The lens of perception is often key to how art is interpreted, and this in itself is one fragment of where the beauty and mystery of our human expansion lie.

The following quote came to mind after attending the Eisteddfod, held at Hamilton School on 4 August 2026, upon further research and contemplation:

“ Literature is the art of discovering something extraordinary about ordinary people and saying with ordinary words something extraordinary.” Boris Pasternak

What motivated my attendance at this event?

I received an invitation via the Monument Primary Choir Conductor, Mrs Strauss, that, as a parent of a student in the choir, I had the option of purchasing a ticket to attend their performance. I chiselled out a timeslot for this; well, I’m my daughter’s “biggest fan” [yes, Lady Gaga formed part of her 4chords arrangement].

A little anxious, I dug up some background information and was eager to explore the Eisteddfod’s origins and offerings. My intrigue was heightened.

Was it worth my time?

Being a parent whose child loves singing—Absolutely!

It was an added bonus that her school was awarded a gold certificate for both Junior and Senior Choir performances. They received an excellent and wholesome critique from Dr Francois van den Berg, adjudicator and CEO of the National Eisteddfod Academy.

The event ran longer than the 2 hours of my scheduled attendance, which proved worth far more than the R71,00 ticket charge. The following was gained in terms of enrichment:

· I listened to an excellent selection of poetry, content for public speaking, my daughter’s school choirs [junior and senior] performances, a solo piano performance by a very young lady, a monologue, and an impromptu book read.

· From everything observed, the future does lie in the hands of our youth…

Art created is derived from deep reflections, from the human soul. The level of content, courage, and performances from our local scholars [and those from surrounding areas], although from small-town environments, were larger than life in many ways. Watching this encouraged me as a parent and a member of society that there is hope and potential despite many of our daily challenges.

· A variety of topics were explored with such creativity and zest, such as:

deep-rooted changes that need to occur in society to address social challenges, patriarchy [from a family-dynamics approach], shallow concepts of wealth, societal observations and human potential, to name just a few.

· Observing the individual care and feedback from judges proved useful to both me and my daughter in terms of understanding the power of voice, tone, body language, the power of the pause and audience connection. The second adjudicator, Hugo Taljaard, Actor and Assistant Director, whom I got to witness for most of the drama-rooted performances, lived up to his expertise with a spirit of gold. Overall, there was much that I learnt in terms of self-presentation and audience contact simply from observing the in-depth critique he provided [with much humour] to each performer, which was invaluable for me as an author aspirant.

Is there anything else that this event allowed me the opportunity to explore?

· The Value of Repetitive performances: performed for different audiences and judges, it serves as an opportunity for exploring different views, reactions and deeper observations in many respects.

· The value of certificates and professional critique in these settings: boosts confidence and spirit in the ability to overcome personal barriers for presentation, especially at school level; it builds a great foundation to build forward from [ as an adult pursuing art as a reality, it requires resilience, especially in dealing with public criticism vs authenticity and if this is the foundation from an early age, it certainly will propel potential forward].

· The value of art as therapy in navigating day-to-day challenges [ as creators, viewers, and participants] is often underestimated. I do hope such events work like a healthy form of a virus, improving our human and societal potential with art as the catalyst.

Conclusions

Not all learning is a course to be signed up for; sometimes it exists right under our noses through school and community events and the simple, beautiful acts of the humans in our everyday society. Sometimes it is a favour to the self and others to show up despite our anxieties and schedules, and take a chance at life, at education and at art, no matter our age.

Additional notes: Feel free to explore more about the National Eisteddfod of South Africa for yourself and how it contributes to our society. In summary, the core focus is to promote personal growth, build confidence, inclusivity and showcase our cultural diversity.

Article Credits:

Monument Primary School: Mrs M Strauss [choir conductor] and Mrs B Vorster [pianist]

Hamilton Pre-Primary, Preparatory School and College: Joyce Richmond and Viv Langton

**Additional Notes: I was later informed by Joyce Richmond [HOD Music & Culture] that the subsequent day included various artistic expressions through piano, guitar, bass, singing and then the Hamilton and Trelawney Youth Chamber Choir and Marimba Bands also put on a spectacular show.

National Eisteddfod Adjudicators: Dr Francois van den Berg, Hugo Taljaard

I am not strong about political preferences, as my philosophies lean towards the human condition and understanding the self in terms of navigating effective change.

