1985 — Martin Scorsese
Airheads — 1994 — Michael Lehmann
All the Boys Love Mandy Lane — 2006 — Jonathan Levine
Along Came Polly — 2004 — John Hamburg
American Hustle — 2013 — David O. Russell
American Mary — 2012 — Jen & Sylvia Soska
American Teen — 2008 — Nanette Burstein
The Amityville Horror — 1979 — Stuart Rosenberg
The Amityville Horror — 2005 — Andrew Douglas
An Education — 2009 — Lone Scherfig
An Evening with Kevin Smith — 2002 — Kevin Smith
An Evening with Kevin Smith 2 — 2006 — Kevin Smith
Angels & Demons — 2009 — Ron Howard
Angus, Thongs and Perfect Snogging — 2008 — Gurinder Chadha
Another Cinderella Story — 2008 — Damon Santostefano
The Apartment — 1960 — Billy Wilder
Arachnophobia — 1990 — Frank Marshall
As Good as It Gets — 1997 — James L. Brooks
Awaydays — 2009 — Pat Holden
Bachelor Party — 1984 — Neal Israel
Bachelorette — 2012 — Leslye Headland
Bam’s Unholy Union — 2007 — TV series
Bandsman — [unclear] — [unclear]
Basic — 2003 — John McTiernan
The Basketball Diaries — 1995 — Scott Kalvert
Batman Returns — 1992 — Tim Burton
Be Kind Rewind — 2008 — Michel Gondry
Beastly — 2011 — Daniel Barnz
Beautiful Girls — 1996 — Ted Demme
Beautiful Thing — 1996 — Hettie Macdonald
The Benchwarmers — 2006 — Dennis Dugan
Big — 1988 — Penny Marshall
The Birdcage — 1996 — Mike Nichols
The Birds — 1963 — Alfred Hitchcock
Black Hawk Down — 2001 — Ridley Scott
Blinded by the Light — 2019 — Gurinder Chadha
Blood Diamond — 2006 — Edward Zwick
Blue Streak — 1999 — Les Mayfield
Bonded by Blood — 2010 — Sacha Bennett
Bonded by Blood — 2010 — Sacha Bennett
Bonded by Blood 2 — 2017 — Greg Hall
Bone Alone — 2013 — Jason Bourque
Bound — 1996 — The Wachowskis
Bowfinger — 1999 — Frank Oz
The Box — 2009 — Richard Kelly
Boy A — 2007 — John Crowley
Brewster’s Millions — 1985 — Walter Hill
Brick — 2005 — Rian Johnson
Bridge of Spies — 2015 — Steven Spielberg
Bring It On — 2000 — Peyton Reed
Broadcast News — 1987 — James L. Brooks
Broken Arrow — 1996 — John Woo
Brotherhood — 2010 — Will Canon
Bulletproof Monk — 2003 — Paul Hunter
Cabaret — 1972 — Bob Fosse
The Cabin in the Woods — 2011 — Drew Goddard
Caddyshack — 1980 — Harold Ramis
Career Girls — 1997 — Mike Leigh
Casper — 1995 — Brad Silberling
Catch and Release — 2006 — Susannah Grant
Cecil B. Demented — 2000 — John Waters
Changeling — 2008 — Clint Eastwood
Chicago — 2002 — Rob Marshall
Choke — 2008 — Clark Gregg
Chronicle — 2012 — Josh Trank
City Rats — 2009 — Steve Kelly
CKY — 1999 — Bam Margera
CKY Trilogy Round 2 — 2000 — Bam Margera
CKY4: The Latest & Greatest — 2002 — Bam Margera
The Clash — [unclear] — [unclear]
Clerks — 1994 — Kevin Smith
Clerks X — 2004 — Kevin Smith
Click — 2006 — Frank Coraci
Cliffhanger — 1993 — Renny Harlin
Closer — 2004 — Mike Nichols
Coach Carter — 2005 — Thomas Carter
Color of Night — 1994 — Richard Rush
A Complete History of My Sexual Failures — 2008 — Chris Waitt
Congo — 1995 — Frank Marshall
Constantine — 2005 — Francis Lawrence
Cop Land — 1997 — James Mangold
The Core — 2003 — Jon Amiel
The Corruptor — 1999 — James Foley
The Covenant — 2006 — Renny Harlin
Cradle 2 the Grave — 2003 — Andrzej Bartkowiak
Cradle 2 the Grave — 2003 — Andrzej Bartkowiak
Crank — 2006 — Mark Neveldine & Brian Taylor
Crank: High Voltage — 2009 — Mark Neveldine & Brian Taylor
The Crazies — 2010 — Breck Eisner
Crazy/Beautiful — 2001 — John Stockwell
Crying Freeman — 1995 — Christophe Gans
Cuban Fury — 2014 — James Griffiths
Cube — 1997 — Vincenzo Natali
The Da Vinci Code — 2006 — Ron Howard
Dad — [unclear] — [unclear]
The Dangerous Lives of Altar Boys — 2002 — Peter Care
Dark City — 1998 — Alex Proyas
Darkman — 1990 — Sam Raimi
Dawn of the Dead — 1978 — George A. Romero
Days of Thunder — 1990 — Tony Scott
Days of Thunder — 1990 — Tony Scott
Dead Calm — 1989 — Phillip Noyce
Deadbeat Hero — [unclear] — [unclear]
Death Wish — 1974 — Michael Winner
Death Wish 2 — 1982 — Michael Winner
Death Wish 3 — 1985 — Michael Winner
Death Wish 4: The Crackdown — 1987 — J. Lee Thompson
Deceived — 1991 — Damian Harris
Deep Blue Sea — 1999 — Renny Harlin
Def by Temptation — 1990 — James Bond III
Definitely, Maybe — 2008 — Adam Brooks
Delirious — 2006 — Tom DiCillo
The Descent — 2005 — Neil Marshall
Detroit Rock City — 1999 — Adam Rifkin
Deuce Bigalow: European Gigolo — 2005 — Mike Bigelow
Devil in a Blue Dress — 1995 — Carl Franklin
Dial M for Murder — 1954 — Alfred Hitchcock
Diary of a Wimpy Kid — 2010 — Thor Freudenthal
Dick — 1999 — Andrew Fleming
Dirty Pretty Things — 2002 — Stephen Frears
Disturbia — 2007 — D. J. Caruso
Disturbia — 2007 — D. J. Caruso
DOA — 2006 — Corey Yuen & Louis Leterrier
Dogma — 1999 — Kevin Smith
Domestic Disturbance — 2001 — Harold Becker
Don Juan DeMarco — 1994 — Jeremy Leven
Down to You — 2000 — Kris Isacsson
