<script data-pm-proxy="intercept"></script><?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[The Unofficial Fuji X Series User's Guide (EN)]]></title><description><![CDATA[Unlock the full power of your Fujifilm camera.
The The Unofficial Fuji X Series  User offers clear, in-depth explanations of settings, menus, and techniques—designed for curious and passionate photographers using the Fuji X Series systems.]]></description><link>https://jmplisson.substack.com</link><image><url>https://substackcdn.com/image/fetch/$s_!Jxzt!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff5518a30-b04c-4c8c-be1b-c5fbc3a58626_767x767.png</url><title>The Unofficial Fuji X Series User&apos;s Guide (EN)</title><link>https://jmplisson.substack.com</link></image><generator>Substack</generator><lastBuildDate>Tue, 01 Sep 2026 14:48:54 GMT</lastBuildDate><atom:link href="/__u/jmplisson.substack.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[J.M. Plisson]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[jmplisson@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[jmplisson@substack.com]]></itunes:email><itunes:name><![CDATA[J.M.PLISSON]]></itunes:name></itunes:owner><itunes:author><![CDATA[J.M.PLISSON]]></itunes:author><googleplay:owner><![CDATA[jmplisson@substack.com]]></googleplay:owner><googleplay:email><![CDATA[jmplisson@substack.com]]></googleplay:email><googleplay:author><![CDATA[J.M.PLISSON]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[X-E5 & X-T5 – Landscape and Travel Settings (part 2/2)]]></title><description><![CDATA[Set the rendering of your JPEGs for landscape and travel.]]></description><link>https://jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-settings-part-2</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-settings-part-2</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Tue, 01 Sep 2026 09:07:19 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!u9n7!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F804da69c-206c-4175-aa6d-2c123174e8c1_1536x1024.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, The Complete Guide</em>: 25 articles to configure, master, and get the most out of your recent Fuji X camera, from unboxing to reportage.</p><p>This is the third article of Volume 2, devoted to landscape and travel photography, in its second half. <strong>If you own an X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, or X-T30</strong>, almost everything here applies to you as well. I&#8217;ll flag the rare differences whenever they come up.</p><p><strong>&#128213; Volume 1 &#8212; Setup and Handling</strong> <em>(7 articles, complete)</em> &#8594; <a href="/__u/jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf">The X-E5 &amp; X-T5 Guide is available: eBook and paperback!</a></p><p><strong>&#127966;&#65039; Volume 2 &#8212; Landscape and Travel Photography</strong></p><ol><li><p><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-photography">Landscape and Travel Photography That Works</a></p></li><li><p><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-quick-setup-for-landscape-and-travel">Quick Setup for Landscape and Travel</a></p></li><li><p><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-settings-part-1">Landscape and Travel Settings (part 1/2)</a></p></li><li><p><strong>Landscape and Travel Settings (part 2/2)</strong> &#128073; <em>(you are here)</em></p></li><li><p>Fuji&#8217;s Strengths for Landscape and Travel</p></li><li><p>3 Original Landscape and Travel Recipes</p></li><li><p>A Day of Landscape and Travel Photography</p></li></ol><p><strong>&#128100; Volume 3 &#8212; Portrait and Everyday Life</strong> <em>(coming)</em></p><p><strong>&#128694; Volume 4 &#8212; Street and Reportage</strong> <em>(coming)</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!u9n7!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F804da69c-206c-4175-aa6d-2c123174e8c1_1536x1024.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!u9n7!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, 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/__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F804da69c-206c-4175-aa6d-2c123174e8c1_1536x1024.png 1456w" sizes="100vw"><img src="/__u/substackcdn.com/image/fetch/$s_!u9n7!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F804da69c-206c-4175-aa6d-2c123174e8c1_1536x1024.png" width="1456" height="971" 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6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p></p><h1>&#128506;&#65039; Your roadmap</h1><p>&#127919; Your camera is organized: Fn buttons, Q menu, My Menu. What remains is to learn the settings that shape the JPEG that comes out of the camera, and to understand what each one does. This part 2/2 follows part 1/2. It covers the image settings and the film simulations.</p><p>Here is the path we&#8217;ll follow together:</p><ul><li><p>&#127912; <strong>The image settings</strong>, dynamic range, tone curve, color, and sharpness, with a starting value for each practice.</p></li><li><p>&#127916; <strong>The film simulations</strong>, Velvia, Classic Chrome, Provia, and how to reach them quickly on each body.</p></li><li><p>&#128190; <strong>Checking custom settings C2 and C3</strong>, to confirm the values from part 1 and add dynamic range, grain, and the Chrome effects.</p></li><li><p>&#9989; <strong>The recap</strong>, a table and a checklist to close out the configuration evening.</p></li></ul><p>It all ends with saving custom settings C2 and C3. The next article will cover what Fujifilm bodies bring to landscape and travel photography. Let&#8217;s go!</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#127916; From an organized camera to a JPEG that is set</h1><p>With <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-settings-part-1">part 1/2</a> of this article, you learned how to configure the best landscape and travel settings so you can reach them in one or two gestures.</p><ul><li><p>&#128280; <strong>C2 and C3:</strong> press <strong>Q</strong>, turn the rear command dial, MENU/OK. The first click is mode P, A, S, or M. The next ones are C1 to C7.</p></li><li><p>&#9889; <strong>Q menu:</strong> one structure, fifteen assignable slots, eight sets of values. &#128279; see article 1-5, <a href="/__u/jmplisson.substack.com/p/my-q-menus-128-shortcuts-at-your-fingertips">My Q Menus, 128 shortcuts at your fingertips</a></p></li><li><p>&#128209; <strong>My Menu:</strong> eight entries, one page, no scrolling.</p></li></ul><p>This part 2/2 covers:</p><ol><li><p>The image settings: dynamic range, tone curve, color, sharpness, grain, white balance, photometry, shutter type.</p></li><li><p>The film simulations that suit landscape and travel, with the method that lets you reach them quickly.</p></li><li><p>Saving these settings into your custom settings C2 LANDSCAPE and C3 TRAVEL.</p></li></ol><div class="callout-block" data-callout="true"><p>&#128161; <strong>What this article leaves aside</strong></p><p>Pixel Shift and filters come in article 2-4, the complete recipes in article 2-5 of this Volume 2. I stay here on the basic JPEG rendering, the one your two configurations take out on every outing.</p></div><h1>&#127912; Set your image settings</h1><p><em>The JPEG you take into the field</em></p><h2>&#128214; What an image setting actually touches</h2><p><em>The JPEG is developed, the RAW stays intact</em></p><p>The settings in this chapter act on the JPEG the camera produces. The RAW file keeps every bit of data from the sensor, whatever your settings.</p><p>&#127919; Direct consequence: with <code>IMAGE QUALITY</code> FINE+RAW, the choice we kept in the previous article, you can experiment freely with the image settings. You will get a JPEG that is more or less successful, and a RAW of good quality that you can improve in post-production.</p>
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   ]]></content:encoded></item><item><title><![CDATA[X-E5 & X-T5 – Landscape and Travel Settings (part 1/2)]]></title><description><![CDATA[Set up your camera so every setting stays within reach]]></description><link>https://jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-settings-part-1</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-settings-part-1</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sat, 22 Aug 2026 17:27:40 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!GA9R!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3beb08d7-c269-4f36-a28b-ca1cf535b378_1536x1024.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, The Complete Guide</em>: 25 articles to configure, master, and get the most out of your recent Fuji X camera, from unboxing to reportage.</p><p>This is the third article of Volume 2, devoted to landscape and travel photography. <strong>If you own an X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, or X-T30</strong>, almost everything here applies to you as well. I&#8217;ll flag the rare differences whenever they come up.</p><p><strong>&#128213; Volume 1 &#8212; Setup and Handling</strong> <em>(7 articles, complete)</em> &#8594; <a href="/__u/jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf">The X-E5 &amp; X-T5 Guide is available: eBook and paperback!</a></p><p><strong>&#127966;&#65039; Volume 2 &#8212; Landscape and Travel Photography</strong></p><ol><li><p><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-photography">Landscape and Travel Photography That Works</a></p></li><li><p><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-quick-setup-for-landscape-and-travel">Quick Setup for Landscape and Travel</a></p></li><li><p><strong>Landscape and Travel Settings (part 1/2)</strong> &#128073; <em>(you are here)</em></p></li><li><p>Landscape and Travel Settings (part 2/2)</p></li><li><p>Fuji&#8217;s Strengths for Landscape and Travel</p></li><li><p>3 Original Landscape and Travel Recipes</p></li><li><p>A Day of Landscape and Travel Photography</p></li></ol><p><strong>&#128100; Volume 3 &#8212; Portrait and Everyday Life</strong> <em>(coming)</em></p><p><strong>&#128694; Volume 4 &#8212; Street and Reportage</strong> <em>(coming)</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!GA9R!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F3beb08d7-c269-4f36-a28b-ca1cf535b378_1536x1024.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!GA9R!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, 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6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><div class="callout-block" data-callout="true"><p><strong>&#9888;&#65039; Article updated on August 26, 2026</strong></p><p>This article has been corrected. The first version explained the switch from custom setting C2 to C3 poorly and incompletely. Fn2 must not be used for that switch, contrary to what was mistakenly indicated. Press the Q button, turn the rear command dial to select C2 or C3, then confirm with MENU/OK. Fn2 remains assigned to face detection. The gesture is detailed further down, in the section &#8220;The gesture that saves ten seconds&#8221;.</p></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#128506;&#65039; Your roadmap</h1><p>&#127919; Your camera carries about twenty customizable controls, and most of them still sit on their factory assignment. My goal in this article is to put them to work for landscape and travel, so that every useful setting stays reachable without taking your eye off the viewfinder.