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When I listen to “Kokomo” by the Beach Boys, I’m instantly transported back to my childhood in the ‘80s. In fact, if I close my eyes while listening to it, I’m right there in my childhood house lying on my back with my headphones on, singing away to Mike Love and the boys. I can actually feel that old carpet under my back, and the warm African wind blowing in through my window. In my mind, I’m really there. And I’m a kid again. It’s so powerful that it feels like magic. And maybe it is.

When I use “Kokomo” to time-travel back to 1989, I feel better within seconds. The darkness that surrounds me breaks up. As long as the song is playing and my eyes are closed, I don’t feel the depression. I know it’s still there, but as long as I’m back in 1989, the depression transforms from an unmovable, solidified reality, into a movable, quantum probability. And yeah, I know it’s escapism. But hey, there’s far worse ways of escaping reality than listening to a song, right?

“Kokomo” was my favourite childhood song, so its power is second-to-none. Yet I hardly ever listen to it. Why? Well, I’m worried that if I listen to it too much, I’ll become acclimated to it. Like with coffee. If somebody doesn’t usually drink coffee, but then they have one mug of it, they’re bouncing off the walls. But if someone drinks coffee every day, it’s impossible for them to get the same boost as a non-coffee drinker. And the more coffee someone drinks, the less effective it is.

That’s what I’m concerned about. The more I listen to “Kokomo”, the less effective it may become at transporting me back to 1989. So I use it sparingly. Very sparingly. I don’t have any other songs that possess that same level of magic. There are other songs that have a similar effect, but compared to “Kokomo”, they’re decaffeinated. So for now, I’d rather listen to it too little, rather than too much.

Right, here’s my question to you: Do you have a song that instantly transports you back to a happy time earlier in life? And it doesn’t have to be your childhood, as a lot of people (including me) have childhood trauma. So your happy time could be when you were in your 20s or 30s, or whenever you were feeling good in the past.

I’d love to know what your time-travelling song is, so please drop it in the comments. And I invite you to carve out a few minutes today to listen to it. Find a time when you can stop everything and listen with your eyes closed. And remember to put your phone in flight mode while you’re time-travelling. Nothing kills the magic like a notification. And it is magic, so I’m excited for you to feel it, too.

This topic reminded me of the mind-bending work of psychologist Dr Ellen Langer, who conducted the famous “Counterclockwise Study” back in 1979. She got a group of elderly men to live in a house that was retrofitted to look exactly like the year 1959. There were old black-and-white TVs, radios, books, magazines, and music. All of it was at least 20 years old. And these elderly men were also asked to speak and behave as though they were 20 years younger.

What happened next is shocking. Utterly shocking! After only five days of living in this house, Dr Langer measured their biomarkers. These men had literally reversed the aging process and become biologically younger. Even their eyesight improved! If you’re interested in reading more about this study, as well as Dr Langer’s other jaw-dropping research, I highly recommend her recent book The Mindful Body.

So, inspired by this Counterclockwise Study, I’m now thinking of my magical time-travel song as Counterclockwise Music.

And if you’re interested in making music, be sure to grab your downloads of my Free Book and Free PDF tutorials. I’ve got resources for songwriters and producers at every level, from complete beginner all the way up to advanced.

Lastly, if you’d like me to keep doing this work, please consider becoming a paid subscriber on my Substack, or making a one-off contribution. And a heartfelt thank-you to all my paid subscribers. There are currently 19 of you, so I know each one of you by name. I see you, and I’m deeply grateful to you. Thank you!

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If you can’t afford to subscribe at the moment though, no problem, you can give the podcast a 5-star rating in your app. That helps support my work, too. Thanks for being here, my friend, you are very much appreciated.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by jonas mohamadi.

ABOUT

Ray Harmony is a multi award-winning music lecturer who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 255,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs! Everything here is 100% Human and 0% AI.

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American band Death Cab for Cutie recently released their new album “I Built You a Tower”, and the song “Stone Over Water” is a brilliant example of how to make music that’s rhythmically interesting without sacrificing its ability to move people, aka its danceability. And that’s a vital element of music, not to be underestimated. Because, if people can’t tap their foot or bob their head along to your song, they’ll find it frustrating and will probably hit that Skip button.

To be clear, it’s easy to make rhythmically interesting music, but the cost is usually danceability. There’s an inverse correlation between how interesting a rhythm is and how danceable it is. The more interesting the rhythm, the less danceable.

A great example of this is the Swedish band Meshuggah. I’ve seen them live numerous times, and watching people trying to dance to their songs is funnier than Monty Python’s “Ministry of Silly Walks” sketch! And then on the extreme opposite side of the spectrum, you’ve got the classic four-on-the-floor dance beat, which is the easiest groove to dance to, but it’s also the most boring, by far.

So how do Death Cab for Cutie achieve this blend of danceable yet interesting? Well, they use a less common time signature: 6|4. While 6|4 is (sadly) rare in popular music genres, it doesn’t sound weird at all. That’s because the most common time signature is 4|4, so 6|4 is merely 4|4 with two 1/4 notes added.

And 6|4 is still an even time signature, so listeners can move along to it just like they can to 4|4. In fact, 6|4 feels just like 4|4 but with an extra half bar. The only people who would even notice that it’s an unusual time signature are musicians.

6|4 is arguably the most underused time signature. To understand why, we first have to talk about how popular musicians tend to informally group time signatures into two categories: 4|4 and odd-time.

I think this is because the word “odd” can either mean odd as in numbers (like 3, 5, 7, etc.), or odd as in unusual. So despite the fact that it’s actually an even number time signature, 6|4 tends to be unofficially thrown into the odd-time category. What a rare gem! And that’s why it’s such a shame that there aren’t way more songs in 6|4.

And on that note, please open your Digital Audio Workstation and change your time signature to 6|4. This increase in bar length will spark your creativity too, because you’ll automatically write longer melodies, chord progressions, bass lines, and drum beats. This unusual characteristic will bring out some creative ideas, and it’s also super fun to be liberated from the constraints of 4|4.

Anyway, I hope that gives you some ideas and inspiration for your music making this weekend, and if you want more, then check out my website and download my Free Book and Free PDF tutorials.

And if you’ve got a spare 60 minutes, then I can teach you all the music making essentials in a series of short step-by-step videos. After this one-hour Songwriting & Producing “Crash” Course, you’ll know how to make good music with all the instruments working together: lead melody, counterpoint backing melody, chord progression, bass line, drum beat, and more. So if you’re super busy, then enroll right now and you can go to bed tonight knowing how to write good music.

Thanks for being here, my friend, you happy music making!

Ray Harmony :)

P.S. If you’d like me to keep doing this work, please consider becoming a paid subscriber.

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CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Matheus Bertelli.

ABOUT

Ray Harmony is a multi award-winning music lecturer who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 255,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs! Everything here is 100% Human and 0% AI.

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My previous essay, titled Making Music Is Bad for Mental Health, was a kind of eulogy to the pre-smartphone fan. You know, that person who used to listen with all their attention. Nowadays, people don’t really do anything with all their attention, and this indifference is why us creatives are struggling so much with our mental health. It’s painful to share our art with a world that’s too addicted to their phones to even give our work a few minutes of their attention.

And while I did receive comments from people who were feeling the same, I was rather surprised to see so many comments from people telling me that I was seeking validation, and that I should be happy to make music even if nobody listens to it. This saddened me. Deeply. Because it revealed how isolation is considered to be totally normal now in every part of life, even the parts that were previously considered to be social events, like playing and listening to music.

So, this post is to set the record straight. For all those people who think that it’s perfectly okay for music to be an isolated experience, please understand this ancient fact: Music is communal. And it always has been, up until very recently. For evidence, please read some anthropology books to see the role that music played (and still plays) in the lives of hunter-gatherers. Then, please read some history books to see the role that music played in society through the centuries.

Whether it was singing around a fire or in a church, whether it was listening to music in a concert hall or in a pub, music was always communal. Thinking of music as an isolated activity is like thinking of a tree falling in a forest when nobody is around to hear it. Did it make a sound? No.

And just like that falling tree, when our songs don’t have listeners to hear them, they don’t make any sound either. This is not poetic. It’s literal. Human ears transform our songs from mere vibrations in the air into music. But here’s the catch: Those ears need to be attached to a human who’s actually paying attention.

We’ve all experienced that bizarre phenomenon of talking to someone who’s scrolling on their phone, only to realize later that they didn’t actually hear anything we said to them. No attention, means no listening. Therefore, without someone’s attention, our music does not exist. And, the beautiful human connection we could have enjoyed from feeling the music together, never happens either. This is tragic.

So, as artists, it’s okay for us to want people to give our creations their attention. That’s how human cultures have always connected. So please, don’t let anyone gaslight you. And don’t gaslight yourself. Don’t convince yourself that this is the “new normal”.

Even if it is, we’re creative people, so let’s use our imaginations and keep pretending that we live in a world where people value art and creativity. And I mean human art and human creativity. It’s crazy that we have to say that nowadays, but there you go. If enough of us imagine the world we want, maybe, just maybe, we can change this simulation.

Lastly, if you’d like me to keep doing this work, please consider becoming a paid subscriber.

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If you can’t afford to at the moment though, no problem, you can give the podcast a 5-star rating in your app. That helps a lot, too. And be sure to grab your downloads of my Free Book and Free PDF Tutorials.

Thanks for being here, my friend, you are very much appreciated.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Matheus Bertelli.

ABOUT

Ray Harmony is a multi award-winning music lecturer who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 255,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs! Everything here is 100% Human and 0% AI.

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You’ve just finished a new song. You love it! You’re beyond thrilled. You can’t wait for people to hear it, so you excitedly upload it and click publish. And you wait. And you wait some more. Then you refresh. Maybe it just needed a refresh. No. Still nothing. Ah! There’s a notification now. Jack192837465 gave it a thumbs up!

But, your song is five minutes long, and you uploaded it three minutes ago, so Jack192837465 couldn’t have listened to the whole song. Well maybe he’s loving it so much that he couldn’t help himself and simply had to hit that Like button mid-song. If he’s enjoying it that much, he’ll definitely leave a comment after he’s finished listening to the song. Definitely.

So you wait. And you wait some more. Then you refresh. Maybe it just needed a refresh. No. Still nothing. After another half an hour, you close your laptop and go eat chocolate. You’re defeated. What’s the point? Songs need listeners, but most people are too busy scrolling nowadays. And even if they do listen, they’re not paying attention, they’re just playing your song in the background while they scroll.

And that, my dear friend, is why making music is bad for your mental health. Technically speaking, it’s not the making music that’s the bad thing, it’s the sharing it with a world that doesn’t value music anymore. And to be clear. When asked, people will say they value music, but their actions say the opposite. And always listen to people’s actions, not their words. Because their actions reveal their true values. Remember that. Actions reveal values.