Drillbit Taylor — 2008 — Steven Brill
Drive Angry — 2011 — Patrick Lussier
Dude, Where’s My Car? — 2000 — Danny Leiner
Duel — 1971 — Steven Spielberg
Eagle Eye — 2008 — D. J. Caruso
Educating Rita — 1983 — Lewis Gilbert
8 Mile — 2002 — Curtis Hanson
Elegy — 2008 — Isabel Coixet
The End of the Tour — 2015 — James Ponsoldt
Enduring Love — 2004 — Roger Michell
Enemy of the State — 1998 — Tony Scott
England Is Mine — 2017 — Mark Gill
EuroTrip — 2004 — Jeff Schaffer
EuroTrip Unseen — 2004 — Jeff Schaffer
eXistenZ — 1999 — David Cronenberg
The Expert — [unclear] — [unclear]
Face — 1997 — Antonia Bird
The Fall Guy — 2024 — David Leitch
The Fighter — 2010 — David O. Russell
Final Analysis — 1992 — Phil Joanou
Finding Neverland — 2004 — Marc Forster
The First Great Train Robbery — 1978 — Michael Crichton
Fish Tank — 2009 — Andrea Arnold
Flatliners — 1990 — Joel Schumacher
The Foot Fist Way — 2006 — Jody Hill
Four Rooms — 1995 — Allison Anders, Alexandre Rockwell, Robert Rodriguez & Quentin Tarantino
Freaky Friday — 2003 — Mark Waters
Full Frontal — 2002 — Steven Soderbergh
Funky Monks: Red Hot Chili Peppers — 1991 — Gavin Bowden
Fury — 2014 — David Ayer
Gang Related — 1997 — Jim Kouf
Gangsters, Gamblers and Geezers — 2013 — Geoff Bell
Garfield — 2004 — Peter Hewitt
Garth Marenghi’s Darkplace — 2004 — Richard Ayoade & Matt Holness
The General — 1926 — Buster Keaton & Clyde Bruckman
Get a Clue — 2002 — Maggie Greenwald
Get Over It — 2001 — Tommy O’Haver
Get Rich or Die Tryin’ — 2005 — Jim Sheridan
Getting Even with Dad — 1994 — Howard Deutch
Ghost — 1990 — Jerry Zucker
Ghosts of Mars — 2001 — John Carpenter
Ginger Snaps — 2000 — John Fawcett
Girl with a Pearl Earring — 2003 — Peter Webber
The Glimmer Man — 1996 — John Gray
Goal! — 2005 — Danny Cannon
Gomorrah — 2008 — Matteo Garrone
Gone — 2006 — Ringan Ledwidge
Gone in 60 Seconds — 2000 — Dominic Sena
The Good Girl — 2002 — Miguel Arteta
Gregory’s Girl — 1980 — Bill Forsyth
The Guardian — 2006 — Andrew Davis
The Guest — 2014 — Adam Wingard
The Guru — 2002 — Daisy von Scherler Mayer
Half Baked — 1998 — Tamra Davis
Hard Candy — 2005 — David Slade
Hardball — 2001 — Brian Robbins
Harold Shipman: Doctor Death — [TV documentary] — [various]
Harry Potter and the Philosopher’s Stone — 2001 — Chris Columbus
Harry Potter and the Chamber of Secrets — 2002 — Chris Columbus
Harry Potter and the Prisoner of Azkaban — 2004 — Alfonso Cuarón
Harry Potter and the Goblet of Fire — 2005 — Mike Newell
Harry Potter and the Order of the Phoenix — 2007 — David Yates
Harry Potter and the Half-Blood Prince — 2009 — David Yates
Harry Potter and the Deathly Hallows: Part 1 — 2010 — David Yates
Harry Potter and the Deathly Hallows: Part 2 — 2011 — David Yates
The Haunting in Connecticut — 2009 — Peter Cornwell
Heaven and the Suicide King — 1994 — [documentary]
Hell Ride — 2008 — Larry Bishop
Helvetica — 2007 — Gary Hustwit
Hero — 2002 — Zhang Yimou
Hey Arnold! The Movie — 2002 — Tuck Tucker
High Fidelity — 2000 — Stephen Frears
The High Note — 2020 — Nisha Ganatra
High School Musical — 2006 — Kenny Ortega
High School Musical 2 — 2007 — Kenny Ortega
The Hills Have Eyes — 2006 — Alexandre Aja
The History Boys — 2006 — Nicholas Hytner
Hitchcock/Truffaut — 2015 — Kent Jones
Honey — 2003 — Bille Woodruff
The Host — 2006 — Bong Joon Ho
Hot Shots! — 1991 — Jim Abrahams
How to Lose Friends & Alienate People — 2008 — Robert B. Weide
Hudson Hawk — 1991 — Michael Lehmann
The Human Stain — 2003 — Robert Benton
Human Traffic — 1999 — Justin Kerrigan
Hush Your Mouth — [unclear] — [unclear]
I Just Want My Pants Back — 2012 — TV series
I-Spy — 2002 — Betty Thomas
I.D. — 1995 — Philip Davis
Ice Princess — 2005 — Tim Fywell
Identity — 2003 — James Mangold
Ill Manors — 2012 — Ben Drew
In Her Shoes — 2005 — Curtis Hanson
In Search of a Midnight Kiss — 2007 — Alex Holdridge
In the Cut — 2003 — Jane Campion
Incubus — 1966 — Leslie Stevens
Indecent Proposal — 1993 — Adrian Lyne
The Infidel — 2010 — Josh Appignanesi
The Inner Life of Martin Frost — 2007 — Paul Auster
Into the Blue — 2005 — John Stockwell
Iron Monkey Strikes Back — 1996 — Chao-Yung Huang
The Island — 2005 — Michael Bay
It’s a Boy Girl Thing — 2006 — Nick Hurran
It’s a Boy Girl Thing — 2006 — Nick Hurran
It’s Complicated — 2009 — Nancy Meyers
Jawbreaker — 1999 — Darren Stein
Jay and Silent Bob Strike Back — 2001 — Kevin Smith
Jeff Koons: A Retrospective — [documentary] — [unclear]
Jersey Girl — 2004 — Kevin Smith
Josie and the Pussycats — 2001 — Harry Elfont & Deborah Kaplan
Judgment Night — 1993 — Stephen Hopkins
Judgment Night — 1993 — Stephen Hopkins
Kaboom — 2010 — Gregg Araki
Kalifornia — 1993 — Dominic Sena
Ken Park — 2002 — Larry Clark & Edward Lachman
Kill Your Friends — 2015 — Owen Harris
Killing Them Softly — 2012 — Andrew Dominik