</p><p>Here is the path we&#8217;ll follow together:</p><ul><li><p>&#128506;&#65039; <strong>An inventory of your access points</strong>, thirteen on the X-E5, fifteen on the X-T5, dials not included.</p></li><li><p>&#128280; <strong>Your Fn buttons assigned</strong>, with the four functions that truly deserve direct access in the field, plus my assignment tables for each body.</p></li><li><p>&#127898;&#65039; <strong>The command dials</strong>, including the front dial that holds up to four settings instead of one.</p></li><li><p>&#9889; <strong>A Q menu built for both practices</strong>, 16 values for landscape, 16 more for travel, ready to copy.</p></li><li><p>&#128209; <strong>My Menu filled in</strong>, the personal page that replaces digging through seven tabs.</p></li></ul><p>It all ends with the full table of my assignments, body by body. Part 2/2 will then take over on the rendering of your images. Let&#8217;s go!</p><h1>&#127916; From a configured camera to an organized one</h1><p>You&#8217;ve read <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-quick-setup-for-landscape-and-travel">the previous article</a>, and your two custom settings are in place: C2 for landscape, C3 for travel. Mode A is selected, your three Auto ISO banks are set, your autofocus is configured, and your files are recorded as FINE+RAW. Your camera is ready.</p><p>One obstacle remains in the field. You watch the light change, you know exactly which setting to adjust, and you spend the next fifteen seconds navigating menus to reach it. The light, meanwhile, moves on.</p><p>&#127919; That&#8217;s the subject of this article: <strong>reaching every useful setting in a couple of seconds</strong>. Your X-E5 or X-T5 carries about twenty customizable controls, not counting the sixteen slots of the Q menu and the entries of My Menu. Most of these controls still hold their factory assignment, chosen by Fujifilm for an average photographer who doesn&#8217;t exist. You shoot landscapes and you travel.</p><p>We&#8217;ll work in two stages.</p><ol><li><p>First, the physical controls: Fn buttons, dials, lever, lens ring.</p></li><li><p>Then the quick menus: the Q menu, whose values follow each of your custom settings C1 through C7, and My Menu, your personal page.</p></li></ol><p>The rendering of your images, image settings and film simulations, is the subject of part 2/2.</p><p>This setup takes one evening, split in two: the first half with this article, the second with the next one. Do it comfortably at home, camera on the table, a cup of tea beside you and this article in front of you. The time you invest comes back on every outing: you&#8217;ll release the shutter at the right moment, instead of thirty seconds too late.</p><div class="callout-block" data-callout="true"><p>&#128161; <strong>What this article covers</strong></p><p>We&#8217;re talking about <strong>access</strong> here: physical controls and quick menus. Image settings and film simulations come in part 2/2. Pixel Shift, filters, and complete recipes are detailed in articles 5 and 6 of Volume 2. Everything in its place, and your settings stay consistent from one article to the next.</p></div><p>One last word before we dive in. All my assignments are proposals, tested in the field with both bodies over several months. Take them as a starting point, keep the ones that speak to you, replace the rest. A well-organized camera is a camera organized <strong>your way</strong>.</p><p>Let&#8217;s start with the inventory.</p><h1>&#128506;&#65039; Locate your access points</h1><h2>&#127919; What customization changes</h2><p>At the end of the previous article, I left you with a configured camera and one gesture still unrefined. To switch from landscape to travel, you currently enter the menu, scroll down to the custom settings line, choose C3, confirm. Three operations, a good fifteen seconds, and your eye leaves the viewfinder.</p><p>The same trip exists for dynamic range, for white balance, for metering. Every useful setting sits somewhere in the seven menu tabs, four or five presses away. Customization means bringing those settings up to the surface, until they fit in a single press of your thumb.</p>
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   ]]></content:encoded></item><item><title><![CDATA[X-E5 & X-T5 – Quick Setup for Landscape and Travel]]></title><description><![CDATA[Five moves before you head out, on your X-E5 and X-T5]]></description><link>https://jmplisson.substack.com/p/x-e5-and-x-t5-quick-setup-for-landscape-and-travel</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-and-x-t5-quick-setup-for-landscape-and-travel</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Fri, 14 Aug 2026 17:06:02 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!OKhY!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa7495498-422c-4e0e-8c4b-b4bb2fcc9760_1476x1066.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p><em>Five moves before you head out, on your X-E5 and X-T5</em></p><p>&#128218; <strong>This article is part of the series</strong> <em>The Complete Fujifilm X-E5 and X-T5 Guide</em>: 25 articles to set up, master and get the most out of your recent Fuji X, from unboxing to reportage.</p><p>This article is the second in Volume 2, devoted to landscape and travel photography. <strong>X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5 and X-T30 owners</strong>, almost everything here applies to you as well, and I will flag the rare exceptions as they come.</p><p><strong>&#128213; Volume 1 &#8212; Setup and Handling</strong> <em>(7 articles, complete)</em> &#8594; <a href="/__u/jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf">The X-E5 and X-T5 Guide: the PDF, the eBook, the Paperback</a></p><p><strong>&#127966;&#65039; Volume 2 &#8212; Landscape and Travel Photography</strong></p><ol><li><p><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-photography">Landscape and travel photography that works</a></p></li><li><p><strong>Quick setup for landscape and travel</strong> &#128073; <em>(you are here)</em></p></li><li><p>Landscape and travel settings</p></li><li><p>The Fuji advantages in landscape and travel</p></li><li><p>3 exclusive landscape and travel recipes</p></li><li><p>A day of shooting in landscape and travel</p></li></ol><p><strong>&#128100; Volume 3 &#8212; Portrait and Everyday Life</strong> <em>(coming soon)</em></p><p><strong>&#128694; Volume 4 &#8212; Street and Reportage Photography</strong> <em>(coming soon)</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!OKhY!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa7495498-422c-4e0e-8c4b-b4bb2fcc9760_1476x1066.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!OKhY!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa7495498-422c-4e0e-8c4b-b4bb2fcc9760_1476x1066.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!OKhY!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa7495498-422c-4e0e-8c4b-b4bb2fcc9760_1476x1066.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!OKhY!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa7495498-422c-4e0e-8c4b-b4bb2fcc9760_1476x1066.jpeg 1272w, 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8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h1>&#128506;&#65039; Your roadmap</h1><p>&#127919; One minute is all it takes to prepare your camera before you head out. My aim in this article is to give you the five moves that decide almost everything, in the exact order in which I apply them myself.</p><p>Here is the path we will follow together:</p><ul><li><p>&#127890; <strong>The packed bag</strong>, with the right camera, two lenses and an alternative, batteries and seasonal accessories.</p></li><li><p>&#127899;&#65039; <strong>The exposure mode</strong>, built from two controls alone, with the starting position that suits landscape and travel alike.</p></li><li><p>&#128246; <strong>ISO within limits</strong>, to keep clean images whatever the light throws at you.</p></li><li><p>&#127919; <strong>Focus</strong>, one position for static scenes, another for moving ones, and the criterion that separates the two.</p></li><li><p>&#128450;&#65039; <strong>File format and exposure compensation</strong>, two settings that decide the final quality of your images.</p></li><li><p>&#128190; <strong>Two complete configurations</strong>, in a table, ready to copy and to save into a custom profile.</p></li></ul><p>It all ends with the checklist I run through on the doorstep, before every outing. Let&#8217;s go!</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#127916; From a trained eye to a ready camera</h1><p>The previous article ended without a single menu path. We talked about light, composition and traps to avoid, because those three subjects decide the result long before any setting does.</p><p>Now we step inside the camera. The visit will be short: five settings cover almost every landscape and travel situation. One minute, stopwatch in hand, and your X-E5 or X-T5 stops working against you at the moment you press the shutter.</p><p>These five moves are the ones I apply myself before every outing, always in the same order. That order has a purpose: each move prepares the next, and the last one is adjusted in the field, as the light changes.</p><p>You will leave here with two complete configurations, one for landscape and one for travel, laid out in a table and ready to copy into your camera. All that remains is to save them into a custom profile, which we will do together at the end of the article.</p><p>A word about the method. Every move is described on both cameras, with the exact menu labels. The controls sometimes differ between the X-E5 and the X-T5, the result stays the same.</p><p>Pick up your camera, Fujistas. This article is meant to be read with the camera in hand.</p><div class="callout-block" data-callout="true"><p>&#128161; <strong>What this article leaves aside</strong></p><p>Fn buttons, the Q menu and My Menu deserve full coverage, and they will get it in the next article. So do image settings, film simulation and dynamic range.</p><p>Here we stay with the five settings that decide exposure and sharpness.</p></div><h1>&#127890; Pack your bag</h1><h2>&#127919; What is decided before the dials</h2><p><em>The bag first, the settings second</em></p><p>The gear you carry conditions everything else. A camera left at home takes no photographs, an unsuitable lens wastes the finest light, and a flat battery ends the outing more surely than rain does.</p><p>This chapter opens the article for a simple reason: it is the first real move, the one you make the evening before. The five settings come afterwards, once the bag is packed.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!RCLJ!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 1456w" sizes="100vw"><img src="/__u/substackcdn.com/image/fetch/$s_!RCLJ!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg" width="1456" height="971" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:971,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:1741793,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://jmplisson.substack.com/i/211186663?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="/__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!RCLJ!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F55ab9b24-a19f-430d-94ad-7bfad1839414_1536x1024.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a><figcaption class="image-caption">The X-E5 with its 23 mm, next to the bag where a second lens is waiting. Everything fits into a volume that tucks under one arm.</figcaption></figure></div><h2>&#128247; The right camera</h2><p><em>Two philosophies, two favourite grounds</em></p>