It seems that the first principle of philosophy in this brave new world is: “I scroll, therefore I am”. Any time the smartphone user is not scrolling, they feel like they don’t exist, or maybe they feel that the world doesn’t exist, or something like that. I don’t know, I deleted all my social media accounts 11 years ago, so I don’t scroll.

The bottom line is this: If you do choose to share your music, then don’t expect people to give it their attention. That’s exclusively reserved for their phones. The best you can hope for is that people listen to your music in the background while they scroll. That’s it.

But how horrible is that? And it’s okay to admit it. We pour our heart and soul and mind into making a song (or a painting, a piece of writing, a garden, or whatever art you create), and then we share it with the world, only to be told through their actions that they can’t even give our creation five minutes of their attention.

The world’s indifference to our creation is a form of rejection. And it hurts. A lot. Indifference is arguably a worse type of rejection than someone not liking our music, because indifference leaves us with no hope, whereas rejection leaves us with the hope that people might like something we create in the future.

It’s vital to be gentle and compassionate to your inner artist in these situations, because rejection activates the same part of our brain as physical pain. The hurt is real. Rejection feels painful, precisely because it is painful, in the most literal way.

So what’s the solution? A time machine. Then we can all go back to before the smartphone zombie apocalypse. Remember when people actually walked around looking up? And even better than that, when people used to drive their cars and look at the road, instead of their phones. Aaah… those were the good ol’ days!

Okay, so while we wait for someone to invent a time machine, how do we cope with this rejection in the meantime? Great question. And please do let me know if you figure it out. I’m all ears! The only partial solution I can currently think of to prevent this rejection, is to avoid the cause of it. In other words, don’t share your music. Or share it, but don’t expect any response. The only thing you should expect is indifference.

That second option is way more difficult, though. Maybe impossible. I don’t know. Everyone’s different. Maybe you can share your music and not expect a response. I certainly can’t. The indifference is just too painful. A few years ago it sent me into depression, which I’m still struggling with. That’s why I took a break from making music, and focused my creativity on writing about music instead. But now, thanks to AI, it turns out that people no longer value writing either. So I’m currently thinking of becoming a baker. People still value bread, right? Well for now, at least.

Anyway, I’d love to know how you’re coping with the pain of releasing songs into a world that doesn’t value music anymore, so please let me know in the comments.

If you enjoy my work and want me to keep writing, please support me by becoming a paid subscriber. It’s only about the cost of one coffee per month. Thank you :)

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And if you’re one of the last remaining humans in the world who’s avoided the smartphone zombie apocalypse and you’re actually still interested in creating (and not just consuming content), then please visit my website, as I have a whole collection of free resources for songwriters and producers at every level.

Beginner?
Read my Free Book 12 Music Theory Hacks to Learn Scales & Chords.

Intermediate?
Do the 30 Free PDF tutorials. They cover many different genres and instruments: melody, chords, bass, drums, and more!

Too busy?
I’ve got just the thing for you! It’s a 1-hour “crash course” where I teach you all the music making essentials in a series of short step-by-step videos. Imagine that, if you enroll now, you could go to bed tonight knowing how to make good music!

Thanks for being here, my friend, you are very much appreciated.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Nataliya Vaitkevich.

ABOUT

Ray Harmony is a multi award-winning music lecturer who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 255,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs! Everything here is 100% Human and 0% AI.

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It’s 9pm. Friday night. December 20th, 1996. Cape Town, South Africa. I walk out on stage. The air is thick with smoke from the fog machine and cigarettes, and probably something else too. A bright spotlight is in my face. The light’s hot. The weather’s hot. That middle-of-an-African-summer kinda hot. All I can see beyond the spotlight is a sea of people. The venue is sold out. In fact, it’s probably over capacity.

We’re opening for South Africa’s biggest rock band, Springbok Nude Girls, who’d just signed a major label deal with Sony. But my band ROYD wasn’t far behind them, all thanks to the support of legendary DJ Barney Simon, who hosted the only rock show on national radio. His heavy rotation of our debut single led to it climbing up the national rock chart until it reached No. 1 just a few weeks before. To get there, we beat out Nirvana and Smashing Pumpkins. Recalling this makes it feel like a distant dream, but it was in fact, reality. And I was only a teenager. This was truly a dream come true.

The roar of the crowd intensifies with every step I take towards the microphone. I swing my long hair to the side of my face and pretend I’m about to speak into the mic. The crowd quietens. In this silence, without warning, we launch into the heavy opening riff of our No. 1 single “Impression X”. They. Go. Crazy! The dancefloor instantly erupts into a dangerous (yet friendly) pit of hair-windmills, body-slams, and flying flannel shirts. Welcome to life in the ‘90s.

Fast forward 29 years to December 2025. I get an email from the bassist, my best friend Rob Krammer, who now lives in Austria: “Dude, we should totally do something special next year to celebrate the 30-year anniversary of our debut release”.

After the initial shock of realizing that three decades had somehow flown by, we decided that it would be awesome to get all our recordings re-mastered and re-released as one epic album. We excitedly emailed the drummer, my brother Tony Holroyd, who now lives in Japan. He’s one of those people who doesn’t show his excitement, though, or maybe he just doesn’t get excited, I don’t know. But after he revealed a sliver of enthusiasm, we knew we were onto a great idea!

ROYD was formed in 1995 (out of the remains of a previous band) and broke up in 1999, when I moved to Los Angeles to study at Musicians Institute. In our four years together, we recorded one demo and four EPs. We went to record at Paris Studios once each year. And no, unfortunately it wasn’t in Paris. That was the name of the owner. But he was great, so we didn’t mind the fact that Paris was just down the road.

Back to December 2025. So I got in touch with my favourite mastering engineer, Tony Lindgren, over at Fascination Street Studios in Sweden, to see if he was up for the job. He was, and his genius has not only revived these dusty old ‘90s recordings, but he’s masterfully brought them up-to-date with the big, loud, modern music industry, without compromising their old-school character though.

You can hear the results for yourself on Spotify, Apple, or any other streaming platform, just search for ROYD - The ‘90s Recordings. Or if you’d like to download the album for free, then head on over to HackMusicTheory.com/Royd.

ROYD • The ‘90s Recordings

Cover art hand-drawn in 1996 by Ben Ludik and his ballpoint pen

So coming back to the title of this post. What was life like in a ‘90s grunge band? In other words, how does the music industry of 30 years ago compare to now?

Instead of focusing on all the obvious things, like recording to tape in the studio, or running a newsletter and fan club using snail mail, or selling CDs at shows, or playing in front of people who were actually looking at us (not their phones), instead of all that, I’m going to focus on the feeling that us musicians felt about life in the music industry back in the ‘90s. And what feeling was that? Hope.

You see, the music industry back then was a hopeful place to be, because every year it was getting bigger and better as music continued to become a bigger part of our shared culture. The future was not only hopeful, it was expansive. Opportunities were increasing with every passing year. There was a shared belief that music was a vital part of our daily life.

If you didn’t live through this era, then watch the movie “Singles” from 1992. It perfectly captures how important music was in our lives back then. And it’s a really good rom-com, too! And if you prefer your movies a bit sillier, then watch “Airheads” from 1994. It’s silly, yes, but it totally embodies that feeling of hope we all had back then. The future was bright.

And music was arguably the biggest shared cultural experience that people bonded over. It was a significant part of people’s lives, and it took up a significant amount of our time. We would spend hours every day listening to music. Recorded music and live music. And the music wasn’t in the background. It was the main event.

ROYD • Paris Studios • 1999

Tony Holroyd (drums), Rob Krammer (bass), Ray Harmony (vocals, guitar)

The music industry in 2026 is the opposite. Hardly anyone listens to music as the main event nowadays. Music is almost always a soundtrack to something else: working, studying, driving, walking, exercising, cleaning, cooking, etc.

Yes, people listen to lots of music in 2026. Maybe even more than we did 30 years ago, because everyone has a phone that plays music now. But, music has been relegated to the background. It’s pretty much never the main event, and if it is, it’s usually just a song here or there, not a full album followed by another one, and on and on, which is how we used to listen to music back in the ‘90s.

While music was a bonding experience back then, it’s now an isolating one. There are numerous reasons for this shift, which we don’t need to get into here, but the evidence for this change can be seen on Spotify or Apple or whatever streaming platform you use. Look at the biggest artists in the world, with tens of millions of monthly listeners. Forget about the artists who are no longer with us, like Michael Jackson, just look at the living artists. How many of these massive artists have you never heard of? A lot, right? Another way this can be seen is by looking at the artists playing the arena in your city. How many haven’t you heard of? A lot, again. Right?

That never happened in the ‘90s. We all knew the big artists in every genre, even if we didn’t listen to that genre. This was largely due to radio being the main source of most people’s music. That level of gate-keeping has an obvious downside, which is actually what the “Airheads” move is about, but the gate-keeping is precisely how the shared culture was created and sustained.

So, despite the frustration that us musicians felt back then from trying to somehow claw our way through the gate, I think it was worth it. Because we now know what happens when the floodgates are opened.

Yes, everyone can release music to the world nowadays, but the price we paid for that privilege is the loss of our shared culture. If you’re a Gen Xer like me, or perhaps you’re a Boomer, what do you think? You’ve also experienced both worlds. Was it worth it? Let me know in the comments, I’d love to hear your perspective.

Paris (owner, engineer) waiting for the tape to rewind.

Studios in the ‘90s never had computers, they were reserved for boring office workers!

While there are many other differences between the pre-internet music industry and the industry we’re living in now, the main difference (by far!) is generative-AI. This isn’t so much a difference as a demolition. I’ve said a lot about this topic in other posts, so check those out if you’re interested, but suffice it to say that AI has single-handedly killed the hope for a bright future. Generative-AI is narrowing the future. Every month there are fewer opportunities in the music industry.

And while I’m a proud old-man luddite shouting at the AI clouds, this is not my opinion. It’s a fact. The AI narrative that mainstream media outlets and all the big YouTubers and podcasters are pushing (in a suspiciously co-ordinated fashion) is that everyone loves generative-AI and everyone’s using it.

But, if you do some digging, you’ll quickly hit a very different level of reality, where young people are rebelling against AI because it’s robbing them of a future. To learn more about this rebellion and how it’s developing, I highly recommend subscribing to the brilliant Blood in the Machine substack by .

These youngsters pushing back against AI fill me with that ‘90s hope once again, and remind me that it’s worth boycotting generative-AI. It’s not too late. And we owe it to the younger generations.

I’ve had my time in the spotlight, literally, but if we don’t boycott generative-AI, these young musicians will never get their time in the spotlight.

And it’s already happening. All the biggest artists in the world are mostly dead, and if they’re not dead, their band broke up decades ago. The Beatles. Elvis. Michael Jackson. Queen. Frank Sinatra. On and on.