King Ralph — 1991 — David S. Ward
Kiss of the Dragon — 2001 — Chris Nahon
Kornography — [music documentary] — [unclear]
Kramer vs. Kramer — 1979 — Robert Benton
The Langoliers — 1995 — Tom Holland
Lantana — 2001 — Ray Lawrence
The Last Hero in China — 1993 — Wong Jing
Leaving Las Vegas — 1995 — Mike Figgis
Legend of a Fighter — 1982 — Yuen Woo-ping
Legends of the Fall — 1994 — Edward Zwick
Liberty Stands Still — 2002 — Kari Skogland
Life — 1999 — Ted Demme
Life and Lyrics — 2006 — Richard Laxton
Life as We Know It — 2010 — Greg Berlanti
Life-Size — 2000 — Mark Rosman
Live Forever — 2003 — John Dower
Local Hero — 1983 — Bill Forsyth
Lock, Stock… The Complete TV Series — 2000 — TV series
Lolita — 1962 — Stanley Kubrick
Lolita — 1997 — Adrian Lyne
London to Brighton — 2006 — Paul Andrew Williams
Loser — 2000 — Amy Heckerling
Louis C.K.: Chewed Up — 2008 — Shannon Hartman
Love & Basketball — 2000 — Gina Prince-Bythewood
The Love Guru — 2008 — Marco Schnabel
Love, Simon — 2018 — Greg Berlanti
The Lovely Bones — 2009 — Peter Jackson
Malice in Wonderland — 2009 — Simon Fellows
The Mangler — 1995 — Tobe Hooper
Manson Documentary — [documentary] — [unclear]
Margin Call — 2011 — J. C. Chandor
Marilyn Manson: Guns, God and Government World Tour — 2000 — [concert film]
Marnie — 1964 — Alfred Hitchcock
Mars Attacks! — 1996 — Tim Burton
Maximum Overdrive — 1986 — Stephen King
McCabe & Mrs. Miller — 1971 — Robert Altman
Me and Orson Welles — 2008 — Richard Linklater
Me Without You — 2001 — Sandra Goldbacher
Mean Creek — 2004 — Jacob Aaron Estes
Mean Machine — 2001 — Barry Skolnick
Meet the Fockers — 2004 — Jay Roach
Meet the Parents — 2000 — Jay Roach
Little Fockers — 2010 — Paul Weitz
Melvin Goes to Dinner — 2003 — Bob Odenkirk
Metro — 1997 — Thomas Carter
Metroland — 1997 — Philip Saville
Michael Collins — 1996 — Neil Jordan
Mission: Impossible — 1996 — Brian De Palma
Mistaken for Strangers — 2013 — Tom Berninger
Morning Glory — 2010 — Roger Michell
Mortal Thoughts — 1991 — Alan Rudolph
Mr Nice Guy — 1997 — Sammo Hung
Mr. Murder — 1998 — Dick Lowry
My Big Fat Greek Wedding — 2002 — Joel Zwick
My Little Eye — 2002 — Marc Evans
My Name Is Lenny — 2017 — Ron Scalpello
My So-Called Life — 1994 — TV series
The Name of the Rose — 1986 — Jean-Jacques Annaud
Narc — 2002 — Joe Carnahan
Nathan Barley — 2005 — TV series
National Lampoon’s Animal House — 1978 — John Landis
National Treasure — 2004 — Jon Turteltaub
Nebraska — 2013 — Alexander Payne
Needful Things — 1993 — Fraser C. Heston
Never Been Kissed — 1999 — Raja Gosnell
New York Minute — 2004 — Dennie Gordon
Nick of Time — 1995 — John Badham
The Night Flier — 1997 — Mark Pavia
Night Stalker — [TV/documentary] — [unclear]
Ninja Assassin — 2009 — James McTeigue
No Reservations — 2007 — Scott Hicks
Northern Soul — 2014 — Elaine Constantine
Notes on a Scandal — 2006 — Richard Eyre
Nowhere to Run — 1993 — Robert Harmon
Obvious Child — 2014 — Gillian Robespierre
Once Upon a Time in the Midlands — 2002 — Shane Meadows
One Hour Photo — 2002 — Mark Romanek
One Night at McCool’s — 2001 — Harald Zwart
Only God Forgives — 2013 — Nicolas Winding Refn
The Other Boleyn Girl — 2008 — Justin Chadwick
The Oxford Murders — 2008 — Álex de la Iglesia
Palookaville — 1995 — Alan Taylor
Paper Towns — 2015 — Jake Schreier
Paris, je t’aime — 2006 — Various directors
Passenger 57 — 1992 — Kevin Hooks
Payback Season — 2012 — Sarah Wheatley
Paycheck — 2003 — John Woo
People I Know — 2002 — Daniel Algrant
The People Under the Stairs — 1991 — Wes Craven
The Perfect Catch — 2005 — Peter Berg
Persepolis — 2007 — Marjane Satrapi & Vincent Paronnaud
Pet Sematary — 1989 — Mary Lambert
Philadelphia — 1993 — Jonathan Demme
Philomena — 2013 — Stephen Frears
Phone Booth — 2002 — Joel Schumacher
Pimp — 2010 — Robert Cavanah
Piranha — 1978 — Joe Dante
Piranha 3D — 2010 — Alexandre Aja
Pitch Black — 2000 — David Twohy
Playing God — 1997 — Andy Wilson
Pleasantville — 1998 — Gary Ross
Please Give — 2010 — Nicole Holofcener
Pokémon Detective Pikachu — 2019 — Rob Letterman
Poltergeist II: The Other Side — 1986 — Brian Gibson
Poltergeist III — 1988 — Gary Sherman
Poltergeist: 25th Anniversary Edition — [collection/edition] — [various]
Postmortem — 1998 — Albert Pyun
Powder Room — 2013 — M.J. Delaney
The Prince of Tides — 1991 — Barbra Streisand
Psycho — 1998 — Gus Van Sant
The Punisher — 2004 — Jonathan Hensleigh
Quills — 2000 — Philip Kaufman
Rabid — 1977 — David Cronenberg
Raising Cain — 1992 — Brian De Palma
Raising Helen — 2004 — Garry Marshall
Recess: School’s Out — 2001 — Chuck Sheetz
Red Road — 2006 — Andrea Arnold
Reign Over Me — 2007 — Mike Binder
The Relic — 1997 — Peter Hyams
The Replacement Killers — 1998 — Antoine Fuqua
Riding the Bullet — 2004 — Mick Garris