      <p>
          <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-quick-setup-for-landscape-and-travel">
              Read more
          </a>
      </p>
   ]]></content:encoded></item><item><title><![CDATA[🎉 The Pause Turned Out to Be Very Short]]></title><description><![CDATA[The Unofficial Fuji X Series User's Guide is back today, and Article 2-2 arrives midweek]]></description><link>https://jmplisson.substack.com/p/the-pause-turned-out-to-be-very-short</link><guid isPermaLink="false">https://jmplisson.substack.com/p/the-pause-turned-out-to-be-very-short</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sat, 08 Aug 2026 14:23:41 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!Jxzt!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff5518a30-b04c-4c8c-be1b-c5fbc3a58626_767x767.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>A few days ago, I announced a pause of several months to explore a new editorial project. I did start that project. And I quickly realised my place was here, with you, around the Fujifilm X cameras. Your messages over the past few days did the rest.</p><h3>&#128275; The Newsletter Is Back</h3><p>Publication resumes today, at its usual pace.</p><h3>&#128179; Billing Resumes as Well</h3><p>Paid subscriptions, suspended during the pause, return to their normal course. New subscriptions are open again too, at $7 per month or $60 per year.</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/p/the-pause-turned-out-to-be-very-short?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Share&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/p/the-pause-turned-out-to-be-very-short?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Share</span></a></p><h3>&#128248; Next Up: Article 2-2</h3><p>Article <strong>2-2, &#8220;Quick Setup for Landscape and Travel,&#8221;</strong> is already well under way. It is the second chapter of Volume 2 of <em>The Complete Fujifilm X-E5 and X-T5 Guide</em>, and it will be online by the middle of the week.</p><h3>&#128591; Thank You</h3><p>A warm thank you to everyone who reads and supports this newsletter. Your loyalty is the best motivation there is, and this short interlude was a good reminder of it.</p><p>Happy shooting, Fujistas &#128248;</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p>]]></content:encoded></item><item><title><![CDATA[The Unofficial Fuji X Series User’s Guide (EN) is Taking a Break]]></title><description><![CDATA[The archive remains available. I hope to see you again in a few months for the next chapter]]></description><link>https://jmplisson.substack.com/p/the-unofficial-fuji-x-series-users-6c1</link><guid isPermaLink="false">https://jmplisson.substack.com/p/the-unofficial-fuji-x-series-users-6c1</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Tue, 04 Aug 2026 09:27:19 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!Jxzt!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff5518a30-b04c-4c8c-be1b-c5fbc3a58626_767x767.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>After twenty months of regularly publishing content dedicated to Fujifilm X cameras, I have decided to put this newsletter on pause.</p><p>Since its launch, I have published numerous articles, guides, film simulation recipes, and technical tutorials designed to help you better understand and get the most out of your camera. This project has been incredibly rewarding, and I sincerely thank you for following and supporting it.</p><p>All previously published articles and guides will remain available in the newsletter archives. I am not closing this publication, and I certainly haven&#8217;t ruled out bringing it back in a few months.</p><p>For now, I simply feel the need to explore new topics and rediscover the excitement that comes with launching a new editorial project.</p><p>Paid subscriptions are being paused, so no subscriptions will be renewed or charged during this period.</p><p>You will remain subscribed to the newsletter and will naturally be informed if I decide to resume publishing content about the Fujifilm X system.</p><p>Thank you once again for your loyalty and for sharing these twenty months with me.</p>]]></content:encoded></item><item><title><![CDATA[X-E5 & X-T5 – Landscape and Travel Photography That Works]]></title><description><![CDATA[Light, composition and the traps to avoid]]></description><link>https://jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-photography</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-and-x-t5-landscape-and-travel-photography</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sat, 01 Aug 2026 15:28:17 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!i7mp!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>The Complete Fujifilm X-E5 and X-T5 Guide</em>: 25 articles to set up, master and get the most out of your recent Fuji X, from unboxing to reportage.</p><p>This article opens Volume 2, devoted to landscape and travel photography. <strong>X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5 and X-T30 owners</strong>, almost everything here applies to you as well, and I will flag the rare exceptions as they come.</p><p><strong>&#128213; Volume 1 &#8212; Setup and Handling</strong> <em>(7 articles, complete)</em> &#8594; <a href="/__u/jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf">The X-E5 and X-T5 Guide: the PDF, the eBook, the Paperback</a></p><p><strong>&#127966;&#65039; Volume 2 &#8212; Landscape and Travel Photography</strong></p><ol><li><p><strong>Landscape and travel photography that works</strong> &#128073; <em>(you are here)</em></p></li><li><p>Quick setup for landscape and travel</p></li><li><p>Landscape and travel settings</p></li><li><p>The Fuji advantages in landscape and travel</p></li><li><p>3 exclusive landscape and travel recipes</p></li><li><p>A day of shooting in landscape and travel</p></li></ol><p><strong>&#128100; Volume 3 &#8212; Portrait and Everyday Life</strong> <em>(coming soon)</em></p><p><strong>&#128694; Volume 4 &#8212; Street and Reportage Photography</strong> <em>(coming soon)</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!i7mp!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!i7mp!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!i7mp!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!i7mp!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!i7mp!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 1456w" sizes="100vw"><img 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/__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!i7mp!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!i7mp!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!i7mp!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff92df89d-ecc4-493e-93d2-49853ec7603a_1476x1066.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h1>&#128506;&#65039; Your roadmap</h1><p>&#127919; Landscape and travel call for less gear than most people imagine, and far more attention to light. My aim in this article is to give you the eye, before you touch a single setting.</p><p>Here is the path we will follow together:</p><ul><li><p>&#127966;&#65039; <strong>Two neighbouring practices</strong>, to understand what landscape and travel really ask of a photographer.</p></li><li><p>&#128161; <strong>Light hour by hour</strong>, from raking sun to blue hour, with the subject that suits each one.</p></li><li><p>&#129504; <strong>The three qualities</strong> that separate a pleasant photograph from a successful one, rule of thirds included.</p></li><li><p>&#9888;&#65039; <strong>The five most common traps</strong>, with the fix for each.</p></li><li><p>&#128444;&#65039; <strong>Three commented photographs</strong>, settings included, to see the theory at work.</p></li></ul><p>It all ends with the three lighting moods that will run through this entire volume. Let&#8217;s go!</p><h1>&#127916; From a configured camera to a trained eye</h1><p>Volume 1 ended with a camera ready to shoot. What remains is the most interesting part: deciding what to photograph, and how.</p><p>Volume 2 leaves the menus behind for the field. Landscape and travel make a natural pair: you set off walking, you carry little, you work with whatever light the moment offers. Above all, these two practices ask one thing of you, to look before you press the shutter.</p><p>This article lays that groundwork. Few menu paths, plenty of observation: understanding light according to the hour, recognising a composition that stands up, spotting the traps that ruin an image once you are home. The settings arrive in the very next article, and they will feel obvious by then.</p><p>A word about those traps. The ones I describe further down, I ran into them before you did. Avoiding them rarely calls for technical skill: it is enough to think of them at the right moment.</p><p>Settle in, Fujistas. First we look, then we photograph.</p><div class="callout-block" data-callout="true"><p>&#127890; <strong>The gear for this volume</strong></p><p>Your X-E5 or your X-T5, a spare battery, and one or two lenses that cover the essentials:</p><ul><li><p>&#129718; <strong>A compact prime</strong> &#8212; the XF 27mm f/2.8 R WR or the XF 23mm f/2.8 R WR supplied with the X-E5, that is 41 mm or 35 mm in 35mm-equivalent terms. Light, discreet, ideal for towns and long walks.</p></li><li><p>&#128301; <strong>A longer prime</strong> &#8212; the Viltrox AF 56mm f/1.7, that is 84 mm in 35mm-equivalent terms. It isolates a detail in a landscape, tightens a composition and separates a subject cleanly from its background thanks to its wide aperture. Its price stays very reasonable for a fast prime, which makes it an excellent second travel lens.</p></li></ul><p>A tripod earns its place for blue hour and long exposures, without being essential elsewhere.</p></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1><span>&#127966;&#65039;</span> Two practices, one camera</h1>