Read the legendary ’s recent post on this bizarre phenomenon:

The Honest Broker

The Hottest Musician in 2026 Is 'Problematic' Michael Jackson

A few days ago, a major newspaper published an unusual piece of film criticism. The author wants fewer films released—has a journalist ever asked for that before…

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4 months ago · 419 likes · 78 comments · Ted Gioia

And don’t get me wrong. I love old music by dead people. In fact, my favourite artist of all time died in 1750. But, every Friday I listen to the new releases in search of new gems. The treasure hunt is thrilling! We can’t give up on new music and young musicians, otherwise the music world dies.

ROYD • Live in Cape Town • 1998

And remember to look in your local community too, and please get out there and support the young musicians playing live in your area. They need and deserve your support more than anyone in the entire music industry!

And please make an effort to speak to them face-to-face afterwards and share your appreciation. It will mean the absolute world to them. Most musicians nowadays are struggling with an array of self-doubt and anxiety about the future of the industry, so a kind and supportive word is your most valuable currency. Having said that, though, if you’ve got a few spare bucks, give them a tip or buy their merch, cos unfortunately landlords don’t accept compliments as rent payments.

And speaking of paying the rent. If you want to help me put money in my landlord’s pocket on the 1st of next month, please consider becoming a paid subscriber (click the button below for details) or buying something over on my website.

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If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too.

And if you’re feeling nostalgic for the ‘90s, check out the new, old ROYD album. Or is that the old, new album? I don’t know, but just search for ROYD - The ‘90s Recordings on whatever streaming platform you use, and enjoy some old-school ‘90s vibes.

Thanks for being here, my friend, you are very much appreciated!

Ray Harmony :)

ABOUT

Ray Harmony is a multi award-winning music lecturer who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 255,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs! Everything here is 100% Human and 0% AI.

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My favourite Saharan rock band Tamikrest just released their new album “Assikel”, and I’ve had it on repeat this week. Why? Well firstly, this is a mesmerizing collection of songs that make me feel good. I can sense the warmth emanating from their laidback desert grooves. And considering it’s the middle of May and we’ve just had more snow here in Alberta, I’m well up for their hot Saharan vibes!

Another reason I love this album is that it was recorded live in the studio, to analogue tape. That’s what I’m talkin’ about! It’s the only way to capture the magical synergy that’s created when a great band performs together. It’s been a rare method of recording since the 1950s, when multitrack recorders became common in studios. So for this reason alone, Tamikrest’s new album is worth a listen.

But my favourite thing about “Assikel” is the unusual song structures. And that’s something we can all learn from this band. Their songs are not structured like regular songs, which switch back and forth between verse and chorus sections. When it’s done well, that switching is stimulating. But, the downside of being stimulated is that it’s the opposite of being relaxed. There’s nothing wrong with a coffee in the morning. But a coffee before bed? Well, that’s a very different story.

And as our fast-paced modern world speeds up exponentially, the calm that Tamikrest’s non-switching song structures create is a sonic sanctuary. In the sizzling Sahara, it’s far too hot for stimulation. The wisdom of the desert invites us to sit in the shade. This shifts our attention to stillness, and awakens an idea that maybe we don’t need anything out there. Maybe it’s perfect right here in the shade.

I was born and raised in South Africa, and I remember that feeling of being so hot that you’re forced to sit as still as possible, because any movement creates heat in your body, and that’s the last thing you need. So you sit still. Sweating and contemplating. Contemplating and sweating. Until the need for water outweighs the need for stillness, so you stretch out your arm, slowly, and reach for the drink.

So here’s the songwriting hack that we can all learn from Tamikrest:

For all these reasons and more, I’ve got Tamikrest “Assikel” on repeat. I’d love to know what you have on repeat this week, so please let me know in the comments. And thanks for listening, my friend, you are very much appreciated here.

Ray Harmony :)

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 255,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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We’ve just moved. Again. For more than a decade now, Kate and I have been averaging about one move per year. Last year we moved twice, but our record is an impressive three moves in one year!

The reasons for moving so often are numerous. Sometimes it’s our decision, sometimes it’s not (like the move we just made). The owner of the property we were renting sold it, so we had no choice. Time to pack up our lives. And move. Again.

Psychologists say that moving is one of the most stressful events in life. Having immigrated twice, having lived in four countries, and having moved so many times that I stopped counting when the number of places got to the mid-20s. I agree. Moving is stressful!

And for creatives like us, one of the worst things about moving is the loss of our routine. We work so hard to carve out a little “me time” in our calendars for making art, and then we work so hard to protect that precious time against the countless encroachments. But once our creative routine is established, it’s life-changing. We’re better humans when we’re being creative.

Creating is not a luxury. It’s a necessity. Our bodies need to consume air, water, and food. Our souls need to create art. And for the record, when I say art, I mean anything original that we make. Yes it could be a song or an oil painting, but it could also be a flower arrangement or a loaf of bread. I have my own soda bread recipe that I’ve been honing for years, and making it puts me in the flowstate.

But when we have to pack up our lives and move, making music and baking bread both come to an abrupt stop. This sudden cessation of creativity is devastating to our mental health. That’s why I began a new creative habit on January 1st this year. It’s a daily habit, and I haven’t missed a day, despite all the time-consuming activities that were added to my schedule over the last few months, like house-hunting, packing, moving, and now unpacking.

It’s for that reason that I started this new creative habit. Over the last few years my creative output has been dwindling, mainly due to depression, but that’s a story for another day…

Back in December last year, I knew we were probably going to move again this year, and I also knew that there never seems to be enough time in the day to justify spending some of it making art, so I knew I needed a daily creative habit that could be sustained through all the inevitable disruptions.

I actually got the idea from our daily yoga habit. Kate and I have been doing yoga every day for many years. Every morning, seven days a week, we do yoga. If we’re busy, we do less (on moving day, it was only 10 minutes). And when we’re not busy, we do up to an hour. But every day we do yoga. No excuses. It’s been life-changing, and I think it’s one of the few ways we’re hanging on to a tiny bit of sanity through these mad times!

So, here’s my new daily creative habit: writing a couplet. If you aren’t familiar with couplets, they’re simply two-line poems. And no, they don’t need to rhyme, unless you want them to. So every night in bed, I reflect on my day and think of the most important lesson I’ve learned. Then I write a couplet about it. And inspired by Wendell Berry, I write these with pen and paper.

I love the limit of having to say everything I want in only two lines. It’s similar to a haiku. That strict limit forces us to think more creatively. It’s counter-intuitive, but the more limits we have on our creativity, the more creative we need to be in order to express ourselves.

Also, the concise nature of couplets means that we always have time to create one. We’re never too busy to write two lines. And the habit is working. It’s stuck. We’re in May now, and I haven’t missed a day. It’s also pretty cool to see my notebook filling up with creations. I’ve already got over 130 couplets.

The last thing to mention about my new daily creative habit is that I decided before starting that I would not publish any of them. They’re like a journal. Personal. For my eyes only. I’m not even sharing them with Kate. The reason for this is to allow myself complete and utter freedom.

As soon as we know that we’re making something that will be shared with other people, we start restricting ourselves. Sometimes that’s good. For example, if you want to start a band and play live shows, it is kinda essential that your songs are enjoyable to at least some people, otherwise you won’t get many gigs. On the other hand, if you’re making music exclusively for yourself with no intention of sharing it, then you can do whatever you want. Anything goes! And that’s liberating.

So, this is my invitation to you to start a daily creative habit. Today. And make it small enough that even on your busiest days, you can still find a few minutes to do it. Also, make it simple enough that you can do it even if you’re away from home.

Yes we can (and should) still write songs and paint canvases and make all kinds of other creations, but all those bigger projects require more time and more equipment than just a few minutes spent with a pen and paper. So do both. A small daily creation, which is sustainable. And then larger projects that are ongoing.

I’m interested to know if you have a daily creative habit, and what it is. And if not, are you feeling inspired to begin one? Drop a comment below, I’d love to hear from you! And if you’re looking for help with your creativity, then I’ve got you covered. From beginner to advanced, there are loads of free resources for you over on my website.

If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. If you’re already making music, though, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” you follow to instantly make better music. All genres are there, too. Electronic to hip-hop, classical to metal, and everything in between. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these posts either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Tirachard Kumtanom.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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As people become more addicted to their phones, society’s obsession with mindfulness meditation grows. I think that’s because the collective unconscious knows that we desperately need to take back control of our minds, as our lives are being wasted through endless hours of meaningless scrolling.

There are only 24 hours in a day, and despite the fact that most people (including myself) don’t sleep nearly enough, we do still sleep some of those 24 hours away. Then the remaining time each day seems to disappear in a blur, and suddenly it’s bedtime again. So we close our eyes. The alarm rings. And we do it all again.

I think it’s safe to say that no kid dreams of spending their one precious life this way. The people who viscerally sense this horror of modernity usually end up turning to some form of meditation as a path back to reality.

And for the record, I meditate every morning, so I encourage this practice. However, I’ve come to think that meditation alone is no longer a powerful enough method in this modern world.

It’s easy for us to forget that throughout the ages, the people who meditated were living in a completely different world. Not only did they not have social media and smart phones, but their pace of life was unimaginably slow compared to ours. Think about it, a hundred years ago most people still walked everywhere they needed to go. Now there are cars that drive themselves! And progress just keeps speeding up.

So when people in the old-world meditated, it wasn’t for stress-relief or relaxation. It was mainly for religious reasons. Different meditation practices were used for different functions, but none of them were designed for improving mental health in the age of social media, smart phones, and AI.

Once again, I encourage people to meditate, just remember that these practices were not designed as a technique for coping with our modern world. If you’re looking for help with that, there’s a far more effective method: listening to music!

You see, actively listening to music not only helps to focus our minds, just like mindfulness meditation does, but music also resonates with our hearts and makes us feel. It instantly changes our emotions, which instantly changes our energy. If there was a pill that could do that, it would be the best-selling drug on the market. But all drugs have negative side-effects, whereas listening to music doesn’t.

Also, when we sit in silent meditation, we might get a break from outside stimulation, but if you’re an introverted intuitive like me, then this practice usually results in our thoughts getting even faster and louder in this silent, empty space.

But if we actively listen to great music, like Bach or Vivaldi, it doesn’t allow our minds to wander. The music acts as a tether to our minds. And for people with obsessive thinking patterns like me, this mind-tether provides a deeply welcome break from our thoughts. And not only that, as I mentioned earlier, the music also tugs at our heartstrings and activates our emotions, which further helps our minds relax.

So the opportunity cost of doing silent mindfulness meditation is expensive, because we could be listening to music instead. And if we choose the music wisely, and listen actively with our eyes closed, the music will literally change our physiology, and therefore our mood. Better moods lead to better days. And better days lead to better lives.

This serves as my invitation to you to start practising music meditation today. If you’re not sure what music to choose, my favourite is an 18-minute long EP of Vivaldi’s Stabat Mater by the phenomenal Polish countertenor Jakub Józef Orliński.

Now, the only thing more magical than listening to music, is creating your own music. So if you need help making music, I’ve got you covered. From beginner to advanced, there are free resources for you over on my website.