The Ringer — 2005 — Barry W. Blaustein
The Rise and Fall of a White Collar Hooligan 2 — 2013 — Paul Tanter
Rita, Sue and Bob Too! — 1987 — Alan Clarke
The River Wild — 1994 — Curtis Hanson
Road Trip — 2000 — Todd Phillips
Romeo Must Die — 2000 — Andrzej Bartkowiak
Ronin — 1998 — John Frankenheimer
Ruby Sparks — 2012 — Jonathan Dayton & Valerie Faris
Ruthless People — 1986 — Jim Abrahams, David Zucker & Jerry Zucker
S1m0ne — 2002 — Andrew Niccol
Saboteur — 1942 — Alfred Hitchcock
Sahara — 2005 — Breck Eisner
Saving Mr. Banks — 2013 — John Lee Hancock
Say Anything… — 1989 — Cameron Crowe
Scary Movie — 2000 — Keenen Ivory Wayans
Scary Movie 2 — 2001 — Keenen Ivory Wayans
Scary Movie 3 — 2003 — David Zucker
School for Scoundrels — 2006 — Todd Phillips
The Score — 2001 — Frank Oz
Seeing Double — 2003 — Nigel Dick
Severance — 2006 — Christopher Smith
Shakespeare in Love — 1998 — John Madden
Shallow Grave — 1994 — Danny Boyle
Shanghai Knights — 2003 — David Dobkin
Shanghai Noon — 2000 — Tom Dey
Shank — 2010 — Mo Ali
Shaolin Temple 3 — 1986 — Liu Chia-liang
The Shape of Things — 2003 — Neil LaBute
Sherlock Holmes — 2009 — Guy Ritchie
Sherlock Holmes: A Game of Shadows — 2011 — Guy Ritchie
She’s the One — 1996 — Edward Burns
Shifty — 2008 — Eran Creevy
Signs — 2002 — M. Night Shyamalan
Silver Linings Playbook — 2012 — David O. Russell
Simon Sez — 1999 — Kevin A. Elders
Sing Street — 2016 — John Carney
A Single Man — 2009 — Tom Ford
Sisters — 1972 — Brian De Palma
The Sitter — 2011 — David Gordon Green
The Skulls — 2000 — Rob Cohen
Sky High — 2005 — Mike Mitchell
Sleepers — 1996 — Barry Levinson
Sleepless in Seattle — 1993 — Nora Ephron
Sleepy Hollow — 1999 — Tim Burton
Sneakers — 1992 — Phil Alden Robinson
Soundcover — [unclear] — [unclear]
Split Decisions — 1988 — David Drury
Spy Game — 2001 — Tony Scott
Spy Kids — 2001 — Robert Rodriguez
Starship Troopers — 1997 — Paul Verhoeven
Starter for 10 — 2006 — Tom Vaughan
State and Main — 2000 — David Mamet
State of Play — 2009 — Kevin Macdonald
Steal — 2002 — Gerard Butler
The Stepfather 2 — 1989 — Jeff Burr
Stick It — 2006 — Jessica Bendinger
Stigmata — 1999 — Rupert Wainwright
The Story of Us — 1999 — Rob Reiner
Striking Distance — 1993 — Rowdy Herrington
Supersonic — 2016 — Mat Whitecross
Sweet Sixteen — 2002 — Ken Loach
The Sweetest Thing — 2002 — Roger Kumble
Swing Kids — 1993 — Thomas Carter
Swordfish — 2001 — Dominic Sena
The Tailor of Panama — 2001 — John Boorman
Take Out — 2004 — Sean Baker & Shih-Ching Tsou
Taking Lives — 2004 — D. J. Caruso
Tales of the City 1993 — TV miniseries
Tequila Sunrise — 1988 — Robert Towne
That Thing You Do! — 1996 — Tom Hanks
The Dark Half — 1993 — George A. Romero
The Hard Times of RJ Berger: Behind Enemy Lines — 2010 — TV special
Bonded by Blood — 2010 — Sacha Bennett
The Princess Diaries — 2001 — Garry Marshall
Them — 2006 — David Moreau & Xavier Palud
Thinner — 1996 — Tom Holland
Thirteen Ghosts — 2001 — Steve Beck
This Means War — 2012 — McG
Tigerland — 2000 — Joel Schumacher
Tokyo Raiders — 2000 — Jingle Ma
Too Fat for 40: Kevin Smith — 2010 — Kevin Smith
Topaz — 1969 — Alfred Hitchcock
Torque — 2004 — Joseph Kahn
Traffic — 2000 — Steven Soderbergh
Trainwreck — 2015 — Judd Apatow
Trapped — 2002 — Luis Mandoki
True Blue — 1996 — Ferdinand Fairfax
Trust — 2010 — David Schwimmer
24 Hour Party People — 2002 — Michael Winterbottom
Twin Town — 1997 — Kevin Allen
Universal Soldier — 1992 — Roland Emmerich
Unknown — 2011 — Jaume Collet-Serra
Uptown Girls — 2003 — Boaz Yakin
Vacancy — 2007 — Nimród Antal
Valkyrie — 2008 — Bryan Singer
Veronica Guerin — 2003 — Joel Schumacher
Vertical Limit — 2000 — Martin Campbell
The Village — 2004 — M. Night Shyamalan
Viva La Bam — All Series — 2003 — TV series
The Wackness — 2008 — Jonathan Levine
Wall Street — 1987 — Oliver Stone
Wallace & Gromit: The Curse of the Were-Rabbit — 2005 — Nick Park & Steve Box
War of the Worlds — 2005 — Steven Spielberg
The Ward — 2010 — John Carpenter
Wasabi — 2001 — Gérard Krawczyk
The Watch — 2012 — Akiva Schaffer
The Wedding Date — 2005 — Clare Kilner
Weiner — 2016 — Josh Kriegman & Elyse Steinberg
Welcome to the Punch — 2013 — Eran Creevy
What a Girl Wants — 2003 — Dennie Gordon
What Happens in Vegas — 2008 — Tom Vaughan
What Lies Beneath — 2000 — Robert Zemeckis
What Remains — [unclear] — [unclear]
When a Stranger Calls — 2006 — Simon West
Whip It — 2009 — Drew Barrymore
Who Am I? — 1998 — Jackie Chan & Benny Chan
Wild Hogs — 2007 — Walt Becker
The Witches of Eastwick — 1987 — George Miller
The Woman in Black — 2012 — James Watkins
Working Girl — 1988 — Mike Nichols
World Trade Center — 2006 — Oliver Stone
Youth in Revolt — 2009 — Miguel Arteta
Zack and Miri Make a Porno — 2008 — Kevin Smith
“O” — 2001 — Tim Blake Nelson