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   ]]></content:encoded></item><item><title><![CDATA[📕 The Fujifilm X-E5 & X-T5 Guide is now available: eBook and paperback!]]></title><description><![CDATA[Already published as 7 articles in the newsletter, and offered as a complete PDF to premium subscribers]]></description><link>https://jmplisson.substack.com/p/the-fujifilm-x-e5-and-x-t5-guide-books</link><guid isPermaLink="false">https://jmplisson.substack.com/p/the-fujifilm-x-e5-and-x-t5-guide-books</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Tue, 21 Jul 2026 14:52:23 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!U4a6!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>Fellow Fujistas, here&#8217;s a piece of news close to my heart: Volume 1 of the series <em>Fujifilm X-E5 &amp; X-T5, The Complete Guide</em> is now available as a book.</p><p>This guide brings together my first seven articles, revised, expanded, and laid out in a single volume. From the initial setup to the X-E5 vs X-T5 comparison, it&#8217;s all here, with the summary tables ready to keep within reach.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!U4a6!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!U4a6!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!U4a6!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!U4a6!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!U4a6!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, 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/__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!U4a6!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!U4a6!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!U4a6!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fa50d8302-abeb-434a-8ca9-d873acd1431e_1122x1402.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h1>&#128248; What&#8217;s inside this Volume 1</h1><ul><li><p>&#9881;&#65039; The initial setup, dialed in once and for all</p></li><li><p>&#127899;&#65039; The physical keyboard: dials, aperture ring, command lever</p></li><li><p>&#11088; My 15 shortcuts that change everything</p></li><li><p>&#127919; My 7 custom profiles C1-C7, ready to copy</p></li><li><p>&#129517; My reorganized Q menus, 128 shortcuts under your thumb</p></li><li><p>&#127902;&#65039; The film simulation dial and the FS1, FS2, FS3 recipes</p></li><li><p>&#9878;&#65039; The X-E5 vs X-T5 comparison, to choose with confidence</p></li></ul><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/p/the-fujifilm-x-e5-and-x-t5-guide-books?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Share&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/p/the-fujifilm-x-e5-and-x-t5-guide-books?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Share</span></a></p><h1>&#128218; The books</h1><h2>Kindle eBook</h2><p>The <strong>Kindle eBook</strong> is available on Amazon for $12.99<br><span>&#128073; </span><a href="https://www.amazon.com/dp/B0H9NKZ873">https://www.amazon.com/dp/B0H9NKZ873</a></p><h2>Paperback</h2><p>The <strong>paperback</strong> is available on Amazon for $17.99<br>&#128073; <a href="https://www.amazon.com/dp/B0HBBFL5WS">https://www.amazon.com/dp/B0HBBFL5WS</a></p><h1>&#127919; Other ways to access this content</h1><h2>&#128142; <strong>Premium subscribers</strong></h2><p>You&#8217;re already covered. The seven articles are available to read on my newsletter:<br>&#128073; <a href="/__u/jmplisson.substack.com/">https://jmplisson.substack.com</a></p><p>The <strong>complete PDF of the guide is yours for free</strong>. It&#8217;s my way of thanking you for your support.<br>&#128073; <a href="/__u/jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf">https://jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf</a></p><h2>&#128722; Single purchase</h2><p>If you&#8217;d rather buy it on its own, you&#8217;ll find the complete PDF on <strong>Gumroad</strong>. A nicely laid-out A5 edition, to read on your tablet or print.<br>&#128073; <a href="https://jmplisson.gumroad.com/l/xe5xt5CompleteGuideVolume1">https://jmplisson.gumroad.com/l/xe5xt5CompleteGuideVolume1</a></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#128161; My advice</h1><p>A premium subscription remains the best value. You get to read the seven articles, the complete PDF for free, access to all the articles (40+) and PDFs already published, plus every upcoming article and PDF in the works&#8230;</p><p>Happy shooting, Fujistas &#128248;</p>]]></content:encoded></item><item><title><![CDATA[The X-E5 and X-T5 Guide — the complete PDF of Volume 1]]></title><description><![CDATA[The seven parts gathered into a single guide, ready to download today]]></description><link>https://jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf</link><guid isPermaLink="false">https://jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Wed, 15 Jul 2026 15:17:49 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!oQjH!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>Volume 1 of the X-E5 and X-T5 guide is finished. Seven articles, published week after week, to turn a box-fresh camera into an instrument shaped to your hand.</p><p>We started with the initial setup, the one that gives you clean images from your very first outing. We then learned to use the camera&#8217;s physical controls, and moved on to the shortcuts, the C1 to C7 profiles, the Q Menus, and the recipes under the dial. We closed with the question everyone asks: X-E5 or X-T5?</p><p>Today, I&#8217;m gathering Volume 1 into a single document: <strong>the complete PDF, available right now (download link at the end of this article)</strong>. The Kindle eBook and paperback editions follow in about a week; a dedicated article will announce them.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!oQjH!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!oQjH!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!oQjH!, /__u/jmplisson.substack.com/w_848, 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/__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg 1456w" sizes="100vw"><img src="/__u/substackcdn.com/image/fetch/$s_!oQjH!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg" width="1123" height="1401" 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/__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!oQjH!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!oQjH!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!oQjH!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F027b2d58-c9b3-4c3b-94f6-010db6c2afe1_1123x1401.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h1>&#128218; What&#8217;s inside Volume 1</h1><h2>1&#65039;&#8419; <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-the-complete-starter-setup">The Complete Starter Setup Guide</a></h2><p>The starting point. The settings to put in place straight out of the box, for a camera ready to shoot.</p><h2>2&#65039;&#8419; <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-the-physical-keyboard">The Physical Keyboard of Your Camera</a></h2><p>Dials, rings, focus stick, buttons. Understanding the logic of the camera before you personalize it.</p><h2>3&#65039;&#8419; <a href="/__u/jmplisson.substack.com/p/xe5-xt5-my-15-shortcuts-that-make-all-the-difference">My 15 Shortcuts That Make All the Difference</a></h2><p>The functions I assign to my buttons, and the reason behind each choice.</p><h2>4&#65039;&#8419; <a href="/__u/jmplisson.substack.com/p/c1-to-c7-seven-profiles-in-your-x-fuji-xseries">C1 to C7, Seven Profiles in Your Fuji X</a></h2><p>Seven complete configurations, ready to recall with a single gesture as the situation changes.</p><h2>5&#65039;&#8419; <a href="/__u/jmplisson.substack.com/p/my-q-menus-128-shortcuts-at-your-fingertips">My Q Menus, 128 Shortcuts at Your Fingertips</a></h2><p>The Q Menu multiplied by your profiles. A library of settings, one press away.</p><h2>6&#65039;&#8419; <a href="/__u/jmplisson.substack.com/p/three-recipes-under-the-dial-xe5-xt5">Three Recipes Under the Dial</a></h2><p>Three film simulations, fully set up and instantly available on the camera.</p><h2>7&#65039;&#8419; <a href="/__u/jmplisson.substack.com/p/x-e5-or-x-t5-which-one-is-right-for-you">X-E5 or X-T5, Which One Is Right for You?</a></h2><p>The honest comparison between the two bodies: ergonomics, use, and temperament.</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Share&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/p/the-complete-guide-x-e5-and-x-t5-complete-pdf?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Share</span></a></p><h1>&#128230; The complete PDF of Volume 1</h1><p>I&#8217;ve gathered the seven parts into a single document. Everything is there: the full texts, the settings tables, the menu paths, and the recipes. One continuous guide, laid out for reading as much as for printing, that stays on your computer, your tablet, or your phone. A hundred and fifty pages, A5 format.</p><p>Two ways to get it, whichever suits you.</p><div class="callout-block" data-callout="true"><p>&#128142; <strong>Free for premium subscribers</strong><br>The complete PDF of Volume 1 is free for every premium subscriber. The download link sits at the end of this article.</p></div><p></p><div class="callout-block" data-callout="true"><p>&#128081; <strong>A premium subscription is more than this guide</strong><br>The in-depth technical articles stay free to read, here, for everyone. What premium gives you is three things:<br>- the <strong>deliverables</strong>, starting with the complete PDFs of the guides,<br>- the <strong>exclusive recipes</strong> and the ready-to-copy configurations,<br>- the <strong>support</strong> that keeps this independent newsletter alive and lets me carry on writing it.</p><p></p></div><p>A big thank you to those who take the step: you help me more than you know. &#128591;</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#128722; Would you rather buy it than subscribe?</h1><p>The PDF is also on sale on Gumroad, on its own, for $17.90. You download it, it&#8217;s yours, no strings attached.</p><p>&#128073; <strong>LIEN GUMROAD EN</strong>: <a href="https://jmplisson.gumroad.com/l/xe5xt5CompleteGuideVolume1">https://jmplisson.gumroad.com/l/xe5xt5CompleteGuideVolume1</a></p><h1>&#128214; The Kindle eBook and the paperback are coming</h1><p>For those who would rather read anywhere but on a computer screen, Volume 1 will soon be published as a book.</p><p>&#128241; <strong>The Kindle eBook</strong>: the complete Volume 1, with its tables and diagrams, on an e-reader, a tablet, or a phone. Easy to carry in the camera bag, to read again on the train or out in the field.</p><p>&#128213; <strong>The paperback</strong>: the same content, printed and bound. A book to set down next to the camera, to annotate, to dog-ear. Some settings stick better with a pencil in your hand.</p><p>Both editions land in about a week. A dedicated article will let you know as soon as they go live, with the links.</p><h1>&#127966;&#65039; On to Volume 2</h1><p>Volume 1 gave you a configured camera. Volume 2 takes you outside to make photographs.</p><p>Six articles devoted to landscape and travel: the settings that hold raking light, controlled depth of field, the recipes that do justice to skies and stone, and packing a light bag for far-off trips.</p><p>The first article of Volume 2 arrives very soon. Stay tuned, Fujistas.</p><h1>&#128142; Are you a premium subscriber?</h1><p>Your download is waiting just below. Thank you for the support that makes this work possible.</p><h1>&#11015;&#65039; Your download</h1>