If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. If you’re already making music, though, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” you follow to instantly make better music. All genres are there, too. Electronic to hip-hop, classical to metal, and everything in between. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these posts either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by cottonbro studio.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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The brilliant English writer recently launched a campaign for everyone who loves humans and human creativity. So if you also miss the good ol’ days when you could read, listen or watch something and know that a human made it, then please join this campaign. And please do it today. This is urgent!

Due to generative-AI, humanity is at a vital fork in the road. In all honesty, I think it’s probably too late to save human-made art, but if we don’t try, we’ll never know. And if you’re a Gen Xer like me, or a Boomer, then we seriously owe it to the kids, because we know how life-changing real music was to our childhood development.

The term “life-changing” is thrown around a lot nowadays, but music literally changed our lives when we were growing up in the ‘70s, ‘80s and early ‘90s. It’s heartbreaking to think that kids are no longer experiencing that deep and profound meaning that music gave to our lives. Those bands that we lived for (and couldn’t stop thinking about) not only made us who we are, but they helped us to cope with a screwed-up world that just keeps getting more screwed up!

This is why we owe it to the kids to try our best to wake people up to the consequences of generative-AI. And that process begins by having conversations like this with our friends and family. On that note, please share this post with any open-minded person willing to listen.

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Here’s an example of the reality we’re living in with AI. So the other day I was listening to the new album by Icelandic singer-songwriter Ásgeir. It’s breathtakingly beautiful. But while I was halfway through the title-track “Julia”, a thought popped into my head: “He could’ve used AI to write this!” I really hope he didn’t, but we’ll never know.

And that’s what most non-musicians still don’t seem to understand about generative-AI. It’s ubiquitous. It’s being used in most new songs. In fact, when asked off-the-record, a shocking number of professional songwriters and producers admit to using generative-AI when making music. This has been confirmed by well-connected industry insiders like journalist Kristin Robinson, who’s a Senior Correspondent for Billboard, and writes their “Machine Learnings” newsletter that covers the rapid impact of AI and other emerging tech on the music industry.

And just a quick sidenote. If you wanna learn my fast, easy and fun method for making music, then visit my website. From beginner to advanced, there’s something for you there. And most of them are free, so enjoy!

If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. If you’re already making music, though, you can work your way through my 30 free PDF tutorials. They’re step-by-step musical “recipes” that you follow to instantly make better music. All genres are there, too. Electronic to hip-hop, classical to metal, and everything in between. Have fun cookin’ up some new tunes!

Then on top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these posts either, as I don’t want to exclude anyone. But, if you’re enjoying all my free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much, and let’s get back to the topic at hand…

So, even old-school garage bands that record directly to vinyl could still be using generative-AI in the writing process. Most of the band members would not even know. This disturbing fact is what we need to help people understand.

You see, every time I speak out against AI, people leave comments saying that they’re not fooled by AI-generated songs and that they can tell the difference. For now, let’s forget about Deezer’s recent survey that found 97% of people can’t tell the difference between fully AI-generated songs and human-made songs. So putting that data to the side for now, here’s the bigger problem, and I’ll illustrate it with an example:

When the new Foo Fighters album “Your Favorite Toy” is released in a few weeks, how will we know that Dave Grohl didn’t use generative-AI in the writing process? We can’t. That’s the short answer. Because, he could easily have used AI secretly at home while writing the songs. The other band members wouldn’t even know.

From what I’ve read it sounds like the album was recorded in Dave’s usual old-school way, and with his preference of analogue gear. That’s all great, but the fact remains. He could have used generative-AI to help him write the songs. I really hope he didn’t, but we’ll never know. That’s the problem. That’s what we need to help non-musicians understand.

So when people say that they can tell the difference between AI-generated songs and human-made songs, they’re just uneducated on the way that generative-AI can be used in the writing process. This is our reality. Right now. And it’s been like this for the last couple years.

To be clear. There’s literally no way that anyone can know if a new song was written by a human, by AI, or by a combination of the two.

If we want to be guaranteed that the music we’re listening to is 100% human-made, then our only option is to stick with old recordings. I recommend albums from before 1997, because that way you also avoid Auto-Tuned vocals. Yes, the transhuman music agenda has been underway for decades! If you want a short history of this, check out my previous post, titled: AI Human vs Human AI.

Now, back to Paul Kingsnorth’s vital new campaign: “Writers Against AI”. The first thing to know is that it’s actually for writers and readers. So even if you’re not currently writing anything, you can join as a reader. Having said that, though, I definitely encourage you to start a daily writing practice, but that’s a topic for another post. For now, all you have to do is make three pledges and you’re in. Here they are, in Paul’s words:

“To support the campaign, a writer must make three pledges:

1. I will not use AI in my work as a writer.

2. I will not support writers who use AI in their work.

3. I will support writers, illustrators, editors and others in related fields whose work is entirely human-made.

The first of these points draws a line for our own creative work. We say, as storytellers: we will remain human. With the second, we refuse to lend our voices or our money to anyone who uses this technology to replace human creativity. Finally, we commit to doing something positive: supporting, financially and morally, other creators who are drawing the line too, and refusing to be dehumanised. If you are a writer who agrees with these pledges and who wants to sign up to this campaign - well, that agreement is all it takes.”

So if you’re feeling inspired to get involved, head on over to WritersAgainstAI.net today and download the logo, then use it on your website and social media to let your audience know that your creations are 100% human-made. And if you’re a reader, you can download a “Readers Against AI” logo and post that on your social media and anywhere else that you can. Let the world know that you’re pro-human, and that you support human creativity! And please, do this today. Time is of the essence.

A heartfelt thank-you for reading, and welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by cottonbro studio.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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Most AI-generated songs now sound more human than most human-made songs.

How did music go so horribly wrong? It all happened so fast, too! If you’re a Gen Xer like me, you’ve witnessed this whole process unfold from start to finish in just a few decades.

As a kid I remember the first time I saw Depeche Mode performing live on some TV show. I was so confused. I heard drums, but I didn’t see a drummer!? What kind of sorcery was this? Remember, this was before the internet, so I had no way of finding out how they did that.

Then a year or so later, I saw these little black boxes in my local music instrument store. “What kind of instrument is that?” I asked the long-haired store clerk, who was rather busy air-guitaring along to some ‘80s shred album. “It’s a drum machine,” he told me. “How does it play the drums?” I asked, with even more curiosity than before. He laughed, and then explained how it doesn’t physically play drums, it’s a computer that replicates the sound of a drummer. I was shocked!

“But then bands won’t need drummers anymore?” I said, hoping that he would tell me I’d misunderstood his explanation. But no. He confirmed that the future indeed did not look good for drummers. “Are you a drummer?” he asked. “No, I play piano and guitar,” I replied. “Well you’ve got nothing to worry about then!” he assured me, trying to put my young prophetic mind at ease. But the writing was on the wall, and it was obvious to all with eyes to see.

The release of drum machines did two things, which together formed the catalyst for the death of music. Firstly, a lot of drummers lost their gigs. You see, the fewer people in a band, the more money each member makes. And remember, for working-class musicians like us who are just trying to scrape by, that increase can be the difference between paying rent and being homeless. So I’m not judging any bands that replaced their drummers with drum machines. I know the struggle. The drummer in my band was my brother. So who knows, if it was someone else, I may have done that too.

The second consequence of replacing drummers with drum machines was that all the drummers who still had bands, like my brother, were now being compared to drum machines. No matter how tight their playing, it was never as tight as the machine. This destroyed most drummers’ confidence, and it began the false idea that having everything perfectly on the MIDI grid was the best way. This is a lie.

The feel of a great drummer is exclusively due to them not hitting everything on the grid. A well-played soul groove that’s slightly behind the beat feels a million times better than a drum machine. And a well-played punk groove that’s slightly ahead of the beat feels so intense compared to a drum machine. There’s nothing perfect about playing perfectly on the grid. It just feels dead. Like the machine. Also, the slight variations that you get from a human drummer throughout each song is priceless, and breathes life into every single bar.

Now, the next stage in the death of music occurred in 1997, with the release of Auto-Tune. This was the first time that the pitch of vocals could be corrected. It was dark sorcery, too. I remember the first time I experienced this. I had just walked into the beautiful Metropolis Studios building in London, and my engineer friend Rohan Onraet met me with an excited “Dude, you gotta see this!” as he quickly ushered me into Studio C where he was working on a mix.

He sat me down and proceeded to play a Before and After version of a vocal track. I still remember who the band was, but I won’t mention them, as the first rule of Studio Club is: You don’t talk about what happens in the studio!

The difference between his Before and After versions of the vocals was shocking. The singer was not very good, but after my friend had auto-tuned him, he sounded just as good as anyone else. I could not believe it. “That’s cheating” I protested. “Yep” he agreed. And after a dramatic pause, he added: “This changes everything.” Turns out he was far more prophetic than he realized.

By the early 2000s, pitch correction software had been adapted to be able to tune any and all instruments, including guitar. Around the same time, rhythmic correction software was also developed. Now it was possible to record a live drummer, but then using software like Beat Detective, every hit could be perfectly aligned to the MIDI grid. This is why the drums on most recordings from 2001 onwards start sounding like drum machines, despite often being human drummers.

So 20 years ago, singers were already sounding like robots, and drummers were sounding like drum machines. And many bass guitarists had already been replaced with synthesizers by then, and the bassists that remained, were heavily edited as well. For a brief period, us guitarists were the last musicians standing.

But that didn’t last long, as not only did pitch and rhythmic correction software start making guitarists sound like robots too, but then virtual guitars started appearing. And as with all virtual instruments, they sounded terrible at first. However, it didn’t take long for them to start sounding convincingly realistic. And eventually, they would also become indistinguishable from the real thing.

And that concludes the bizarre story of how human musicians turned themselves into robots, long before AI turned up. So by the time AI-generated songs began to infiltrate the airwaves in 2022, music already sounded robotic. But now in 2026, AI is able to replicate old recordings, so it’s sounding more human than the humans.

In fact, a recent study by Deezer found that 97% of people can’t tell the difference between fully AI-generated songs and human-made songs. They also discovered that around 50,000 fully AI-generated songs are now uploaded to streaming platforms every day, accounting for 34% of all daily deliveries. That’s utterly horrifying!

In my view, there is literally only one good thing that could come from generative-AI, and it’s the fact that AI is working relentlessly to sound human. That should be a huge wake-up call for us! Think about it. If sounding like a robot was ideal, then AI wouldn’t be constantly learning how to sound more human.

There’s hardly anything that we can do without any effort whatsoever. But sounding human is one of them. So please, embrace your human imperfections. It’s precisely those imperfections that bring your music to life and make it soulful.

So this is my invitation to start being human again. If you’re a musician, don’t edit your recordings. Those little pitch or timing issues are the magic that makes you unique. And if you’re a producer, then I encourage you to get a MIDI keyboard and start practising. Even if you can only learn to play your drum beats and bass lines on the keyboard, that will still add a significant human feel to your recordings.