ONE OF MY FAV MOVIE BOOKS

NARATED BY THE GOAT - ERIC BOGOSIAN

The book chronicles his journey from a post-WWII refugee camp to becoming the highest-paid screenwriter in Hollywood, while providing a candid look at the film industry's dark side.

Before he became Hollywood’s highest-paid screenwriter and patron saint of coke-fuelled self-sabotage, Joe Eszterhaswas a refugee kid fleeing postwar Hungary with his family after the Soviet crackdown. He laded up in America and became a screenwriter.

Eszterhas writes about Hollywood like a man who both conquered it and let it hollow him out from the inside! Seven-figure script deals, studio warfare, chain-smoking, sex addiction, screaming matches, fax machines and arguments in writers rooms. But what makes the book hit harder than the average industry tell-all is the immigrant desperation underneath all the excess. He never quite loses the sense that everything — the mansions, the women, the power — could vanish overnight. The result is a grotesque, funny and deeply American self-portrait of a refugee who climbed all the way to the top of the culture.

PLEASE PAY AND SUPPORT AND KEEP MOVIE CULTURE ALIVE

LINK IN PAYWALL

Read more

Everybody remembers The Sopranos for the violence, the panic attacks, the gabagool, the dream sequences, the tracksuits and Paulie’s face. But the show is also one of the great archives of movie obsession ever put on television. David Chase built a world where everybody is constantly watching something, quoting something, misremembering something, or trying to become somebody they once saw in a movie.

Cinema runs through The Sopranos. Beyond the violence, the therapy, and the suburban malaise, David Chase’s series is deeply preoccupied with the ways people absorb movies into their inner lives — how identity, memory, masculinity, romance, and even grief become mediated through images inherited from American film culture. The obvious landmarks are impossible to ignore.

The Godfather trilogy hangs over the series like sacred text; Goodfellas provides both a formal grammar and a ghostly meta-casting. But the world of The Sopranos is also shaped by classic Hollywood melodrama, postwar noir, Italian modernism, westerns, horror films, prestige dramas, exploitation cinema, and the kind of movies perpetually playing on late-night cable television.

A stray scene from Rio Bravo or On the Waterfront can suddenly illuminate Tony Soprano’s understanding of loyalty, power, or masculinity more clearly than dialogue ever could. At times, the references operate as jokes or passing cultural observations. Elsewhere they become structural echoes: murders staged like scenes from The Godfather, dream sequences assembled through noir and surrealist logic, visual compositions that consciously invoke classical Hollywood cinema. The cumulative effect is that The Sopranos becomes, in part, a meditation on spectatorship itself — on the generation of Americans who learned how to speak, desire, threaten, and remember through movies.

What follows is a long list of films referenced throughout the series, organised by episode. Some are central influences; others flicker briefly from televisions in kitchens, living rooms, hospitals, and back rooms at the Bada Bing. Taken together, they form the cultural landscape from which The Sopranos emerged.

The Godfather (1972, dir. Francis Ford Coppola)

1.01: When disposing of Emil Kolar’s body, Christopher says to “Big Pussy,” “Louis Brasi sleeps with the fishes.” Pussy corrects him, “Luca Brasi.”

1.04: Pussy refers to Brendan’s murder, being shot through the eye, as a “Moe Greene special”, in reference to the way Moe Greene is killed in this film.

2.01: Silvio makes several imitations of actors in The Godfather and The Godfather Part III. Phillip Parisi’s death is a reference to The Godfather (1972), when Paulie Gatto is shot and killed in the driver’s seat of a car because of his role in the attempted murder of Vito Corleone. Also, as Philly gets in his car to leave home, his wife tells him, “Don’t forget the pastries”, a reference to the scene where Peter Clemenza’s wife also tells him, “Don’t forget the cannoli”, before he drives off to see that Paulie is killed.

2.13: Tony’s dream where Pussy appears as a fish, saying that the other fishes around him are “asleep” mirror a quote from The Godfather which Pussy corrected to Christopher while helping to dispose of Emil Kolar’s corpse in the pilot episode : “Luca Brasi sleeps with the fishes”.

3.02: The shot of the undertaker is framed as a visual homage to Bonasera’s opening scene in The Godfather.

Field of Dreams (1989, dir. Phil Alden Robinson)

1.01: Carmela and Father Phil watch this before finding out that Meadow broke curfew.

Goodfellas (1990, dir. Martin Scorsese)

1.01: When Tony grabs Christopher after he was considering selling his life story into a biopic, he mentions mobster Henry Hill whose life story was documented in the true crime book Wiseguy and subsequently adapted into Goodfellas.