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   ]]></content:encoded></item><item><title><![CDATA[X-E5 or X-T5, Which One Is Right for You?]]></title><description><![CDATA[The complete comparison to choose your camera with confidence]]></description><link>https://jmplisson.substack.com/p/x-e5-or-x-t5-which-one-is-right-for-you</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-or-x-t5-which-one-is-right-for-you</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sun, 05 Jul 2026 17:02:34 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!Gi-I!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97a79a96-77fa-4182-8b22-22f4aa083e82_1477x1065.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, The Complete Guide</em>: a 25-article series to set up, master, and make the most of your recent Fuji X, from unboxing to reportage.</p><p>This article closes Part 1. It focuses on the two bodies in the title and compares them point by point. <strong>Owners of the X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, X-T30</strong>, you&#8217;ll also find plenty here to place your own body, even though the duel is between the X-E5 and the X-T5.</p><p><strong>&#128213; Part 1 &#8212; Configuration and handling</strong></p><ol><li><p><strong><a href="https://app.notion.com/p/EN_URL_1_%C3%80_INS%C3%89RER">The Complete Setup Guide</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN_URL_2_%C3%80_INS%C3%89RER">Your Camera&#8217;s Physical Keyboard</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN_URL_3_%C3%80_INS%C3%89RER">My 15 Shortcuts That Change Everything</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN_URL_4_%C3%80_INS%C3%89RER">C1 to C7, Seven Profiles in Your Fuji X</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN_URL_5_%C3%80_INS%C3%89RER">My Q Menus, 128 Shortcuts Under Your Thumb</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN_URL_6_%C3%80_INS%C3%89RER">Three Recipes Under the Dial</a></strong></p></li><li><p><strong>X-E5 or X-T5 &#8211; Which One Is Right for You?</strong> &#128073; <em>(you are here)</em></p></li></ol><p><strong>&#127966;&#65039; Part 2 &#8212; Landscape and travel photography</strong> <em>(coming soon)</em></p><p><strong>&#128100; Part 3 &#8212; Portrait and everyday life</strong> <em>(coming soon)</em></p><p><strong>&#128694; Part 4 &#8212; Street and reportage photography</strong> <em>(coming soon)</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!Gi-I!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97a79a96-77fa-4182-8b22-22f4aa083e82_1477x1065.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!Gi-I!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97a79a96-77fa-4182-8b22-22f4aa083e82_1477x1065.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!Gi-I!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F97a79a96-77fa-4182-8b22-22f4aa083e82_1477x1065.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!Gi-I!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, 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8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#128506;&#65039; Your roadmap</h1><p>&#127919; Torn between the X-E5 and the X-T5? This article is for you. My goal is simple: to help you choose with confidence, and without regret.</p><p>Here&#8217;s the path we&#8217;ll follow together:</p><ul><li><p>&#129516; <strong>The shared foundation</strong>, to see why image quality doesn&#8217;t separate these two bodies.</p></li><li><p>&#127912; <strong>Two design philosophies</strong>, the SLR spirit of the X-T5 against the rangefinder spirit of the X-E5.</p></li><li><p>&#127899;&#65039; <strong>Controls and ergonomics</strong>, those details the hand feels with every shot.</p></li><li><p>&#128301; <strong>The viewfinder, screen, ruggedness, and battery life</strong>, everything that counts in real use.</p></li><li><p>&#128368;&#65039; <strong>The timing question</strong>, because a body&#8217;s age matters when you buy.</p></li></ul><p>It all wraps up with a <strong>profile-based buying guide</strong> and a <strong>full comparison table</strong> to keep handy. Let&#8217;s go!</p><h1>&#127916; Two bodies, one same heart</h1>
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   ]]></content:encoded></item><item><title><![CDATA[Back, and in great shape!]]></title><description><![CDATA[&#128690;]]></description><link>https://jmplisson.substack.com/p/back-and-in-great-shape</link><guid isPermaLink="false">https://jmplisson.substack.com/p/back-and-in-great-shape</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Thu, 02 Jul 2026 15:21:07 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!nkU3!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F8a2ab8d1-768d-45d0-b3ba-dd9d7d90f474_4032x3024.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>I&#8217;ve just returned from two wonderful weeks of cycling in Brittany: over 1,000 kilometers covered, a heatwave to tame, a few surprises along the way (that&#8217;s the charm of bike touring!), gorgeous landscapes and some truly lovely encounters.</p><p>This break did me a world of good. So here I am, full of energy and ready to pick up our Fuji newsletters again.</p><div class="image-gallery-embed" data-attrs="{&quot;gallery&quot;:{&quot;images&quot;:[{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/8a2ab8d1-768d-45d0-b3ba-dd9d7d90f474_4032x3024.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/3f5f5e07-bd99-4df3-9c72-cb31eed334bf_3926x2944.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/134bc79a-71d9-4bb6-baa5-7322e9d8a6a6_8064x6048.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/04b98ce2-adbe-4b45-8023-d741dc3649e6_8064x6048.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/3c0f9067-99aa-4b54-bc01-1f9fb4566c0f_4032x3024.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/8868df77-bc87-43b4-bfb5-1ca841aa7905_8064x6048.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/5741ff8c-7c62-4652-ad6a-37b37cf452ab_4032x3024.jpeg&quot;},{&quot;type&quot;:&quot;image/jpeg&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/3d9ade24-b4a4-41e1-b596-f1d87c10cdc7_4032x3024.jpeg&quot;}],&quot;caption&quot;:&quot;Brittany&quot;,&quot;alt&quot;:&quot;&quot;,&quot;staticGalleryImage&quot;:{&quot;type&quot;:&quot;image/png&quot;,&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/6d24f15e-50df-49b5-b1f3-9b34a2a7e2b9_1456x1700.png&quot;}},&quot;isEditorNode&quot;:true}"></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/p/back-and-in-great-shape?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Share&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/p/back-and-in-great-shape?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Share</span></a></p><h3>&#128197; Coming before the end of the weekend</h3><p>Time for the next installment of the <strong>X-E5 &amp; X-T5, The Complete Guide</strong> series, with the final article of Volume 1: <strong>X-E5 &amp; X-T5: the differences to know</strong>. A clear overview of what sets the two bodies apart, to help you get the best out of yours.</p><h3>&#127873; And after that</h3><p>Volume 1 keeps rolling out. On the menu:</p><ul><li><p>&#128213; the <strong>complete PDF of Volume 1</strong>, reserved for paid subscribers;</p></li><li><p>&#128215; the <strong>Kindle and print</strong> editions of that same Volume 1.</p></li></ul><p>Then come <strong>Volumes 2 and 3</strong>, to keep the adventure going together.</p><p>Thank you for your loyalty during this pause. There&#8217;s a lot in store!</p><p>Happy shooting, Fujistas &#128248;</p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">The Unofficial Fuji X Series User's Guide (EN) is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[🚴 On a cycling & photo trip in Brittany]]></title><description><![CDATA[back on June 28]]></description><link>https://jmplisson.substack.com/p/on-a-cycling-and-photo-trip-in-brittany</link><guid isPermaLink="false">https://jmplisson.substack.com/p/on-a-cycling-and-photo-trip-in-brittany</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sun, 21 Jun 2026 18:01:00 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!Jxzt!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff5518a30-b04c-4c8c-be1b-c5fbc3a58626_767x767.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>From <strong>June 16 to 24</strong>, I&#8217;m taking a cycling and photography trip through Brittany. Nine days on the roads of western France, X-E5 around my neck, chasing that particular Atlantic light &#8212; low, shifting, sometimes raw, always compelling.</p><p>This kind of trip is where cameras really get tested: long days in the saddle, unpredictable weather, early-morning shoots on rugged coastlines. Cycling photography has its own constraints, and it reveals a lot about how a camera handles in the real world.</p><p>&#128197; <strong>The next article publishes on June 28.</strong></p><p>On the agenda: <strong>The key differences between the X-T5 and the X-E5</strong>. Two X Series bodies I shoot with daily, and whose differences go well beyond form factor. Ergonomics, menus, specific behaviors, the strengths of each &#8212; I&#8217;ll cover it all.</p><p>In the meantime, the archive is there if you want to revisit previous articles.</p><p>Happy shooting, Fujistas &#128248;</p><div class="subscription-widget-wrap-editor" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe&quot;,&quot;language&quot;:&quot;en&quot;}" data-component-name="SubscribeWidgetToDOM"><div class="subscription-widget show-subscribe"><div class="preamble"><p class="cta-caption">The Unofficial Fuji X Series User's Guide (EN) is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div>]]></content:encoded></item><item><title><![CDATA[Three Recipes Under the Dial]]></title><description><![CDATA[FS1, FS2, FS3 on the X-E5 &#8212; and how to bring the same to your X-T5 or X100VI]]></description><link>https://jmplisson.substack.com/p/three-recipes-under-the-dial-xe5-xt5</link><guid isPermaLink="false">https://jmplisson.substack.com/p/three-recipes-under-the-dial-xe5-xt5</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Mon, 15 Jun 2026 09:04:59 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!qJDd!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5ba51f9a-dd57-422d-9a34-344671acf34b_1477x1065.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, The Complete Guide</em>: a 25-article series to help you set up, master, and fully exploit your recent Fuji X camera, from unboxing to reportage.</p><p>&#127902;&#65039; <strong>An important note before we start</strong>. The Film Simulation dial is a recent addition to the Fuji X lineup, introduced first on the <strong>X-T50</strong>, then on the <strong>X-M5</strong>, and most recently on the <strong>X-E5</strong>, which offers the most refined implementation to date. Three cameras are therefore primarily concerned by this article: <strong>X-T50, X-M5, and X-E5 owners</strong>, everything you&#8217;ll read about the dial, the FS1/FS2/FS3 positions, and the FS Recipe mode applies directly to your camera, with a few X-E5-specific particularities that I&#8217;ll flag along the way.</p><p>&#128736;&#65039; <strong>X-T5, X100VI, X-H2, X-H2S, X-S20, and X-T30 owners</strong>, you&#8217;re not forgotten. An entire chapter <em>(&#171; On X-T5 and X100VI &#8212; emulating the Film Simulation dial &#187;)</em> shows you how to bring the same color-switching agility to your camera, using a clever combination of Fn buttons and Custom Settings C1-C7.</p><p><strong>&#128213; Part 1 &#8212; Setup and First Steps</strong></p><ol><li><p><strong><a href="https://app.notion.com/p/EN-link-1">Your X-E5 / X-T5 Complete Setup Guide</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN-link-2">Your Camera&#8217;s Physical Keyboard</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN-link-3">My 15 Shortcuts That Change Everything</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN-link-4">C1 to C7, Seven Profiles in Your Fuji X</a></strong></p></li><li><p><strong><a href="https://app.notion.com/p/EN-link-5">My Q Menus, 128 Shortcuts Under Your Thumb</a></strong></p></li><li><p><strong>Three Recipes Under the Dial</strong> &#128073; <em>(you are here)</em></p></li><li><p>The Differences You Should Know Between X-T5 and X-E5</p></li></ol><p><strong>&#127966;&#65039; Part 2 &#8212; Landscape and Travel Photography</strong> <em>(coming soon)</em></p><p><strong>&#128100; Part 3 &#8212; Portrait and Everyday Life</strong> <em>(coming soon)</em></p><p><strong>&#128694; Part 4 &#8212; Street and Reportage</strong> <em>(coming soon)</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!qJDd!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F5ba51f9a-dd57-422d-9a34-344671acf34b_1477x1065.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!qJDd!