On that note, if you need some help with your music, I’ve got you covered. From beginner to advanced, there’s something for you over on my website. If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. If you’re already making music, though, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” you follow to instantly make better music. All genres are there, too. Electronic to hip-hop, classical to metal, and everything in between. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these posts either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Magda Ehlers.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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Nø Førmat! is an independent record label based in Paris. They’ve been around for over 20 years, and they’re one of my favourite labels. I love so many of their releases, but my current favourite is the album “Synthetic Hearts” by South African duo Msaki & Tubatsi. It’s a masterpiece!

I’ve got a soft spot for South African music because I was born and raised there, but they’ve got artists from all over the world on their label. I’m confident that you’ll find an artist of theirs that resonates with you. And for the record, I don’t know anyone at this label, so this is not a promo for them. I’m just a fan of theirs.

Another one of my favorites is the album “Our Calling” by the English singer-songwriter Piers Faccini and the Malian kora-player Ballake Sissoko. It’s a truly unique collaboration. The beauty is heartwarming, and the catchy melodies will have you joyfully singing along.

Do yourself a favour, and spend some time checking out the artists on this heroic record label. So why are they heroic? Because they’re one of the very few labels in the music industry who are brave enough (and awake enough) to be rejecting generative AI. Here’s a quote from a recent newsletter of theirs about this topic:

“We refuse to let what artists have spent a lifetime mastering be melted into billions of data points and regurgitated as artificial music by Udio, Suno or others. We refuse to let music, and more broadly, art, be reduced to robotic excrement, just to fatten a tech unicorn.”

Now you can see why I love this label! And there’s more. They continue:

“This is not the world we want. Not for our children, not for all the world’s children, who dream of one day learning to play a couple of notes on a guitar. Because, how, in such a world, can we transmit the teaching, the effort, composition techniques, the love of practicing music and the social bonds it creates?”

If it sounds like they’re exaggerating, they’re not. I’ve been teaching music for 31 years, and I can confirm that interest in music education has almost entirely disappeared. The numbers don’t lie. It’s crystal clear: hardly anyone nowadays is willing to put in the work it takes to learn music.

The sales of my online courses and PDFs have fallen by over 80% since the release of generative AI to the public.

And for music teachers like me, who are trying to survive on less than 20% of our previous income (which was low to start with), we’re no longer able to pay the rent. So unless people start choosing humans over robots soon, all the music making skills that have been passed on for centuries will be lost, because music teachers all over the world are having to find other work.

And with no music teachers, the tiny amount of people who still want to learn music and can concentrate long enough to do it, will have no other choice but to learn from AI.

If you have kids, please think about this, because it’s happening right now. This will be your children’s reality within the next year or two, because when music teachers can make significantly more money stocking shelves in their local grocery store, what choice do we have? The rent won’t pay itself.

Right, back to Nø Førmat!’s newsletter now. So they continue:

“We believe in the power of artists over our imagination, our way of interacting with the world, our well-being and mental health. We believe in the profound impact of their work on our lives, and we want to continue nurturing this work. We believe that creation, -and the technique inherent to it, is a human miracle that must be fiercely protected and passed on to future generations. We therefore refuse any use of our catalog to train AI.”

As with everything in the world. If there’s demand for something, people will supply it. The people and corporations who are responsible for making the AI that’s killing our art (and a lot more too) are only doing it because it’s what the masses want. If the masses didn’t want AI, these corporations would’ve already moved on to something else.

I think this is one of the (many) times where we can learn a lot from the Amish. Every new technology that comes to market is assessed by the elders in each Amish community. If they decide the technology will deepen their relationships with each other and with God, then they welcome it. If it won’t, they reject it.

This is the nuanced approach that we all need to take when it comes to new technology. Our choices matter, because whatever we want, corporations will make it and sell it to us. They don’t care if it’s bad for us, our families, our communities, and our surroundings. So please, think about AI. Deeply ponder it.

Ask yourself this question: By using AI, am I creating the world I want for myself and the kids?

Think about how much the world has already changed since ChatGPT was launched in November 2022. That was just over three years ago. Mad times!

I remember listening to songs from the first wave of AI-generated music a couple years ago. They sounded super fake and robotic. But now AI songs sound more real and organic than most human-made songs. That’s because humans are using auto-tune and a bunch of other editing tools, which iron out every crease of imperfection, and therefore every trace of humanity. Meanwhile, AI-generated music is doing the exact opposite, and as a result, it’s sounding way more human.

On that note. If you’re not okay with this transhuman agenda, then head on over to www.NoFormat.net and check out the artists on this heroic record label. They need your support!

And if you make music, or if you want to start making music, then check out my website afterwards. There’s tons of free resources there that were all made by a human. Me! Whether you’re beginner, intermediate, or advanced, I’ve got something for you.

If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. If you’re already making music, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” you follow to instantly make better music. All genres are there, too. Electronic to hip-hop, classical to metal, and everything in between. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these posts either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

The beautiful artwork is by Jérôme Witz. Nø Førmat!’s graphic designer since 2004.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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“Dandelion” children are those resilient and healthy kids who can survive and thrive under most circumstances. “Orchid” children, on the other hand, are those sensitive and fragile kids who need the right kind of support in order to survive and thrive.

This is according to four decades of research by the world-renowned pediatrician Dr. W. Thomas Boyce, who coined the terms “dandelion” and “orchid” in reference to how sensitive a child is.

When orchid kids don’t get the gentle childhoods they need, they go adrift. Drugs, delinquency, depression, and all kinds of other dark forces descend upon them. The silver lining of this cloud, though, is that orchid kids often turn to creativity as a way of trying to make sense of a world that seems upside-down.

That’s because the world is made by dandelions, for dandelions. If you’re a dandelion, you’re lucky, you naturally fit into society. Enjoy it! This post, however, is for the orchids. Why? Well, because I’m an orchid. And to be sure, the researchers tell us about all the advantages of being an orchid, and that we’re lucky too, just for different reasons. But, most days it really doesn’t feel like we’re lucky.

A quick sidebar. As with all categorizations, in reality this is more of a spectrum. In fact, further research identified “tulip” children. They’re the group in the middle. Not as robust as dandelions, but not as sensitive as orchids. Tulips apparently make up the largest portion of the population, at 40%. The low-sensitivity dandelions account for 30%, and us highly-sensitive orchids are the other 30%.

This breakdown is slightly different to the research done by one of the other pioneers in this field, the psychologist Dr. Elaine Aron. Her data shows that about 20 to 30% of the population are Highly Sensitive Persons, or HSPs, a term she coined. Either way, the exact percentage doesn’t matter, what matters is that we’re not alone. About one in four or five people are also orchids, like us.

Let’s remember that next time we’re doing our grocery shopping and feeling overwhelmed by the intensity of noise, lights, smells, and most overwhelming of all, the frantic energy of other people. At that moment, look around. If you can see at least 10 people, then one of them is probably also an orchid. See if you can spot them. It’s pretty easy. They’ll be the one who looks as uncomfortable as you feel.

By the way, if you’re not sure whether you’re an orchid, you can take Dr. Aron’s online test for high sensitivity over at hsperson.com. And to be clear, orchids and HSPs are referring to the same group of highly sensitive people, they’re just different terms coined by different doctors.

Now, I mentioned earlier that orchids often turn to creativity as a way to cope with a world made by dandelions. This is why HSPs are over-represented in all of the arts. In fact, if you scroll through your personal music library, most of the artists in there will probably be fellow orchids.

That brings me to one of the most important takeaways from the research in this field:

Orchids are not failed dandelions!

Yes, the world is an overwhelming place for us orchids, but our high sensitivity is to everything. Bad stuff, yes. But good stuff, too. That’s why beautiful music can move us to mystical experiences. And fun music can lift our spirits within seconds. When we listen to music, it saturates our souls. We become the music.

I’ve mainly been listening to soothing instrumental music lately. I discuss the reason for this in a previous post, titled This Is The Only Pure Music.

One of the many reasons, though, is for music therapy. You see, mental health problems like anxiety and OCD are common in orchids. That’s because childhood traumas imprint themselves far more deeply into the unconscious patterns of orchid kids.

Many of those traumatic events occurred before we learned to talk. Therefore, we weren’t able to process them in a rational way. Instrumental music has a magical ability to reach right back into our pre-talking baby brains and sooth them. Maybe that’s the reason why God gave us music? Music heals.

So if you’re a fellow orchid kid, this is my invitation to you. Start listening to soothing instrumental music today. And listen when you’re safe and sound at home, with headphones, and your eyes closed. If you’re not sure what to choose, I recommend John Field’s Nocturnes. My favourite recording is by Elizabeth Joy Roe.

And if you’re feeling inspired to play a more active role in your healing, and you’d like to actually create your own soothing music, then I’ve got you covered. From beginner to advanced, there are tons of helpful resources for you over on my website.

If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Next, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to instantly make music in any genre. Electronic to hip-hop, classical to metal, and everything in between. It’s all there. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these posts either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by itschansy.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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In my previous essay Who Killed the Fun, Fun, Fun? I told the story of how music was intentionally transformed from a fun and communal activity into fear propaganda that’s consumed alone. All within a few decades. I concluded with an invitation to make something fun, and then to share it with the world. We need it!

The most revolutionary thing we can do in this age of consumption is to create. But, there’s a caveat. If our creations add to the fear and division, then the world is better off without them. That’s why it’s essential that what we make adds love and unity to society. And arguably the best way to do that is to spread light-hearted fun. Fun, and I mean healthy fun, is the antithesis of fear.

Now, when it comes to music, there’s generally two characteristics that make a song fun. These two characteristics map onto the two elements of music: pitch, and rhythm.

The first characteristic of fun music is an uplifting vibe. That’s the pitch element. The second characteristic is a dancey groove. That’s the rhythmic element. So in this essay we’ll be taking a look at what specific features make music uplifting and dancey.

When it comes to uplifting songs, they tend to be in major keys, and inspire us to sing along. As this characteristic falls into the pitch category, what we’re talking about here in practical terms is melody and harmony. In most songs, the main melody will be the vocal line, and the harmony will be the accompanying chords, usually played on a guitar or synth. So, put simply: singing a melody in a major scale makes us feel good.

And by the way, if you’re new to music and you want to understand scales and chords, you can learn all the basics in my free book 12 Music Theory Hacks to Learn Scales & Chords.

Now let’s look at the second characteristic, danceability, which falls into the rhythm category. Songs with dancey grooves tend to have a backbeat snare drum on the 2 and 4, and often include a syncopated rhythm played on the kick drum and/or bass guitar. This moves us to dance along. And by the way, if you’re new to syncopation, it’s just the fancy word for accenting an off-beat. To learn about this and everything else you need to know about drums, read my Hack Drum Beats PDF.