However, my heart was a bloody mess as I wept for the world and for my own human weaknesses as I contemplated what was truly within my power in this granted time.

I dug deep to take a leap forward toward my writing goals, reminding myself of stories that reflected the horrors and their importance in understanding the human condition through themes of morality, fear, and perseverance.

A wonderful discussion on the healing powers of creativity surfaced on Substack through Soham, which sparked some vitality in my efforts. It is challenging in such times to connect with souls who bring forth such discussions and remembrance in dark hours, and I am appreciative of this.

Many other souls [subscribers] with a similar essence, with messages reflecting this, have been restacked with notes on my feed, should you wish to explore such encouraging conversations, collaborations, and reflections.

Delving into the origins, history, and mythologies surrounding the month is how I acquired the title for this article from Shakespeare-and-beyond. A quote from Julius Caesar pondering fate versus free will, reputation, and irony, which remains relevant over time.

According to an article on History.com, “July owes its name to Julius Caesar, who reformed the calendar in 46 B.C. Following his death in 44 B.C, his birth month was designated July in his honor. Previously, it was known as Quintilis, meaning “the fifth month” in the old Roman calendar…”

The article further touches on Full moons, Zodiac Shifts, flowers, and related mythology, so do click on the link should you wish to immerse yourself in such wholesome reflections and wonder.

It is evident that there have never been easy times, but there has always been a space for dreamers with plenty to learn and overcome, whether through myth or fact in all timelines, and this orientation has granted me the courage to pursue my own crafting goals with fiery determination.

Check list :

1. Menagerie Submission

· An 8150-word magical realism story submitted during the first week of June [infused and inspired by local and universal sources and experiences]

· Pending feedback on the fate of my submission: 20 August 2026

2. AVBOB Poetry Workshop:

· Hosted by Sindi Busuku[Free Workshop].

· All the workshops have been co-hosted by poetry teacher Liesl Jobson.

· Theme: Best Foot Forward!

· Excellent tips on editing pieces in preparation for the AVBOB Poetry competition. [I have posted a note on this]

3. Zoom One-on-One with Joe Mynhardt [ Short Story enquiry]

My goal was to gain clarity on one of Joe’s offerings [ ]:

Short Story Workshop 2026. I was happy to hear that the process began from scratch with zero prerequisites and that I could extend beyond September to craft the short story. The price did make me cringe at first glance, but upon analysis, I realised it was quite similar to what I paid for my last short story, with the added benefit of some reputable guidance throughout this time.

I decided to sign up for the upgraded version [where Joe does the edit], and this, although a dent in my budget, will inevitably be an investment in upping my short story skills while getting feedback from someone with incredible skill sets and expertise in the industry. This means I will not be attending any other paid workshops this year [budget- and time-wise].

I find it imperative to mention here that Stephen King wrote close to 400 short stories before becoming a published author [ from various sources and his book, which deserves a re-read, On Writing].

The skills I will acquire from the workshop in September can only improve my Writing, confidence, and approach to increasing my submission rate as a writer, ultimately contributing to the purpose of my main project. Working with someone from a different publishing background adds more depth to my experience going forward.

OTHER WRITING AND RESEARCH PROJECTS

My Novel Revision and Integration Through SA Writers’ College

I have submitted module seven, which focuses on dialogue crafting.

I have finalised 2018 words this month, incorporating reflections on worldbuilding, character crafting, and plot revisions.

I will await feedback from Nerine Dorman [Fantasy Author and tutor], SA Writers’ College.

Research:

[Everything here occurs in slow yet purposeful and absorptive increments]

Season 7: Buffy the Vampire Slayer [recommended by tutor at the commencement of my course] *. Concluded. Review to follow on notes.

The Alchemist [Re-Read]. Review notes

Substack: I have been enjoying the poetic and descriptive wordplay and engaging connections.

The Pilot Poetry Collaboration project, led by , has been concluded. I have verified my contribution, and from what I have seen, all the contributions have created a harmony that reflects a beautiful, creative sense of memory through different voices. I have noted that the project has progressed further and look forward to following this journey. Here is the link for perusal:100 Substack Poets Collaboration.

Inspirational Track: You are loved [Don’t Give Up]

This song is powerful…

Wishing you the best in terms of your creative journey; indeed,

And remember “Don’t give up…”

In Roman mythology, Juno is the queen of the Gods and the wife of Jupiter. An alignment that stirred my curiosity was Jupiter’s visibility in June [a name believed to be derived from Juno].