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, 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8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h2>&#128506;&#65039; Your Roadmap</h2><p><em>Everything you&#8217;re about to learn</em></p><p>This article covers everything you need to know about the X-E5&#8217;s Film Simulation dial and its three customizable positions FS1, FS2, and FS3. You&#8217;ll walk away with a clear understanding of this control, of its FS1/FS2/FS3 positions, of the control lever that activates them, and of the method to reproduce the same fluidity on your X-T5 or X100VI.</p><ul><li><p><strong>&#127902;&#65039; The Film Simulation dial, color at your fingertips</strong></p></li><li><p><strong>&#127905; The ten positions of the dial</strong></p><ul><li><p>&#128205; Six engraved Film Simulation positions</p></li><li><p>&#127912; Three customizable positions: FS1, FS2, FS3</p></li><li><p>&#127898;&#65039; The C position</p></li><li><p>&#128420; The special case of ACROS</p></li></ul></li><li><p><strong>&#127912; FS1, FS2, FS3 &#8212; the real innovation</strong></p><ul><li><p>&#129309; The fundamental difference with C1-C7</p></li><li><p>&#128203; What an FS position stores</p></li><li><p>&#128736;&#65039; Saving a recipe to FS1, FS2, or FS3</p></li></ul></li><li><p><strong>&#9889; The control lever &#8212; toggling the recipe on the fly</strong></p></li><li><p><strong>&#127898;&#65039; The C position &#8212; when the dial steps aside</strong></p></li><li><p><strong>&#128736;&#65039; On X-T5 and X100VI &#8212; emulating the Film Simulation dial</strong></p><ul><li><p>&#129513; Two Fn buttons for a two-stage system</p></li><li><p>&#9878;&#65039; What you gain, what you lose</p></li></ul></li><li><p><strong>&#9989; The recap</strong></p></li><li><p><strong>&#9888;&#65039; Three pitfalls to avoid</strong></p></li><li><p><strong>&#127916; What&#8217;s next?</strong></p></li></ul><h2>&#127902;&#65039; The Film Simulation dial, color at your fingertips</h2><p>Fujifilm has always stood by a clear philosophy: assigning essential settings to physical controls. The shutter speed dial, the ISO dial, the exposure compensation dial &#8212; all sit on top of the camera, within thumb&#8217;s reach, operable without leaving the viewfinder. This approach, inherited from the analog tradition, is at the heart of the Fuji experience, and it&#8217;s a big part of what we love about the brand.</p><p>In 2024, Fujifilm took this logic one decisive step further. For the first time in the Fuji X lineup, <strong>a physical dial was entirely dedicated to the Film Simulation</strong>. Introduced first on the X-T50, generalized on the X-M5, then brought to maturity on the X-E5, this dial lets you switch color rendering in a quarter of a second, with a single gesture, without ever taking your eye off the scene.</p><h3>&#127912; What the dial does for color</h3><p>You already know the principle for shutter speed: you want 1/250, you turn the shutter speed dial to 250, done. For ISO, it&#8217;s the same on the X-T5 and X100VI: you want ISO 400, you turn the ISO dial. The Film Simulation dial applies exactly the same logic to the world of image rendering. You want <strong>Velvia</strong> to saturate a landscape, you turn the dial to <strong>V</strong>. You want <strong>ACROS</strong> for a mineral black and white, you turn the dial to <strong>A</strong>. No menu to open, no button to memorize, no screen to consult.</p><h3>&#10024; What the X-E5 brings on top</h3>
      <p>
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   ]]></content:encoded></item><item><title><![CDATA[My Q Menus, 128 shortcuts at your fingertips]]></title><description><![CDATA[My sixteen Q Menu slots, ready to copy to your camera &#8212; for Fuji X (X-E5, X-T5, X100VI and others&#8230;)]]></description><link>https://jmplisson.substack.com/p/my-q-menus-128-shortcuts-at-your-fingertips</link><guid isPermaLink="false">https://jmplisson.substack.com/p/my-q-menus-128-shortcuts-at-your-fingertips</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Fri, 05 Jun 2026 16:02:25 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!KTvt!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbca210af-2785-4ef2-88f9-615481c768c3_1122x1402.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>The Unofficial Fuji X Series User&#8217;s Guide</em>: a 25-article series to configure, master and fully exploit your recent Fuji X, from unboxing to reportage.</p><p><strong>X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, X-T30 owners</strong>, you&#8217;re not forgotten. The Q Menu and its eight-context behavior are available identically on all recent Fuji X cameras. The default grid may vary from one camera to another &#8212; I&#8217;m actually presenting the X-E5, X-T5 and X100VI grids side by side &#8212; but the reorganization method and the slot choices I suggest are directly applicable to your camera.</p><p><strong>&#128213; Part 1 &#8212; Configuration and Getting Started</strong></p><ol><li><p><strong><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-the-complete-starter-setup">Your Complete Configuration Guide</a></strong></p></li><li><p><strong><a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-the-physical-keyboard">The Physical Keyboard of your Camera</a></strong></p></li><li><p><strong><a href="/__u/jmplisson.substack.com/p/xe5-xt5-my-15-shortcuts-that-make-all-the-difference">My 15 Shortcuts That Change Everything</a></strong></p></li><li><p><strong><a href="/__u/jmplisson.substack.com/p/c1-to-c7-seven-profiles-in-your-x-fuji-xseries">C1 to C7, Seven Custom Profiles in your Fuji X</a></strong></p></li><li><p><strong>My Q Menus, 128 shortcuts at your fingertips</strong> &#128073; <em>(you are here)</em></p></li><li><p>Film Simulation Dial and FS1 / FS2 / FS3</p></li><li><p>The Differences to Know Between X-T5 and X-E5</p></li></ol><p><strong>&#127966;&#65039; Part 2 &#8212; Landscape and Travel Photography</strong> <em>(coming soon)</em></p><p><strong>&#128100; Part 3 &#8212; Portrait and Daily Life</strong> <em>(coming soon)</em></p><p><strong>&#128694; Part 4 &#8212; Street Photography and Reportage</strong> <em>(coming soon)</em></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!KTvt!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbca210af-2785-4ef2-88f9-615481c768c3_1122x1402.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!KTvt!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbca210af-2785-4ef2-88f9-615481c768c3_1122x1402.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!KTvt!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbca210af-2785-4ef2-88f9-615481c768c3_1122x1402.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!KTvt!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, 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/__u/substackcdn.com/image/fetch/$s_!KTvt!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbca210af-2785-4ef2-88f9-615481c768c3_1122x1402.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h2>&#128506;&#65039; Your Roadmap</h2><p><em>Everything you&#8217;ll learn</em></p><p>This article explains everything you need to know to reorganize your Q Menu and multiply it by eight thanks to your Custom Settings C1-C7. Here&#8217;s how it&#8217;s structured.</p><ul><li><p><strong>&#127916; The Last Brick in your Ergonomic Chain</strong></p></li><li><p><strong>&#129517; The Q Menu and its 8 Faces</strong></p><ul><li><p>&#128290; 16 slots, one grid</p></li><li><p>&#127917; One camera, eight configurations</p></li><li><p>&#127898;&#65039; Navigating between the eight Q Menus</p></li><li><p>&#128190; Volatile or persistent modifications</p></li><li><p>&#129504; The last active Q Menu is remembered</p></li></ul></li><li><p><strong>&#128203; The Three Default Grids</strong></p><ul><li><p>&#128247; The X-E5 grid</p></li><li><p>&#128248; The X-T5 grid</p></li><li><p>&#128249; The X100VI grid</p></li><li><p>&#128269; Critical reading</p></li></ul></li><li><p><strong>&#9881;&#65039; Editing the Q Menu</strong></p><ul><li><p>&#127912; The background</p></li><li><p>&#128290; The number of slots</p></li><li><p>&#9889; The quick method</p></li><li><p>&#128012; The menu method</p></li><li><p>&#9999;&#65039; Editing the content of a slot</p></li><li><p>&#128683; Hiding a slot with NONE</p></li></ul></li><li><p><strong>&#127919; My Q Menus, 128 shortcuts at your fingertips</strong></p><ul><li><p>&#129309; My approach: complement the Fn buttons, don&#8217;t duplicate them</p></li><li><p>&#128736;&#65039; Method: configure once, multiply by eight</p></li><li><p>&#128444;&#65039; Slots 2-6 &#8212; Image and quality</p></li><li><p>&#127912; Slots 7-11 &#8212; Fine JPEG rendering</p></li><li><p>&#127919; Slots 12-15 &#8212; Focus and shutter</p></li><li><p>&#128065;&#65039; Slot 16 &#8212; Visual comfort</p></li></ul></li><li><p><strong>&#9989; The Summary</strong></p></li><li><p><strong>&#9888;&#65039; Three Pitfalls to Avoid</strong></p></li><li><p><strong>&#127873; Bonus &#8212; The Other Dashboard of your Fuji X</strong></p></li><li><p><strong>&#128640; What&#8217;s Next?</strong></p></li></ul><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/p/my-q-menus-128-shortcuts-at-your-fingertips?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Share&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/p/my-q-menus-128-shortcuts-at-your-fingertips?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Share</span></a></p><h1>&#127916; The Last Brick in your Ergonomic Chain</h1><p>Your Fuji X has four customization bricks that stack up to save you time in the field. The first three were the focus of previous articles.</p><p>&#127899;&#65039; <strong>The physical keyboard</strong> <em>(dials, aperture ring, AF selector, Drive button)</em>. The controls that take precedence over everything, because they&#8217;re always at your fingertips and no Custom Setting can override them.</p><p>&#127898;&#65039; <strong>The Fn buttons and the control lever</strong>. Your ultra-fast gestures, one function per button, accessible without taking your eye off the viewfinder.</p><p>&#128190; <strong>The Custom Settings C1-C7</strong>. Your seven complete configurations ready to load in two seconds, each tailored to a different situation.</p><p>&#129517; <strong>The Q Menu</strong> <em>(this article)</em>. Your visual dashboard: a grid of 16 slots displayed with a single press of the Q button.</p><p>The Q Menu complements the Fn buttons. Where the Fn buttons act quickly and blindly, the Q Menu gives you an overview of your image settings and lets you adjust them one by one without diving into the menus.</p><p>This article delivers on a double promise. Reorganize this grid of 16 slots so it matches your practice. And exploit it under its eight faces: one Q Menu for PASM modes, seven Q Menus for C1 to C7. <strong>That&#8217;s 128 shortcuts at your fingertips, ready to use</strong>.</p><h1>&#129517; The Q Menu and its 8 Faces</h1><p>Before reorganizing your Q Menu, you need to understand how it really works. And the surprise is significant: what you think is <strong>one</strong> Q Menu is actually <strong>eight Q Menus</strong> that share the same structure, but with values specific to each context.</p>