It’s worth mentioning here that the classic four-on-the-flour kick drum pattern, which pretty much every song in the Dance genre uses, is also a great way to get people moving. However, unless a syncopated rhythm is added to it (perhaps in the bass line), it gets really boring, really quickly!

Okay so let’s bring this music theory to life with a couple examples. For uplifting music, listen to “Don’t Worry Baby” by The Beach Boys. You’ll instantly feel that this song is in a major key. It’s almost impossible not to sing along, and it feels so good when you do. Go on, I dare you, just surrender and sing along!

And for an example of dancey music, check out “Get Up, Get Into It, Get Involved” by James Brown. It’s almost impossible not to move to that groove. And don’t resist. Resistance is futile. Let your body dance, you know you want to!

Now, while the Beach Boys song is obviously in a major key, the James Brown song is actually in a minor key, which is normally considered to sound sad. But, in the context of a super funky groove, minor keys can feel super fun, especially when they’re using the minor pentatonic scale, like in this song.

If you’re new to pentatonic scales, the minor pentatonic is simply the natural minor scale without its second and sixth notes. This scale is a funk favourite, along with its even funkier sister: the blues scale. To learn my hacks for these scales, as well as all the modes, check out my Songwriting & Producing PDF.

This James Brown song is a great example of how fun music doesn’t need to have both characteristics. You can either use a major key to create an uplifting vibe, or you can use a backbeat snare and syncopated rhythm to create a dancey groove. However, while you don’t need to use both characteristics, please feel free to do so if you want double the fun!

Lastly, if you’re interested in reading my free book or any of the PDFs I mentioned, you can download them from my website. There’s also 30 free PDF tutorials over there, which are step-by-step musical “recipes” you can follow to instantly make music in any genre. Electronic to hip-hop, classical to metal, and everything in between. They also cover all the instruments, from piano to synth to vocals to bass to drums. It’s all there. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Andrea Piacquadio.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Share

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1964. Fun, Fun, Fun. That was a song on the album “Shut Down, Volume 2” by my childhood heroes, The Beach Boys. Go have a quick listen, the song is only two minutes long. But they’re two minutes of pure joy!

“Fun, Fun, Fun” was released 62 years ago. So now I’d like you to compare it to any new single from 2026 in the New Music Friday playlist. What do you notice?

Yep! Somewhere between the mid-1960s and the mid-2020s it seems we lost all the fun. In six decades we’ve gone from musicians playing real instruments while their fans dance together, to AI-generated songs that are consumed alone via earphones. Wow! It’s no wonder so many people are depressed nowadays.

This is the story of who killed the fun, fun, fun in music. And more importantly… Why?

The first thing we need to understand is that music is only one piece of the puzzle. Take a quick look at the new releases on Netflix, and compare those to the movies from the mid ‘60s. Then take a quick look at the new books on Amazon, and compare those to the ones from the mid ‘60s. It won’t take long to see the pattern. The majority of media being pumped out to the masses nowadays is designed to cause fear.

Whether it’s nonfiction books about climate change, fiction books about the end of the world (and to be honest, it’s almost impossible to tell those two apart), or whether it’s movies about pandemics, TV shows about serial killers, YouTube videos about alien invasions, or Substack essays on global financial collapse. It’s obvious to anyone with eyes to see that the Fun, Fun, Fun has been thoroughly replaced with Fear, Fear, Fear. Welcome to the future.

And yes, there have always been fear narratives in human civilizations. It’s how emperors control the masses. But, what’s vastly different now is the ubiquity of media. In the past, if an emperor wanted to pump out a new fear narrative to the people, it took years to circulate. And even then, vast areas of the empire were utterly oblivious to what they were supposed to be scared of.

Nowadays, though, thanks to social media. When the emperor decides to circulate a new fear narrative, within hours it’s implanted into the consciousness of the masses all around the world. If it’s an extremely scary narrative, it can be global within minutes. These are the conditions we’re living in today. Once again, it’s hardly surprising that the majority of people are suffering from mental and physical health problems. So what’s the solution? You guessed it! Fun, fun, fun :)

Sadly, though, with the fear propaganda constantly attacking us from every angle, it’s become extremely difficult to have fun. And for the record, when I say fun, I mean healthy enjoyment, not self-medicating.

If you’re also a highly sensitive person (HSP) like me, then you’ll feel everyone else’s emotions as if they’re your own. So even if you’re staying offline and away from screens, you still absorb that fearful energy from other people. Therefore, the first step in this process is to snap ourselves out of the fear trance. And the best way to do that is to laugh. Whatever it takes to make you laugh. Do it every day, as a matter of utmost importance. For me, a short YouTube video of dogs eating peanut butter does the trick. Even just thinking about them makes me smile.

And now that we’ve broken the spell of fear, the next step is to create something from this place of light-hearted energy. Being a music teacher, obviously I’d love it if you felt inspired to make music, but that doesn’t matter. What matters is that you bring something joyful into the world. A song, a drawing, a dance, a flower arrangement, a story, a joke, a cake, whatever you feel like creating in the moment.

As long as you’re having fun making it. That’s the sole purpose! Enjoy every moment of the process. You’re creating something that wasn’t there before. It’s magic. How cool is that?! Then when you’re done. Share it. If you can, share it with someone in person. If not, that’s okay, share it online. But if you do that, be prepared for some trolling, as the internet doesn’t much appreciate cheerful things.

This is how change happens, though. Because fun, like fear, is contagious. The more fun we share, the more positive the world becomes (including us). And the change will be exponential. We know that’s true, because it’s exactly how fear was spread over the last few years.

If you’re still reading this, you obviously care deeply about the world. We need you. We need your fun creations. So please make something light-hearted this week, and share it with as many as possible. And please share it here in the comments too, so we can all enjoy your positivity.

On that note, if you need some help writing music, I’ve got you covered. From beginner to advanced, there’s something for you on my website. If you’re a beginner, start by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Next, you can work your way through 30 free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to instantly make music in any genre. Electronic to hip-hop, classical to metal, and everything in between. It’s all there. Enjoy!

On top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Pixabay.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Share

Subscribe now

Okay so what’s a musical memoir? Well, the Oxford Dictionary defines a memoir as “an account written by somebody about their life and experiences”. So a musical memoir is a musical account written by somebody about their life and experiences.

This is an idea that’s been on my mind for a while, so I’d like to share it with you in this essay with the hope that you may find it inspiring. It’s a totally different way of approaching music, which we desperately need in this new AI age.

Depending on the person, music is usually considered to be in one of the following six categories. And obviously this list is not exhaustive, but these are the most common ways of approaching music:

Artistic, where the focus is on creativity and originality. Entertainment, where the focus is on performance and enjoyment. Social, where the focus is on community cohesion and bonding. Spiritual, where the focus is on connecting with the divine and worshipping. Soundtrack, where the focus is on enhancing and/or manipulating emotions. And for some, business, where the focus is on profit and revenue growth.

So those are the conventional categories: artistic, entertainment, social, spiritual, soundtrack, and business.

But as AI-generated music steals more and more work from all of these categories, we’re facing a meaning crisis as musicians. When the world doesn’t want our gifts any more, what do we do? And where do we find meaning and purpose in our lives now?

That’s where my “musical memoir” idea comes in. I suggest we start approaching music in the same way that we approach photos. Most people have a smart phone in their pocket nowadays, so they tend to document their daily lives through pictures. Like a photographic memoir.

These captured memories then get uploaded to an online gallery, which is the modern equivalent of those dusty old-school photo albums that used to fill our shelves.

On a side note. Don’t you think it’s weird that so many people share their online galleries with the public? Any stranger can look at them. How creepy is that?!

Back in the day, photo albums were private. Only family members got to look at them, and even that was embarrassing. I don’t remember ever letting any of my friends open my photo albums. No way! They were strictly family-only. What does it say about our modern culture that people are so willing to share their photos with strangers? Interesting times. But I digress…

So I’m sure you can see where I’m going with this. I’m proposing that we start capturing our memories in sound as well, by making autobiographical music. In other words, music as a memoir.

And in between creating our musical memoir, we can constantly be working on our sonic scrapbooks. A sonic scrapbook is where we can keep all our musical ideas, which may or may not be turned into songs later.

There’s no need to turn every idea into a song. Sometimes ideas are perfectly happy exactly the way they are. If you write a beautiful melody or chord progression or whatever, and you never feel the desire to turn it into anything more, then it’s complete. It has served its purpose. Don’t let anyone tell you otherwise.

When Picasso did a pencil sketch and left it at that, it was complete. If he’d wanted to turn it into a painting, he would have. That’s what our sonic scrapbooks should be: A place where all our ideas are collected. They form a vital part of our musical journey, even if they don’t make it into the final narrative.

The reason I feel so excited about this new approach to music, is that the work and its meaning can’t be stolen by AI. Remember, a memoir is “an account written by somebody about their life and experiences”. Let that sink in. AI will never be able to do that. Because, a memoir must be written by the person it’s about, as it’s an account of their life and experiences. AI will never know what it’s like to be you. Therefore, AI can never steal this work and its meaning from you.

So if you’re like me, and AI has stolen over 80% of your work and over 80% of your income (and yes, that’s true), then I offer you this idea as a way to rebuild your musical life from the devastation of this global AI flood.

Then at the end of your life you’ll have a one-of-a-kind musical memoir to show for your time here. How meaningful is that? Now that’s what I call a life well lived!

On that note, if you’re feeling inspired to begin your musical memoir and sonic scrapbook, I invite you to join my online apprenticeship course. Through a series of in-depth videos, you’ll learn my Song-Whispering method. It’s an intuitive way of writing, where you let the music guide you from blank screen to finished song.

If you’re new to making music, though, no problem. You can start your journey right now by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Next, you can work your way through my 30 free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to instantly make music. All genres are covered, from electronic to hip-hop, classical to metal, and everything in between!

And on top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too.

Either way, thank you so much! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Pixabay.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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New year’s resolutions don’t work. All the studies on them reveal this same finding.

Yet every January 1st, millions of people make them. Again. Knowing that they’ve never worked before. In fact, the only thing that works about a new year’s resolution is its ability to make people feel bad about themselves. Because when they inevitably fail, they need a way to numb that pain. And whatever that involves, it usually ends up with them in a worse state than they were in before they started. One step forward, two steps back.

If new year’s resolutions work for you, great. Keep on keeping on! If they don’t, though, then this essay is for you. I’m offering a completely different approach. And the best thing of all is that it requires no effort.

So have you ever picked up your phone for a quick scroll, and then after what seems like a few minutes, you look at the time and realise you’ve been scrolling for an hour?

This is what happens when we stop being aware. We shift into autopilot. There are many techniques available to help with this problem. But once we’re on autopilot it’s already too late, because even if we can become aware, it requires a huge amount of will power to snap ourselves out of this type of trance state.

A far easier way, which requires no will power, is to simply ask yourself this one question before you begin any activity: What is the opportunity cost of doing this?