1.08: Richard LaPenna says American culture is giving Italian-Americans a bad name, citing The Godfather and this film as examples. Also, in this film, Tommy DeVito shoots a waiter played by Michael Imperioli in the foot. In this episode, it is Christopher who shoots the bakery clerk in the foot.

3.03: Christopher fears being “made” may be a pretext for a hit, echoing Joe Pesci’s fate in Goodfellas.

5.11: Phil Leotardo shooting Angelo Garepe in the trunk of his car recalls murders from the film.

The Godfather Part III (1990, dir. Francis Ford Coppola)

1.02: Silvio makes several impressions of Michael Corleone from this film.

2.13: Silvio repeats his Godfather Part III Michael Corleone impersonation in Tony’s dream.

Casino (1995, dir. Martin Scorsese)

1.05: Meadow says most people she knows prefer Casino to The Godfather and begins discussing Sharon Stone’s performance.

1.10: Bruce Cusamano references the infamous vise scene.

The Last Temptation of Christ (1988, dir. Martin Scorsese)

1.05: Carmela and Father Phil discuss Willem Dafoe’s performance as Jesus. Father Phil mentions Robert De Niro was originally meant to play the role.

The Remains of the Day (1993, dir. James Ivory)

1.05: Carmela tells Father Phil she owns a copy of the film.

The Fugitive (1993, dir. Andrew Davis)

1.08: Christopher references Richard Kimble while describing a character arc to Paulie.

4.08: Tony watches the film on his widescreen television.

The Devil’s Advocate (1997, dir. Taylor Hackford)

1.08: Christopher references Keanu Reeves’ character from the film.

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Martin Amis – The Information

Last year I got really obsessed with Martin Amis. Aside from devouring his novels, I began watching interviews, documentaries, and trying to find first editions of his books (that I could afford) . To me, he’s one of the last cool figures of the old literary world. I want to recommend two books: a memoir and a novel.

The Information was the book Amis received his record-breaking advance for—£500k, the largest any British fiction writer had ever received at the time. The literary world hated him for it, which is ironic considering the subject of the book.

The novel is a black comedy about envy, failure, and literary ambition. It follows Richard Tull, a once-promising writer now sidelined to obscurity, who becomes obsessed with sabotaging his old university friend Gwyn Barry’s career—a bestselling author of corny mainstream fiction.

Martin Amis – Experience (A Memoir)

I was suffering from a recurring wisdom tooth problem. Every few months the pain would flare up, then after a few days vanish. I went to see a private dentist and the cost he quoted for removal was nuts. I told my friend I’m gonna try to survive on painkillers until I strike it rich and can afford dental work. He laughed and said:

“Go read Martin Amis’s memoir—he had the worst toothache problems in that book.”

He was right. Amis was plagued with the worst teeth and toothaches and took that advance for The Information to a top dentist to have his entire mouth fixed.

But Experience is about far more than dental woes. Amis writes about growing up in the shadow of his famous father, Kingsley Amis; about love, friendship, fame, and the tragedies that shaped his life—including the disappearance and murder of his cousin.

The book is full of Amis’s trademark wit and dazzling style, but it’s also vulnerable and searching. What hit me so deeply, after being such a fan, was realising that behind the ever so stylish, public persona was someone trying to make sense of loss, love, family, and the strange business of being a writer.

Elizabeth Wurtzel – Prozac Nation

I grew up Generation X, and now in my forties I look back so fondly on that era: alternative rock, MTV, independent films, Seinfeld, hanging out in record stores and the video store. Back then, big record shops often had a cool book section stocked with cult writers like Hunter S. Thompson, William Burroughs, Don DeLillo, Thomas Pynchon, Charles Bukowski, etc.

They also carried the new Gen X icons like Douglas Coupland, Bret Easton Ellis, Jay McInerney—and that’s where I discovered Elizabeth Wurtzel.

I was immediately drawn to Prozac Nation because of the cover. Wurtzel was strikingly beautiful, reminding me of Fiona Apple, and of course the title was incredible. As a mildly depressed eighteen-year-old, I was sold instantly. The book became a defining document of Gen X melancholy and medication.

Raw, unfiltered, and unapologetically messy, it’s about depression, yes—but also ambition, self-sabotage, and the crushing pressure to seem “okay.” I had never read someone express these feelings. I also think Wurtzel deserves far more respect than she gets. Her second book, Bitch: In Praise of Difficult Women, is excellent, as is her later memoir More, Now, Again.

Donna Tartt – The Secret History

To me, this is the perfect novel.

Every time I open it, I’m floored by the writing. I’m still so obsessed with this book. It casts a spell on you. I know so many people who keep re-reading it or, like me, buy different editions of the book to re-read. It’s like Donna started her own book cult and definitely spawned the DARK ACADEMIA trend that ran on Tumblr.

The Secret History is a genius inversion of the campus novel, replacing earnest coming-of-age with an icy exploration of beauty, intellect, and evil. Set at a small Vermont college, the book follows a clique of eccentric classics students whose devotion to their enigmatic professor and to the rigours of ancient Greek thought becomes both intoxicating and murderous.

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Please note: every time I make these lists, I forget to include the obvious classics.

Also please note — yes, I defend Counting Crows in this list.

I also forgot about GG ALLIN: HATED (1993)

Meeting People Is Easy (1998, dir. Grant Gee)
A fragmented, claustrophobic portrait of Radiohead during their OK Computer tour. Rather than a conventional tour documentary, it drifts through hotel rooms, press junkets, and exhausted performances, building a cumulative sense of dislocation. Interviews loop meaninglessly, fans blur into noise, and the band—especially Thom Yorke—appear increasingly detached from their own success.

What makes the film endure is how precisely it mirrors the emotional architecture of OK Computer itself: repetition, digital glitches, and non-linear editing evoke a world mediated by screens and corporate language. Less about music than the psychic toll of late-90s globalisation.

⸻

Dig! (2004, dir. Ondi Timoner)
A volatile, hilarious, and often sad portrait of the rivalry between The Dandy Warhols and The Brian Jonestown Massacre. At its core: Courtney Taylor-Taylor vs. Anton Newcombe—commercial instinct against self-destructive idealism.