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   ]]></content:encoded></item><item><title><![CDATA[C1 to C7, seven profiles in your X Series Fuji]]></title><description><![CDATA[My seven ready-to-use profiles, with their detailed values and saving procedure]]></description><link>https://jmplisson.substack.com/p/c1-to-c7-seven-profiles-in-your-x-fuji-xseries</link><guid isPermaLink="false">https://jmplisson.substack.com/p/c1-to-c7-seven-profiles-in-your-x-fuji-xseries</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sun, 31 May 2026 17:05:29 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!ItyL!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, the complete guide</em>: a series of 25 articles to configure, master and fully exploit your recent Fuji X camera, from unboxing to reportage.</p><p><strong>Owners of X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, X-T30</strong>, you are not forgotten. The C1-C7 Custom Settings are available identically on all recent Fuji X cameras. The saving procedure, the activation method, and the seven Custom Settings I propose are directly applicable to your camera.</p><p><strong>&#128213; Part 1 &#8212; Setup and getting started</strong></p><ol><li><p><strong><a href="/__u/thefujifilmxletter.substack.com/p/x-e5-and-x-t5-your-starting-configuration">Complete Setup Guide</a></strong></p></li><li><p><strong><a href="/__u/thefujifilmxletter.substack.com/p/x-e5-and-x-t5-the-physical-controls">The Physical Controls of Your Camera</a></strong></p></li><li><p><strong><a href="/__u/thefujifilmxletter.substack.com/p/xe5-and-xt5-my-15-shortcuts-that-change-everything">My 15 Shortcuts That Change Everything</a></strong></p></li><li><p><strong>C1 to C7, seven profiles in your X Series Fuji</strong> &#128073; <em>(you are here)</em></p></li><li><p>The Q Menu, reorganized</p></li><li><p>Film Simulation dial and FS1 / FS2 / FS3</p></li><li><p>Differences to know between X-T5 and X-E5</p></li></ol><p><strong>&#127966;&#65039; Part 2 &#8212; Landscape and travel photography</strong> <em>(coming soon)</em></p><p><strong>&#128100; Part 3 &#8212; Portrait and everyday life</strong> <em>(coming soon)</em></p><p><strong>&#128694; Part 4 &#8212; Street and reportage photography</strong> <em>(coming soon)</em></p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#128506;&#65039; Your Roadmap</h1><p><em>Everything you&#8217;ll learn</em></p><p>This article explains everything you need to know to turn your seven Custom Settings C1 to C7 into seven ready-to-use profiles. Here is how it is structured.</p><ul><li><p><strong>&#127919; Why seven custom settings change everything</strong></p><ul><li><p>&#127916; Seven cameras in one, in two seconds</p></li></ul></li><li><p><strong>&#129513; Understanding what custom settings memorize</strong></p><ul><li><p>&#127912; Four domains of memorized settings</p></li><li><p>&#128683; What custom settings do not memorize</p></li></ul></li><li><p><strong>&#128190; Saving a custom setting</strong></p><ul><li><p>&#127381; Create a new C1-C7 Custom Setting</p></li><li><p>&#128295; Manage your C1-C7 Custom Settings</p></li></ul></li><li><p><strong>&#9889; Activating a custom setting</strong></p><ul><li><p>&#127919; The fast method</p></li><li><p>&#128012; The slow method</p></li><li><p>&#128161; Tip: assign SELECT CUSTOM SETTING to an Fn button</p></li></ul></li><li><p><strong>&#127912; My 7 custom settings</strong></p><ul><li><p>&#128680; C1 - EMERGENCY FULL AUTO</p></li><li><p>&#127966;&#65039; C2 - LANDSCAPE</p></li><li><p>&#128100; C3 - PORTRAIT</p></li><li><p>&#128694; C4 - STREET B&amp;W</p></li><li><p>&#127939; C5 - ACTION</p></li><li><p>&#127769; C6 - LOW LIGHT</p></li><li><p>&#9201;&#65039; C7 - LONG EXPOSURE</p></li></ul></li><li><p><strong>&#9888;&#65039; Three pitfalls to avoid</strong></p></li><li><p><strong>&#127916; What&#8217;s next?</strong></p></li></ul><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!ItyL!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 1456w" sizes="100vw"><img src="/__u/substackcdn.com/image/fetch/$s_!ItyL!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg" width="1456" height="1050" data-attrs="{&quot;src&quot;:&quot;https://substack-post-media.s3.amazonaws.com/public/images/f6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg&quot;,&quot;srcNoWatermark&quot;:null,&quot;fullscreen&quot;:null,&quot;imageSize&quot;:null,&quot;height&quot;:1050,&quot;width&quot;:1456,&quot;resizeWidth&quot;:null,&quot;bytes&quot;:273409,&quot;alt&quot;:null,&quot;title&quot;:null,&quot;type&quot;:&quot;image/jpeg&quot;,&quot;href&quot;:null,&quot;belowTheFold&quot;:true,&quot;topImage&quot;:false,&quot;internalRedirect&quot;:&quot;https://jmplisson.substack.com/i/199960836?img=https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg&quot;,&quot;isProcessing&quot;:false,&quot;align&quot;:null,&quot;offset&quot;:false}" class="sizing-normal" alt="" srcset="/__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!ItyL!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff6b70924-c708-41b2-a63e-8268f42e2e63_1477x1065.jpeg 1456w" sizes="100vw" loading="lazy"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h1>&#127919; Why seven custom settings change everything</h1><p>Picture the scene. You are photographing a landscape at dusk, tripod set, ISO 125, Velvia simulation, Daylight white balance, dynamic range DR200. The light fades quickly, you take your last shots and pack up the tripod. On your way back to the car, you spot a heron standing motionless at the edge of a pond. The light is low, the subject is ten meters away, and you have maybe thirty seconds before it flies off.</p><p>Thirty seconds to switch from a landscape configuration to a wildlife one. Without a custom setting, you have to adjust manually: raise the ISO Auto ceiling, switch to AF WIDE/TRACKING mode, enable subject detection on Bird, switch to electronic shutter for silence, change the simulation from Velvia to Provia. Six parameters to adjust in sequence, through the viewfinder, with a heron that will not wait for you. The shot of the day slips away.</p>
      <p>
          <a href="/__u/jmplisson.substack.com/p/c1-to-c7-seven-profiles-in-your-x-fuji-xseries">
              Read more
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   ]]></content:encoded></item><item><title><![CDATA[My 15 shortcuts that make all the difference]]></title><description><![CDATA[My complete setup for Fn buttons, T-Fn and dials]]></description><link>https://jmplisson.substack.com/p/xe5-xt5-my-15-shortcuts-that-make-all-the-difference</link><guid isPermaLink="false">https://jmplisson.substack.com/p/xe5-xt5-my-15-shortcuts-that-make-all-the-difference</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sun, 17 May 2026 12:03:12 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!ncWa!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F0ec44492-54ab-4a3c-ab1c-fc443781519f_1477x1065.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, The Complete Guide</em>: a 25-article series to help you configure, master, and fully exploit your recent Fuji X camera, from unboxing to reportage.</p><p><strong>Owners of X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, X-T30</strong>, you&#8217;re not forgotten. This article offers shortcuts that apply to all recent Fuji X cameras, but the er&#8230;</p>
      <p>
          <a href="/__u/jmplisson.substack.com/p/xe5-xt5-my-15-shortcuts-that-make-all-the-difference">
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   ]]></content:encoded></item><item><title><![CDATA[X-E5 & X-T5 – The Physical Keyboard of Your Camera]]></title><description><![CDATA[Fn buttons, command lever, and dials explained]]></description><link>https://jmplisson.substack.com/p/x-e5-and-x-t5-the-physical-keyboard</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-and-x-t5-the-physical-keyboard</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sat, 09 May 2026 16:14:01 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!3zzH!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fbddf86b8-7439-454f-8c67-bd4bb6963a86_1477x1065.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, The Complete Guide</em>: a 25-article series to help you configure, master, and fully exploit your recent Fuji X camera, from unboxing to reportage.</p><p><strong>Owners of X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, X-T30</strong>, you&#8217;re not forgotten: nearly all of this series applies to you, and I&#8217;ll point out the rare specifics w&#8230;</p>
      <p>
          <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-the-physical-keyboard">
              Read more
          </a>
      </p>
   ]]></content:encoded></item><item><title><![CDATA[X-E5 & X-T5 – The Complete Starter Setup Guide]]></title><description><![CDATA[Detailed guide with comparison tables and printable cheat sheet]]></description><link>https://jmplisson.substack.com/p/x-e5-and-x-t5-the-complete-starter-setup</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-and-x-t5-the-complete-starter-setup</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Mon, 04 May 2026 17:18:05 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!eKSh!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fc894de0b-4878-4919-bbf7-d86335642e2d_1477x1065.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>&#128218; <strong>This article is part of the series</strong> <em>X-E5 &amp; X-T5, The Complete Guide</em>: a 25-article series to help you configure, master, and fully exploit your recent Fuji X camera, from unboxing to reportage.</p><p><strong>Owners of X100VI, X-H2, X-H2S, X-S20, X-T50, X-M5, X-T30</strong>, you&#8217;re not forgotten: nearly all of this series applies to you, and I&#8217;ll point out the rare specifics w&#8230;</p>
      <p>
          <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-the-complete-starter-setup">
              Read more
          </a>
      </p>
   ]]></content:encoded></item><item><title><![CDATA[📢 X-E5 & X-T5, Complete Guide — A New Major Series Is Coming]]></title><description><![CDATA[Set up, master and get the most out of your Fujifilm X-series body, tailored to the way you shoot.]]></description><link>https://jmplisson.substack.com/p/x-e5-and-x-t5-complete-guide-0</link><guid isPermaLink="false">https://jmplisson.substack.com/p/x-e5-and-x-t5-complete-guide-0</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Wed, 29 Apr 2026 17:11:21 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!PcK4!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F9330449a-c91d-4693-9403-88e9bb06c84b_1478x1064.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>Hello, fellow X shooters,</p><p>I&#8217;m thrilled to announce the launch of a new major series: <strong>X-E5 &amp; X-T5, The Complete Guide</strong>.</p><p>The series is built around the <strong>Fujifilm X-E5 and X-T5</strong>, but it will be just as useful for owners of other recent Fuji X bodies: <strong>X-T50, X-S20, X100VI, X-M5, X-H2S</strong>, and more.</p><p>The goal: understand the settings that really matter, configure your&#8230;</p>
      <p>
          <a href="/__u/jmplisson.substack.com/p/x-e5-and-x-t5-complete-guide-0">