If you don’t know what an opportunity cost is, let me explain. Whenever you choose to do something (like scrolling on your phone), you’re sacrificing all the other activities that you could be doing instead (like making music). But more importantly, you’re sacrificing all the benefits that you’d get from doing the other activity. In this example, the opportunity cost is the benefit you would have got from making music. That’s the true price you’re paying when you choose to scroll.

And the longer you scroll, the higher the price you pay. If you scroll for one hour every day, that’s 365 hours this year that you could have been making music. And even if you forget about all the health benefits you’ll enjoy from making music, that’s still a heavy price to pay. Because imagine how many songs you could write in 365 hours. And sadly, most people scroll a lot more than one hour a day.

So there you go. That’s my effortless alternative to the usual new year’s resolution! Before embarking on any activity, ask yourself: What’s the opportunity cost of doing this? Then consciously decide if you’re happy to miss out on the benefits you’d gain from doing that other activity.

Those lost benefits add up really quickly, too. Imagine two versions of yourself, one that chooses to scroll for an hour every day, and one that chooses to make music instead. Due to the compound effect, the difference between these two versions of you will be vast by the end of this year. Which one do you want to be?

Remember, the trick is to ask yourself about the opportunity cost before you begin an activity. If you need to, write “Opportunity Cost?” on your hand every morning. Do whatever it takes to ask this question before you start doing something, especially if that thing involves looking at a screen. Screens hypnotize us. Literally. So before you give the screen that control over your mind, ask the big question!

Even if you ask this question and then decide that scrolling is worth it, by asking it you’ve created some cognitive dissonance. This will bother your unconscious mind. And as this builds over time, you’ll find that you start choosing healthier activities simply to relieve your cognitive dissonance.

Now, if you’re ready to begin your musical journey, you can start right now by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. And if you’re already making music but want to improve, then I’ve got 30 free PDF tutorials for you. They’re step-by-step musical “recipes” that you can follow to instantly make better music.

And on top of the free book, 30 free PDFs, and over 220 free YouTube tutorials, I don’t paywall any of these essays either. I don’t want to exclude anyone. But, if you’re enjoying all these free offerings and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

Subscribe now

If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too.

Either way, thank you so much. Happy New Year! And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Nick Kwan.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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This essay began as a “Best Album of 2025” post, where I was going to share my favourite album of the year and what I loved about it. As you would have noticed from the title, though, it grew into something entirely different. Why?

Well, according to Spotify’s Wrapped analytics, my favourite artist of 2025 (who I listened to for 5,495 minutes) has been dead for 275 years. Yep! The genius of geniuses J.S. Bach is my favourite artist of the year. In fact, Spotify tells me I’m a top 0.07% global fan of Bach. That’s my new claim to fame!

And my favourite Bach pieces of 2025 are the Goldberg Variations, which were published in 1741. So my favourite music of this year is almost 300 years old. My favourite recording of this masterpiece is by Trevor Pinnock and the Royal Academy of Music Soloists Ensemble. This album is new, but it’s not from 2025 either. It’s five years old.

So now you can see why my “Best Album of 2025” essay morphed into this post, which will be a reflection on the state of music. And unsurprisingly, my conclusion is that the best music is old. Very old. But (and it’s a big but), that’s a good thing. Very good. Let me explain why…

The great composers of the past, like Bach, reached a level that we can’t comprehend. It’s like the architecture of ancient civilizations, which we can’t even recreate nowadays, let alone surpass. Exactly how this level of genius was achieved is beyond the scope of the present essay, though it is a fascinating question with many fascinating hypotheses. For now, though, it’s enough to simply acknowledge the fact that we can’t reach Bach’s level nowadays, let alone surpass it.

“So how’s that a good thing?”, I hear you asking. Well, there are two answers. One from a listener’s perspective. And one from a songwriter’s perspective.

For the modern-day listener, who’s being bombarded by hundreds of thousands of new songs uploaded to Spotify and Apple every day, the fact that the best music is behind us should come as a monumental relief! We can all rest assured that nothing new is ever going to come close to the great composers, so we can let go of our FOMO (fear of missing out).

By all means, listen to some new music here and there, if you want. I do. And I enjoy a lot of it, too. For example, I’m absolutely loving the new Chronixx album titled “Exile”. But, let’s all continually remind ourselves that while some new music is good and enjoyable, when we compare its level of composition to Bach and the other great composers, it doesn’t come close.

In other words, instead of going down the bottomless rabbit-hole of new music, find your favourite handful of Bach albums (or Mozart, or whichever of the great composers resonates most with you), and get to know their music intimately. And we can all do this relaxed in the knowledge that we could not be listening to anything better.

On that note, I’d love to know which of the great composers is your favourite, so please let me know in the comments. Also, I don’t paywall any of these essays as I don’t want to exclude anyone. So if you’re enjoying this and want me to make more, please support my work by becoming a paid subscriber. It’s only about the cost of one coffee per month, but if enough people join, then I can pay the rent and keep doing this work.

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If you can’t afford to at the moment, though, no problem. You can give Hack Music Theory a 5-star rating in your podcast app, that supports my work too. Either way, thank you so much! Right, now back to the topic at hand…

In addition to ridding us of the fear of missing out, this minimalist approach to listening (i.e. focusing on the great composers) also decreases the stress and anxiety we feel from trying to keep up with new music. Living in this day and age of infinite music is overwhelming. It’s impossible to keep up, like trying to drink from a firehose. Yet we feel that we should try. The only thing this accomplishes, though, is turning joyful activities (like listening to music) into stressful chores.

Now, why is the fact that the best music is in the past a good thing from a songwriter’s perspective?

Because, it takes all the pressure off us. Hallelujah! We’ll never be as good as Bach, or Mozart, or any of the other great composers (of which there are hundreds). But nobody else will be as good as them either. None of us will even come close to their level. So there’s no competition. What a monumental relief, right?

In this extremely competitive world we’re living in, it’s liberating to know that this competition is closed. The winner has been announced. It’s over. So, we can all let go of our competitive tendencies, and just make music for the sheer joy of it. What a wonderful gift Bach and Mozart and all the other great composers have given us.

And it gets even better than that. There’s also a never-ending list of health benefits we get from making music. If you’re interested in learning more about that, check out my essay titled Making Music is Hard. Why Bother?

And if you’re ready to begin your musical journey, you can start right now (for free) by reading my book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics.

Next, you can take my Songwriting & Producing “crash course”. It’s only 1-hour long, and consists of 12 short videos. You’ll learn how to write great lead melodies, backing melodies, chord progressions, bass lines, drum beats, vocals and lyrics. It also includes my bestselling Songwriting & Producing PDF and my Hack Music Theory (Part 1) eBook.

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

P.S. Are there any other J.S. Bach fans out there who also have his signature tattooed on their knuckles? Surely I can’t be the only one…

If you enjoy my work and want me to keep writing, please support me by becoming a paid subscriber. It’s only about the cost of one coffee per month. Thank you :)

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CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Portrait of J.S. Bach (1746) by Elias Gottlob Haussmann.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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It’s thought that pentatonic scales are the most ancient of all the musical scales. Regardless of whether that’s true or not, it’s worth paying attention to these five-note scales because of their unique consonance. You see, they contain two fewer notes than the scales we’re used to hearing, so they have a spaciousness that no other scales have. It’s that characteristic which makes pentatonic scales sound so peaceful.

Those two extra notes we use in seven-note scales create semitone intervals, which cause tension. But it’s precisely those tense semitones that add the excitement, which we love. So as you can see, there are pros and cons to both. Five-note scales are peaceful, but lack excitement. Seven-note scales are exciting, but lack peace.

And by the way, if intervals are new to you, read my free book to learn all the basics.

What got me thinking about this topic is a brilliant book that I just finished reading. It’s called The Geography of Thought: How Asians and Westerners Think Differently... and Why by the psychologist Dr. Richard E. Nisbett. It’s one of the most insightful books I’ve ever read. It’s full of fascinating psychological studies jointly conducted by American and Chinese researchers.

The results are extremely nuanced, obviously, but I’ll oversimplify them here for the purpose of brevity. The “eastern” mind is built on a cultural foundation of collectivism, which originated in Confucianism. The “western” mind is built on a cultural foundation of individualism, which originated in Ancient Greek philosophy. Over the last two and a half thousand years, these two geographical areas developed vastly different mindsets, which in turn created vastly different societies.

Before I continue, though. It’s vital to acknowledge that both mindsets have pros and cons. The book is crystal clear on that, as well as what those pros and cons are. That’s why you should read the book for yourself.

Now, when it comes to the music that these two different mindsets invented, things get even more interesting. In the west, our music has traditionally been more complex. The scales have more notes, and therefore more tension. Western musicians also invented counterpoint, where individual melodies are played simultaneously. While these layered melodies create harmony, which is beautiful, they also create tension. How perfectly does that reflect western individualism?

And in the east, their music has traditionally been simpler. The scales are pentatonic, so they have fewer notes, and therefore less tension. Not only that, but they don’t layer melodies either, as that would create competition between them. If two musicians play together, they play the same melody, or very similar melodies. How perfectly does that reflect eastern collectivism?

You can think of these two different approaches in terms of a choir. In the east, they would all sing the same (or similar) pentatonic melody. In the west, the choir would be divided up into different ranges, and each group would sing a different melody. For a breathtakingly beautiful example of this, listen to the Renaissance composer, Palestrina. And for an equally beautiful example of the eastern mind’s music, listen to the album Emerging Lotus by the pipa player, Liu Fang.

In these stressful times we’re living in, I invite you to find peace in pentatonic places by making music using the major or minor pentatonic scales.

For the major, if you begin on C as your root, the scale is C, D, E, G, and A. For the minor, if you begin on A as your root, the scale is A, C, D, E, and G. As soon as you start playing around with these pentatonic scales, you’ll feel in your body exactly how peaceful they are. And for extra peace, keep your song instrumental. If you want to know why, check out my previous essay titled This Is The Only Pure Music.

And if you’re not making music yet, then you can begin your journey right now by reading my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. And if you’re already making music but wanna improve, then I’ve got 30 free PDF tutorials for you. They’re step-by-step musical “recipes” that you can follow to instantly make better music.

Lastly, I don’t paywall any of these essays. I don’t want to exclude anyone. But if you enjoy my work and want me to continue doing this, please support me by becoming a paid subscriber. It’s only about the cost of one coffee per month for you, but if enough people join, then I can pay the rent and keep helping you every week.

Subscribe now

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by SAM LIM.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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Do we have free will? That ancient question actually misses the point, because the concept of free will implies that we’re free to act on our desires. Okay. That’s fine. But where do our desires come from? That’s the real question!

For example, if you get home from work and you’re trying to decide whether to go for a run or lie down on the couch. The concept of free will says that you have the freedom to choose. But whichever choice you make, underneath that decision is a desire. In this example, it’s the desire to be healthy versus the desire to relax. The strongest desire wins. Always. Because, whatever you end up doing, the desire to do that was obviously stronger than the desire not to. Otherwise you wouldn’t have done it.