Shot over seven years, it captures fist fights, arrests, breakdowns, and flashes of brilliance. A brutally honest study of ego, addiction, and the myth of authenticity in indie rock.

⸻

Part of the Weekend Never Dies (2008, dir. Saam Farahmand)
Shot with a single camera and, for my money, still the best documentary about dance music. Following Soulwax and their 2ManyDJs project on tour, it plunges into the blur of global nightlife—airports, hotels, green rooms, and heaving clubs.

A time capsule of late-2000s electronic culture, where DJing becomes both spectacle and endurance test.

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I lost my dad this year and haven’t been able to focus or write in a long time.

Lists, articles, memes and playlists to come.

Chris Cunningham is priceless. Not only has my favourite videoclip-director already been working for two months on the new Aphex Twin-video (and will he need at least another two months to come to a satisfying result), he also arrives at our meeting exactly on time, practically naked, in a wheelchair, and with an Elephant Man-esque forehead. “Sorry, I thought you would have been here later.” he apologizes whilst I am laughing my ass off. When I am able to speak again (from all that laughter) I tell Chris I should just leave the interview at this to keep his public image intact. Because Chris Cunningham is considered ‘weird’.

GIBSON
Half an hour later, when Chris is fully dressed and without artifical bodyparts, and he is leading me to his room in the office of director Ridley Scott’s filmcompany in London, he returns to that subject. He explains he looked that way because he is working on an Aphex Twin-video where he himself will be playing in. We talk about the word “weird”. Altough the word means more than simply it’s dutch translation ‘vreemd’, it is used by everybody to describe things that are somewhat unordinary, and by the use of the word ‘weird’ become easy to categorise.
For instance people call David Lynch’s work weird, and thereby people are placing David Lynch in the same category as a Marilyn Manson-videoclip. The concept of “weird” eventually looses all it’s meaning because more and more things are considered weird. Also people won’t truly make an effort anymore to truly analyse and understand things because it’s easier to just call them “weird”. Chris is absolutely right when he says he hates the word ‘weird’.

I’m not ashamed to admit I’m a huge fan of Chris’ work, and I tell him that I really love the fact that he uses both high-tech and low-tech, but also human behaviour and emotions. You don’t see the combination alot; for that reason he is in my opinion the only person capable of filming William Gibsons work.
According to rumours Chris is working on Gibsons book “neuromancer”. How is that coming along?

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Over nearly six decades, Frederick Wiseman has built one of the most extraordinary bodies of work in cinema: a vast, quietly radical survey of modern institutions. His films rarely rely on narration, interviews, or explanatory text. Instead, Wiseman immerses viewers inside hospitals, schools, welfare offices, police departments, museums, libraries, and city halls, patiently observing how these systems actually function. Through careful editing and long stretches of unbroken observation, ordinary encounters—meetings, arguments, waiting rooms, rehearsals—gradually reveal the structures of power, authority, and care that shape everyday life.

Associated with the tradition of Direct Cinema but ultimately operating on his own terms, Wiseman’s documentaries unfold with novelistic depth and extraordinary duration, often running three or four hours. What might sound dry on paper becomes something hypnotic on screen: institutions transformed into dense social ecosystems, full of conflict, humor, frustration, and unexpected tenderness. Watching Wiseman is less like receiving information than entering a world and living inside it for a while—an experience that, film by film, adds up to one of the most ambitious portraits of contemporary society ever put on screen.

Here is a long list of our favs…

At Berkley + National Gallery + Ex Libris: The New York Public Library are our all time favs.

Please note: Domestic Violence esp part 2 are really heavy viewing.

1967 — Titicut Follies
A shocking, once-banned immersion inside a Massachusetts hospital for the criminally insane, exposing the brutal realities of institutional life.

1968 — High School
An unflinching portrait of a Philadelphia high school where discipline, conformity, and authority quietly shape the next generation.

1969 — Law and Order
A patrol-car view of policing in Kansas City, revealing the uneasy rhythms of authority on the American street.

1970 — Hospital
Inside a busy New York emergency hospital, where doctors and patients navigate crisis, bureaucracy, and the limits of care.

1972 — Essene
A quiet look at daily life in a Benedictine monastery, observing faith as lived routine rather than spectacle.

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NOTE: THIS PIXIES VIDEO WAS BANNED FROM TV FOR BEING ‘TOO BORING’

ALL OF RICHARD KERNS VIDEOS

https://www.richardkern.com/music-videos

The Power of Nightmares (dir. Adam Curtis)

In the vacuum left by the collapse of grand political dreams, a new kind of story took hold: fear. In The Power of Nightmares, Adam Curtis traces the parallel rise of American neoconservatism and radical Islamism, arguing that both movements flourished not through mass support, but through mythmaking — construct…

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1. Lost Highway (1997)

2. Blue Velvet (1986)

3. Twin Peaks: Fire Walk with Me (1992)

4. Eraserhead (1977)

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— Martin Amis EXPERIENCE

Fisher’s work lives in unfinished forms: blog posts, lectures, fragments, detours into horror, science fiction, music criticism, and political writing that refuses to stay in its lane. A polished, closed reading list would misrepresent the way his thinking actually moved.

What follows isn’t a syllabus or a greatest-hits package. It’s a constellation of texts — Fisher’s own work, posthumous and collaborative material, and a wider orbit of theory, fiction, and cultural writing that either shaped his thinking or continues to vibrate at the same frequency.

Some of these books and essays are foundational; others feel more like background radiation. Disagreement, friction, and contradiction are part of the point.

Like the films I write about here, this list is meant to be entered, not mastered. Dip in at diff angles. Read things out of order. Follow the weird threads rather than the obvious ones. This is an open-source document, and it’s offered in that spirit: provisional, editable, and unfinished. If Fisher taught us anything, it’s that culture reveals itself most clearly at its edges — and that’s usually where the interesting work begins.