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   ]]></content:encoded></item><item><title><![CDATA[The Fujifilm X Series Recipes Guide — Revised and Corrected Edition]]></title><description><![CDATA[9 chapters, 10 recipes, 56 pages. The complete guide is back in a newly revised 2026 edition &#8212; PDF, Kindle eBook and paperback.]]></description><link>https://jmplisson.substack.com/p/the-fujifilm-x-series-recipes-guide</link><guid isPermaLink="false">https://jmplisson.substack.com/p/the-fujifilm-x-series-recipes-guide</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Sat, 25 Apr 2026 13:38:58 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!E6CF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p>It has been a few months since we first released the Fujifilm X Series Recipes Guide together. Since then, I have taken the time to revise, correct and refine every page. Today I am happy to share the result: a <strong>newly revised and corrected 2026 edition</strong>, cleaner, more accurate and ready to go with you into the field.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!E6CF!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!E6CF!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 424w, /__u/substackcdn.com/image/fetch/$s_!E6CF!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 848w, /__u/substackcdn.com/image/fetch/$s_!E6CF!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 1272w, /__u/substackcdn.com/image/fetch/$s_!E6CF!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 1456w" sizes="100vw"><img src="/__u/substackcdn.com/image/fetch/$s_!E6CF!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png" width="1178" height="1335" 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/__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 424w, /__u/substackcdn.com/image/fetch/$s_!E6CF!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 848w, /__u/substackcdn.com/image/fetch/$s_!E6CF!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 1272w, /__u/substackcdn.com/image/fetch/$s_!E6CF!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F15028d02-7a95-4b94-ade5-a1549c74fe61_1178x1335.png 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><h2>&#128215; Paid subscribers</h2><p>Today, I am offering all paid subscribers <strong>The Fujifilm X Series Recipes Guide</strong> as a PDF. A carefully laid-out document, designed to be read on your phone, your tablet, or printed if you prefer paper.</p><h2>&#128241; Kindle eBook or paperback</h2><p><strong>The Fujifilm X Series Recipes Guide</strong> is also available as a Kindle eBook or as a paperback:</p><ul><li><p>Kindle eBook &#8212; $9.99 </p></li><li><p>Paperback (7 &#215; 10 inches, full color) &#8212; $17.99</p></li><li><p><a href="https://www.amazon.com/dp/B0GYJK77GK">https://www.amazon.com/dp/B0GYJK77GK</a></p></li></ul><h2>&#127379; Free subscribers</h2><p>Free subscribers are not forgotten. To read and keep <strong>The Fujifilm X Series Recipes Guide</strong>, you can:</p><ul><li><p>Buy the PDF on Gumroad &#8212; $14.99 &#8212; <a href="https://jmplisson.gumroad.com/l/fuji-recipes-guide">https://jmplisson.gumroad.com/l/fuji-recipes-guide</a></p></li><li><p>Buy the Kindle eBook or paperback on Amazon &#8212; see link above</p></li></ul><p>Of course, you can also subscribe to a paid plan of my newsletter to get full access to everything.</p><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h2>&#128213; What&#8217;s inside the guide</h2><p>The 9 articles of the original series are brought together in a single document, with before/after photos, detailed parameter tables, field tips and visual characteristics for each recipe. Here is the outline:</p><h3>&#128161; The fundamentals (chapters 0 to 3)</h3><ul><li><p><strong>Welcome to the Guide</strong> &#8212; An introduction to the series and the SOOC philosophy.</p></li><li><p><strong>What Is a Fuji Recipe?</strong> &#8212; Understanding what really lies behind the settings and why it is more than just a filter.</p></li><li><p><strong>How to Create Your Own Recipes</strong> &#8212; The practical guide to building your own looks from A to Z: film simulations, tone curve, white balance and every other slider explained.</p></li><li><p><strong>How to Save Your Recipes</strong> &#8212; Mastering the custom settings C1 to C7 to switch styles in a split second.</p></li></ul><h3>&#127902;&#65039; 10 recipes across 5 thematic universes (chapters 4 to 8)</h3><ul><li><p><strong>Vintage Vibes</strong> &#8212; Kodachrome 64 and Fujicolor C200. The timeless charm of film photography.</p></li><li><p><strong>Urban Stories</strong> &#8212; Classic Chrome Street and Cinematic Shadows. The contrast and atmosphere of the city.</p></li><li><p><strong>Black &amp; White Soul</strong> &#8212; Acros B&amp;W and HP5 Monochrome. The purity of monochrome, from finesse to bold grain.</p></li><li><p><strong>Color of Nature</strong> &#8212; Velvia Deep Forest and Kodak Ektar 100. The vibrant colors of landscapes and natural scenes.</p></li><li><p><strong>Soft &amp; Dreamy</strong> &#8212; Portra 400 Soft and Nostalgic Neg Glow. Poetic light and pastel tones.</p></li></ul><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/p/the-fujifilm-x-series-recipes-guide?utm_source=substack&utm_medium=email&utm_content=share&action=share&quot;,&quot;text&quot;:&quot;Share&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/p/the-fujifilm-x-series-recipes-guide?utm_source=substack&amp;utm_medium=email&amp;utm_content=share&amp;action=share"><span>Share</span></a></p><h2>&#127912; A book designed to last</h2><p>The PDF and Kindle guide has been laid out like a true photo book. Careful typography, a palette inspired by vintage film boxes, parameter tables in technical-sheet style, before/after photos side by side. A format that is pleasant to read on a mobile screen and perfect if you want to print it.</p><h2>&#128155; A gentle reminder about the subscription</h2><p>If you enjoy this kind of content, the newsletter itself remains by far the best deal. For <strong>$7.90 per month or $65 per year</strong>(less than the price of the paperback alone), you get:</p><ul><li><p>Full access to everything published so far</p></li><li><p>All upcoming guides, recipes, articles and podcast episodes</p></li><li><p>Downloadable resources reserved for paid subscribers</p></li><li><p>Early access to new releases</p></li></ul><p>I am already working on what comes next &#8212; more recipes, new camera-specific guides, deeper dives into the Fujifilm universe. Subscribing is the easiest way to follow along and support this independent work.</p><h2>&#128229; Download the PDF</h2><p><strong>The download link for the PDF is available below</strong> for subscribers of <em>The Unofficial Fuji X Series</em>. Keep it close &#8212; you will come back to it every time a light, a subject or a place makes you want to try a new look.</p>
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   ]]></content:encoded></item><item><title><![CDATA[Fuji X-E5 Film Simulation Dial — How to Emulate It on the X-T5]]></title><description><![CDATA[The X-E5 gives you a dedicated dial. The X-T5 doesn&#8217;t &#8212; but there&#8217;s a workaround]]></description><link>https://jmplisson.substack.com/p/fuji-x-e5-film-simulation-dial-how-to-emulate-it-on-the-x-t5</link><guid isPermaLink="false">https://jmplisson.substack.com/p/fuji-x-e5-film-simulation-dial-how-to-emulate-it-on-the-x-t5</guid><dc:creator><![CDATA[J.M.PLISSON]]></dc:creator><pubDate>Fri, 17 Apr 2026 14:05:13 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!io3I!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<h1>&#127902;&#65039; Introduction</h1><p>Fujifilm has always stood by a clear philosophy: assign essential settings to physical controls. The shutter speed dial, the ISO dial, the exposure compensation dial &#8212; all controls the photographer operates without lifting an eye from the viewfinder, without diving into menus. This approach, inherited from the analog tradition, is at the heart of the Fujifilm experience; and it&#8217;s what we love about it.</p><p>The X-E5 takes this logic one step further with something new in the X-E series: a dial entirely dedicated to Film Simulations. By simply rotating the dial, the photographer switches from one look to another in a fraction of a second. Even better, three positions on the dial can hold custom recipes, toggled on or off on the fly.</p><p>The X-T5, the flagship of the lineup, doesn&#8217;t have this dial. That said, its <strong>Custom Settings</strong> system &#8212; combined with well-configured function buttons &#8212; makes it possible to get very close. Both approaches are worth understanding and comparing.</p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="/__u/substackcdn.com/image/fetch/$s_!io3I!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="/__u/substackcdn.com/image/fetch/$s_!io3I!, /__u/jmplisson.substack.com/w_424, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!io3I!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!io3I!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!io3I!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_webp, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 1456w" sizes="100vw"><img src="/__u/substackcdn.com/image/fetch/$s_!io3I!,w_1456,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg" width="1456" height="971" 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/__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 424w, /__u/substackcdn.com/image/fetch/$s_!io3I!, /__u/jmplisson.substack.com/w_848, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 848w, /__u/substackcdn.com/image/fetch/$s_!io3I!, /__u/jmplisson.substack.com/w_1272, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 1272w, /__u/substackcdn.com/image/fetch/$s_!io3I!, /__u/jmplisson.substack.com/w_1456, /__u/jmplisson.substack.com/c_limit, /__u/jmplisson.substack.com/f_auto, /__u/jmplisson.substack.com/q_auto:good, /__u/jmplisson.substack.com/fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Fb5cfdbca-c410-484d-a19f-dd4806c3274b_1536x1024.jpeg 1456w" sizes="100vw" fetchpriority="high"></picture><div class="image-link-expand"><div class="pencraft pc-display-flex pc-gap-8 pc-reset"><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container restack-image"><svg aria-hidden="true" width="20" height="20" viewBox="0 0 20 20" fill="none" stroke-width="1.5" stroke="var(--color-fg-primary)" stroke-linecap="round" stroke-linejoin="round" xmlns="http://www.w3.org/2000/svg"><g><path d="M2.53001 7.81595C3.49179 4.73911 6.43281 2.5 9.91173 2.5C13.1684 2.5 15.9537 4.46214 17.0852 7.23684L17.6179 8.67647M17.6179 8.67647L18.5002 4.26471M17.6179 8.67647L13.6473 6.91176M17.4995 12.1841C16.5378 15.2609 13.5967 17.5 10.1178 17.5C6.86118 17.5 4.07589 15.5379 2.94432 12.7632L2.41165 11.3235M2.41165 11.3235L1.5293 15.7353M2.41165 11.3235L6.38224 13.0882"></path></g></svg></button><button tabindex="0" type="button" class="pencraft pc-reset pencraft icon-container view-image"><svg xmlns="http://www.w3.org/2000/svg" width="20" height="20" viewBox="0 0 24 24" fill="none" stroke="currentColor" stroke-width="2" stroke-linecap="round" stroke-linejoin="round" class="lucide lucide-maximize2 lucide-maximize-2"><polyline points="15 3 21 3 21 9"></polyline><polyline points="9 21 3 21 3 15"></polyline><line x1="21" x2="14" y1="3" y2="10"></line><line x1="3" x2="10" y1="21" y2="14"></line></svg></button></div></div></div></a></figure></div><p class="button-wrapper" data-attrs="{&quot;url&quot;:&quot;https://jmplisson.substack.com/subscribe?&quot;,&quot;text&quot;:&quot;Subscribe now&quot;,&quot;action&quot;:null,&quot;class&quot;:null}" data-component-name="ButtonCreateButton"><a class="button primary" href="/__u/jmplisson.substack.com/subscribe"><span>Subscribe now</span></a></p><h1>&#127905; The X-E5 Film Simulation Dial</h1><h2>&#128377;&#65039; The Ten Positions on the Dial</h2><p>The X-E5 Film Simulation dial has ten positions in total. Six correspond to built-in Film Simulations, engraved directly on the dial:</p>
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