According to an article on Tree Spirit Wisdom, “In 392 BCE Juno became known as Juno Regina (queen of the gods) with her husband Jupiter/Jove (king of the gods). They were the “divine rulers” of Rome.”

There is something enchanting about pathways, immersed in starlight, that lead to rivers and oceans, where winds whisper rhythm to wildflowers and fireflies, all the while being contained by Earth’s gravitational pull. Observing the beauty of another planet [in this case, two], though, with such proximity, stirred much speculation and splendour throughout.

These notions charged my crafting moments, integrating my essence through reflections, memory, and play during storytelling and workshops.

I admit that horrors were lurking on the edges of my pleasures. I lost some of my creative work during the first 9 days of June, which led to fixing some serious lag issues on my computer. I later realised that the forces of nature were propelling me to confront negligence, which ultimately led to many vital accomplishments.

The following was checked off my list [making me feel like the ruler of my creative space]:

1. Menagerie Submission

· Submitted during the first week of June [just before my computer issues].

· Despite having worked with a close reading in the first round, the second round of edits was left mainly up to me, and this was a little scary.

· I was relieved once I pushed to click submit. I wrote more than I expected and then edited [a process of add, doubt, love, reduce, and let go].

· The final submission landed at 8150 words of a complete magical realism story that touches on real-life inspirations [and horrors] and the whispers of Eastern and African mythology, with some universal concepts stirred by creative play.

· I am amazed by what I have written, and this alone is a success.

I understand that my submission will be challenged by many other writers and stories, as well as by requirements beyond my control. This is a chance I have taken, and only time will tell what will become of this story and how it reaches potential readers. So yeah, I wish everything well with courage, heart and creative spirit.

2. AVBOB Poetry Workshop:

· Hosted by Phelelani Makhanya [Free Workshop].

· All the workshops have been co-hosted by poetry teacher Liesl Jobson. [I have left this out in prior logs; it must be noted that she is quite the poetic soul, and I enjoy her as much as I enjoy the special featured hosts with their themes].

· Theme: Learn how to strengthen your poetic voice, stay resilient through rejection and cultivate the courage to keep creating and shining.

· A very vital workshop considering my approach to menagerie and my past rejections encountered. I understand that I write because I love it, and I will continue to write and explore until I connect with those who resonate with it. It is great to be reminded of this as much as it was great to be reminded of being authentic to one’s unique voice and goals as a writer/creative/poet.

3. Introduction to Writing Workshop by Crystal Lake Publishing: I spotted the advert on Facebook and was also forwarded another version from a friend. Reading up a tad on the publisher, I was glad I signed up [at the price of a regular latte]. Joe Mynhardt [Bram Stoker Award winner, founder and CEO] presented a two-hour workshop filled with great information, discussions, and expanded connectivity.

I did receive a free Writers’ On Writing Book from Joe prior to this and also got the recording of this session for future reference. This is money and time well invested, and I am keen to explore Mr Mynhardt’s offerings in the near future.

4. Zoom One-on-One with Joe Mynhardt

Joe suggested I sign up as a free Patreon member on their website, as it will provide a more realistic feel of operations. Crystal Lake was founded in 2012 and is noted for its leadership in publishing Dark Fiction and horror books. I was interested and excited to note that this included dark fantasy as well. All their offerings [a vast range] can be explored on the Crystal Lake Publishing website.

OTHER WRITING AND RESEARCH PROJECTS

My Novel Revision and Integration Through SA Writers’ College

I lost 50% of the module six work done.

If anything, constructing the Menagerie piece [submitted to Mirari Press] showed me my strengths in many ways, and I trust I am ready to push forward with my course at the Writers’ College SA, full steam ahead.

The 5^th June marked six months of my registration, and the completion of module six affirms that I am at the halfway point of my novel integration.

Module six succeeded in its second crafting before the month ended, and feedback from my tutor [Nerine Dorman] was encouraging [always makes my belly flip].

Research:

[Everything here occurs in slow yet purposeful and absorptive increments]

Season 7: Buffy the Vampire Slayer [recommended by tutor at the commencement of my course] *. Every season brings interesting changes and a few minor disappointments. All are valuable experiences.