MARK FISHER

• Capitalist Realism

• The Weird and the Eerie

• Ghosts of My Life

• k-punk (selected writings)

• Exiting the Vampire Castle

From k-punk:

• “Read A Dream of Wessex”

• “The Unconsoled & The Castle”

• “Memorex for the Krakens”

• “How the World Got Turned the Right Way Up Again”

• Flatline Constructs: Gothic Materialism and Cybernetic Theory-Fiction

MARK FISHER & MATT COLQUHOUN

• Post-Capitalist Desire: The Final Lectures (edited by Matt Colquhoun)

OTHER / ADJACENT / CONSTELLATION

• Paul Gilroy — The Black Atlantic

• Sadie Plant — Zeros + Ones: Digital Women and the New Technoculture

• Adam C. Jones — The New Flesh: Life and Death in the Data Economy

Jodi Dean

• The Communist Horizon

• Red October

• Blog Theory: Feedback and Capture in the Circuits of Drive

• Crowds and Party

• Democracy and Other Neoliberal Fantasies

• Feminism and the New Democracy

• Owen Jones — Chavs: The Demonization of the Working Class

• Dominic Pettman — Infinite Distraction

• Jacques Rancière — The Emancipated Spectator

Deleuze & Guattari

• Capitalism and Schizophrenia

• A Thousand Plateaus

• Fredric Jameson — Postmodernism, or, The Cultural Logic of Late Capitalism

• Franco “Bifo” Berardi — After the Future

Fiction / Hauntology / Weird

• Russell Hoban — Riddley Walker

• Christopher Priest — The Inverted World

• H. P. Lovecraft — The Call of Cthulhu

• M. R. James — Ghost Stories of an Antiquary

• M. R. James — “Oh, Whistle, and I’ll Come to You, My Lad”

• Daphne du Maurier — The Birds

• Kodwo Eshun & Anji Sagar — Ghosts of Songs

• CCRU — Writings 1997–2003 (Urbanomic)

Music / Culture / Politics

• Simon Reynolds — Energy Flash

• Simon Reynolds — “Renegade Academia: The CCRU”

• Andy Beckett — When the Lights Went Out

• Andy Beckett — Promised You a Miracle

Theory / Philosophy

• Georges Bataille — Literature and Evil

• Slavoj Žižek — How to Read Lacan

• Eugene Thacker — In the Dust of This Planet

• Jean Baudrillard — Symbolic Exchange and Death

• Herbert Marcuse — Eros and Civilization

• Nancy Hartsock — “The Feminist Standpoint”

Labour / Futures

• Jefferson Cowie — Stayin’ Alive: The 1970s and the Last Days of the Working Class

• Rob Hopkins — How to Fall in Love with the Future

Fingers (1978) Dir. James Toback

Little Murders (1971) Dir. Alan Arkin

Two Lovers (2008) Dir. James Gray

The Landlord (1970) Dir. Hal Ashby

Shakedown (1988) Dir. James Glickenhaus

Liquid Sky (1982) Dir. Slava Tsukerman

The Taking of Pelham One Two Three (1974) Dir. Joseph Sargent

Mean Streets (1973) Dir. Martin Scorsese

Fatal Attraction (1987) Dir. Adrian Lyne

The Pawnbroker (1964) Dir. Sidney Lumet

Network (1976) Dir. Sidney Lumet

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- Martin Amis

• Oneohtrix Point Never — Tranquilliser

• Eli Keszler — Eli Keszler

• Steve Hauschildt — Aeropeia

• Steve Gunn — Daylight, Daylight

• Steve Gunn — Music for Writers

• Kali Malone & Drew McDowall — Magnetism

• Taylor Deupree — Case Studies

• Cameron Winter — Heavy Metal

• Jason Isbell — Foxes in the Snow

• Kyle Bobby Dunn — A Mixture of Failures

• Malibu — Vanities

• Vatican Shadow — 20th Hijacker

• Barker — Stochastic Drift

• Addison Rae — Addison

• Rebounder & Sofie Royer — Tennis Bracelet

1. Coming To America (1988, John Landis)

2. Mountain Pass (1988, Michał Bat-Adam)

3. Manhattan (1979, Woody Allen)

4. A Perfect Couple (1979, Robert Altman)

5. Luna (1979, Bernardo Bertolucci)

6. Saint Jack (1979, Peter Bogdanovich)

7. Série noire (1979, Alain Corneau)

8. Scum (1979, Alan Clarke)

9. Apocalypse Now (1979, Francis Ford Coppola)

10. Last Embrace (1979, Jonathan Demme)

11. 10 (1979, Blake Edwards)

12. Boarding House (1982, John Wintergate)

13. The Third Generation (1979, Rainer Werner Fassbinder)

14. Winter Kills (1979, William Richert)

15. All That Jazz (1979, Bob Fosse)

16. The Muppet Movie (1979, James Frawley)

17. Bloody Kids (1979, Yves Boisset)

18. Zombie Flesh Eaters (1979, Lucio Fulci)

19. Laura (1944, Otto Preminger)

20. A Little Romance (1979, George Roy Hill)

21. Over the Edge (1979, Jonathan Kaplan)

22. The Bodyguard (1980, Richard Fleischer)

23. North Dallas Forty (1979, Ted Kotcheff)

24. Graduate First (1978, Maurice Pialat)

25. Dead Mountaineer’s Hotel (1979, Grigori Kromanov)

26. Mad Max (1979, George Miller)

27. Getting to Know the Big Wide World (1978, Joachim Trier Sr.)

28. Alien (1979, Ridley Scott)

29. 1941 (1979, Steven Spielberg)

30. Stalker (1979, Andrei Tarkovsky)

31. American Gigolo (1980, Paul Schrader)

32. Stardust Memories (1980, Woody Allen)

33. Night of the Juggler (1980, Robert Butler)

34. Dressed to Kill (1980, Brian De Palma)

35. Melvin and Howard (1980, Jonathan Demme)

36. Demon Lover Diary (1980, Joel M. Reed)

37. Skiing Scenes with Franz Klammer (1980, Werner Herzog)

38. Every Man for Himself (1980, Jean-Luc Godard)

39. Berlin Alexanderplatz (1980, Rainer Werner Fassbinder)

40. Cruising (1980, William Friedkin)

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• The Mastermind

• After the Hunt

• Videoheaven

• One Battle After Another

• The Materialists

• Roofman

• Frankenstein

• Caught Stealing

• Freaky Tales

• Sirat

• Nouvelle Vague

• The Testament of Ann Lee

April and Phil Margera’s Ultimate House Tour (YouTube Documentary)