Think about it. Let’s say you decide to lie down on the couch, but then after 10 minutes of chilling you start feeling guilty. You wriggle around for a few minutes, and then muttering some distasteful words to yourself, you get up, put on your running shoes, and head out the door. It was the desire to be healthy that ended up overpowering the desire to relax, despite the fact that you would have preferred to be chilling on the couch. But clearly, if the desire to chill was stronger, you’d still be on the couch. So, the free will debate is pointless. Desire is the real issue here.

And that’s where things get interesting. Very interesting. You’ve probably seen videos of Derren Brown, right? He can get people to do anything, literally. The scariest thing, though, is that he never makes them do it. They use their free will and choose to do the most horrific things. Of course, they don’t actually do them in real life, it’s all a set-up for the TV show. However, the people genuinely believe they’re doing these things. And more importantly, they believe it was their own conscious choice. But we, the viewers, know better.

Derren Brown’s method is simple, yet extremely effective. All he does is implant a desire into people’s minds. That’s it. Then he stands back and lets free will do its thing. Derren Brown perfectly demonstrates how easy mind control is. And whoever controls the people’s desires, controls their thoughts and their actions, and therefore, their life. What do we think of free will now?

We’ve seen this play out in the real world over the last few years. Seemingly “normal” people say and do crazy things nowadays! But they’re saying and doing them because of the social media, TV, movies, and music they’re letting into their minds every day. That’s what is programming their desires. Even the desire to allow that pollution into their minds in the first place has been programmed. For example, does scrolling on social media make people happier? No, obviously not. So why do they do it? Because they’ve been programmed with the desire to scroll.

I know this is true, because I deleted all my social media accounts over 10 years ago, and ever since, I’ve had absolutely no desire to scroll. In fact, I have no desire to reach for my phone at all, because I don’t have any apps on it other than Spotify. My phone is a telephone and a music player combined. Nothing more.

And while it’s far more difficult to control the desires of people who are not on social media and don’t watch TV shows or movies, it is still possible. And that brings me to the point of this essay. Music is arguably the most powerful mind control there is. Yes, even more powerful than Derren Brown.

You see, song lyrics find their way directly into our unconscious mind through an unguarded backdoor. That’s because music manipulates our emotions, which gives our critical thinking mind a break. We’re feeling creatures, so feelings always win our attention. It feels so good to just feel. It’s like a mini-holiday from thinking. And we all need these breaks on a daily basis. They’re a positive thing, when the music causing the emotion is positive. But when it’s not, that’s dangerous territory!

In my last essay, titled This Is the Only Pure Music, I sang the praises of absolute music, which is instrumental music but without any conceptual ideas attached to it. Not even song titles. Check out that essay for more on the benefits of listening to absolute music, and the benefits of making it too.

For now, though, it’s worth noting that listening exclusively to absolute music is the easiest way to avoid being brainwashed by lyrics. No lyrics, no problem.

But as always, reality is nuanced, and there’s a positive side to mind control. The best example of this is hypnotism. To witness exactly how positive the effects of this can be, watch some videos on the brilliant hypnotist Paul McKenna’s official YouTube channel. I highly recommend reading his books, too. They’re life-changing. So while Derren Brown is waking us up to the dangers of mind control, Paul McKenna is inspiring us to use its healing powers.

Mind control is a neutral technique, which can be used for good or for bad. So, if there’s an artist who writes positive and loving lyrics, then by all means, let them program your mind. Remember, though, all lyrics that find their way into your ears will program your mind. There’s no way around this.

You’ve only got two choices: Avoid lyrics completely (by listening to absolute music), or consciously select songs with lyrics that align with the future you want to create for yourself and the world. Choosing the lyric option requires research, though, so unless you’re willing to do that, stick with absolute music.

On that note. If you’re feeling inspired to write your own songs with positive lyrics, but you need some help, please don’t turn to AI. The world does not need any more soulless AI lyrics. The world needs your unique soul to express itself through words from your unique mind. So if you need help writing lyrics yourself, then read my Songwriting & Producing PDF. It contains all my techniques for writing great lyrics, as well as melodies, harmonies, chords, bass lines, and more.

And if you’re not writing songs yet, but you want to learn how, then read my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. Once you’ve worked your way through that, then you’ll be ready to read the Songwriting & Producing PDF and to begin your musical journey.

Lastly, I don’t paywall any of these essays, as I don’t want to exclude anyone. So if you can spare a few bucks, please consider becoming a paid subscriber. It’s only about the cost of one coffee per month for you, but if enough people join, then I can pay the rent and keep helping you every week. So if you enjoy my work and want me to keep doing this, please support me by subscribing below.

Subscribe now

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by cottonbro studio.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

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Music has united people for millennia, but nowadays it’s been weaponized to divide us. I’ve personally experienced its uniting effects, though, so I know what’s possible.

You see, I was born and raised in apartheid South Africa. I lived there until 1999, leaving a few months after Mandela’s presidency ended. I loved Mandela, and he probably did everything in his power to unite the country. However, the story you don’t often hear is that musicians were more successful in bringing the people together. Two of these musical heroes were Lucky Dube and Johnny Clegg. Their crossover appeal resulted in audiences that consisted of fans who would never have come together under any other circumstances. It was magical! That’s the power of music.

But it wasn’t only their music that united the previously divided nation, it was their lyrics too. While they didn’t sugarcoat the situation, they did choose to focus on a positive future vision where South Africans were united. As a result, their songs created that more united country they had envisioned.

Now, when I listen to the new releases on Spotify every Friday, I don’t hear much in the way of positive lyrics that were written to unite people. In fact, it’s rather obvious that most lyrics were written with the exact opposite intention. But as Thumper said: “If you can’t say something nice, don’t say nothing at all.” The legendary rabbit uttered that wisdom over 80 years ago. It’s time we start living by this rabbit wisdom, which is why I’m sharing my musical method for doing this.

In the celebrity culture we live in, most music has vocals because popular music tends to be all about the vocalists. They’re the stars. They’re the main attractions. It’s not about the song, it’s about the celebrity singing it. That is wrong for so many reasons, but that’s a topic for another essay.

What concerns us here is something I called “pure music” in the title, but the formal term is “absolute music”. What is absolute music? It’s instrumental music, but at its purest. What do I mean by purest? Music that is presented without any preconceived concepts. In other words, music without a conceptual title.

Arguably the best example of this is Beethoven’s Piano Sonata No. 14 in C-sharp minor. Beethoven composed this as absolute music. The listener could enjoy it with no preconceived ideas about what the music represented. Their imagination could conjure up whatever images it wanted. However, after Beethoven’s death, this sonata was given a nickname by a music critic. And for almost 200 years now, this breathtakingly beautiful piano piece has been painting pictures of moonlight in its listeners’ minds. How could it not? It is after all the Moonlight Sonata.

But, what did listeners imagine before it was given that nickname? We’ll never know. We only know what one man imagined. This piece perfectly highlights the power of words. Even one word. And with that one word, every listener ever since has been primed to imagine moonlight when the piece is played. Words are powerful. Words shape our reality.

And that brings me to my main point. Songs convey their songwriters’ worldviews, but it’s precisely our differing worldviews that divide us nowadays.

Up until a few years ago, it was perfectly normal to be friends with people who had different worldviews. In fact, that’s what used to make friendships interesting. Who wants to hang out with another version of themself? No thank you! I want open-minded friends who are totally different from me, with totally different worldviews from mine. That makes for fascinating conversations.

Thanks to social media, though, the masses have been programmed into thinking that we need to surround ourselves with people who believe exactly the same things we believe. These online echo chambers fuel narrow-mindedness and intolerance.

While I deleted all my social media accounts over 10 years ago, I know it’s futile trying to convince people to do the same. It’s by far the best solution, but another good solution is this: Stop listening to music with lyrics, and start listening to absolute music instead. And if you’re a songwriter, I encourage you to live by that rabbit wisdom: “If you can’t say something nice, don’t say nothing at all.”

I appreciate that lyrics can be an outlet for expressing our disapproval at the “other side”. But there are better ways to do that, which don’t harm others (like journaling, for example). And until we realize that this ancient idea of the “other side” was invented by empires as a method for dividing and conquering the people, it’s best if we hold our tongues and say nothing at all.

And yes, as songwriters, holding our tongues means writing absolute music. But hey, as a consolation, this will save you countless days of your life, because writing lyrics and recording vocals is extremely time-consuming. And with regards to the music we listen to, if our audio diet exclusively contains absolute music, our minds and hearts will be healthier, kinder, and more tolerant. Everybody wins.

Finally, when it comes to finding absolute music to listen to, that’s easy in the classical genres, but there’s not much of it in the popular genres. Here’s a hack that I use to solve this problem. When I find an instrumental album that I enjoy, I don’t read the titles of the tracks. For example, I love Bonobo, so I don’t pay any attention to the song titles, and I exclude the few tracks on each album with vocals.

Also, on Spotify (and probably all the other platforms too) there are instrumental playlists in most popular music genres. These are great places for discovering artists who make instrumental music. And if you have any recommendations for artists making great instrumental music, please leave them in the comments so everyone can check them out. Sadly, there are not many absolute artists, so we need to support them. And hopefully this essay has inspired you to join their mission, too.

On that note. If you’re interested in learning songwriting (or improving your skills) but you don’t want to spend loads of time doing it, then I invite you to visit our website and help yourself to the many free downloads.

If you’re a beginner, start with my free book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. And if you’re intermediate or advanced, download the free PDF tutorials. They’re step-by-step musical “recipes” that you can follow to make better music.

If you’re ready to go deeper, though, then I invite you to enroll in my online apprenticeship course, where you’ll learn one method to write unlimited songs in any genre. This method guides you through every step of the music making process, from blank screen to finished song.

And lastly, I don’t paywall any of these essays, as I don’t want to exclude anyone. So if you can spare a few bucks, please consider becoming a paid subscriber. It’s only about the cost of one coffee per month for you, but if enough people join, then I can pay the rent and keep helping you every week. So if you’d like to see my work continue, please subscribe below.

Subscribe now

A heartfelt thank-you for being here. And welcome aboard the Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last.

Ray Harmony :)

CREDITS

Outro music in podcast by Ray Harmony, based on the music theory from GoGo Penguin “Everything Is Going to Be OK”.

Photo by Pavel Danilyuk.

ABOUT

Ray Harmony is a multi award-winning music lecturer, who’s made music with Serj Tankian (System Of A Down), Tom Morello (Rage Against The Machine), Steven Wilson (Porcupine Tree), Devin Townsend (Strapping Young Lad), Ihsahn (Emperor), Kool Keith (Ultramagnetic MCs), Madchild (Swollen Members), and more. Ray is also the founder of Hack Music Theory, a YouTube channel with over 10 million views and over 250,000 subscribers learning the fast, easy and fun way to make music without using AI, cos it ain’t no fun getting a robot to write “your” songs!

Share