The Company of Birds: Nerine Dorman [My personal selection - Book]. In process and loving everything, and that I can discuss this with Nerine.

52 Life-Changing Quotes, To Inspire, Reflect, Transform and Lead: Denzil C. Lakay [1 quote a week discussed and logged into a shared journal with my daughter. On 9.]

Substack articles: There is much to learn from the writers I subscribe to. The Pilot of the 100 Substack Poets Collaboration project, led by Soham [one of my first genuine subscribers], is nearly concluded. I have added my contribution, and from what I have seen, it is all awe-inspiring thus far.

I do my best to keep track of the articles that resonate and explore the rarities when instincts permit. I then share these in my notes.

Inspirational Track: Drops of Jupiter By Train]

This song takes me back in time and aligns with this month’s activities.

I found it interesting to discover that the writer was inspired by a dream of his mother [who passed on], and that the song came to life and continues to touch so many lives through its meaning, authenticity, Lyrics, and vibes of love.

It reminds me of my own dreams, my love for authenticity amid horrors and delusions, and my search for the magic and possibility of living with such zest.

Thank you for your time.

Substack [1] Article June 2026

Substack [9] Article Total 2025- current

It is one thing to have an explosion of ideas sparking in your head and another not to have enough hours or resources in the day to get them to materialize into the world in real time. Sigh…

This brought forth the magic words, “No, thank you” to many opportunities, such as workshops, events and open submission calls that whispered at every turn of the calendar day that stirred up my month. [ difficult yet empowering]

It was back to the drawing board of re-scheduling and organising priorities for me. However, such is life and it did be good to put things into perspective, considering it will soon be half the year since I initiated the integration of my first draft with a writer’s college. [ time flies when you are having fun]

The following was checked off my list, atleast:

1. Menagerie Submission

· Review and work on the valuable feedback provided by Jen Thorpe [ Her close-reading service was invaluable]

· My character development in the story was a strong point, and I am happy about this.

· There were lessons I learnt to improve as a writer and then there was a confidence about certain aspects of my writing that I realize I am willing to take risks on, for my voice and story perspective

· There were some ridiculous errors , which my own eyes would have failed to detect , no matter how many times I may have read my story. I see the value of a different perspective.

· Harmony and incorporating everything I am learning was a tough act to deal with but I am willing to put in the effort to aim for the sweet spots,

· The balance of May was used to Edit my story since it has shaped a life of its own . The story is over 8200 words so far.

2. AVBOB Poetry Workshop:

· Hosted by Megan Choritz [ Free Workshop]

· Theme engage your imagination through play and co-creation

· A very fun workshop that focused on the play of creativity and collaboration

3. Write On Summits:

· Free selection of workshops that I attended online, that touched on the different areas of writing, creativity, research, book formats and editing from different expert perspectives.

OTHER WRITING AND RESEARCH PROJECTS

My Novel Revision and Integration Through SA Writers’ College

I remain paused on module six, so I have time to focus on the Menagerie Anthology submission and life.

Research:

[Everything here occurs in slow yet purposeful and absorptive increments]

Season 6 of 7: Buffy the Vampire

Slayer [recommended by tutor at the commencement of my course] *. Never a dull moment with this season, although it is rated as one of the least favoured by fans.

Understanding Dreams: Keith Hearne and David Melbourne [completed] Book review to follow soon on Notes

The Company of Birds: Nerine Dorman [My personal selection - Book]. Paused until I knock off Menagerie]

52 Life-Changing Quotes, To Inspire, Reflect, Transform and Lead: Denzil C. Lakay [1 quote a week discussed and logged into a shared journal with my daughter. On 9]

Substack articles: There is much to learn from the writers I subscribe to.

I do my best to keep track of the articles that resonate and explore the rarities when instincts permit. I share these on my notes.

Inspirational Track: May It Be[By Enya]

This song is comforting in dark times. May proved to throw its challenges that pushed me on the edge of reality numerous times and this song, forms part of my inspirational mix was replayed often as my heart needed.

I am grateful for my writing progress, and I love how my experiences often integrate into my reality as much as my reality can be used to inspire the substance of my writing.

I don’t know where my efforts will lead, I do know I am far from perfect and this in itself where perfection lies.

I am learning every day and I do trust that wherever I need to go, that it May and Shall be as it Will. I do my part by doing my best and putting my effort, this is indeed what I truly have control over. Sometimes I am not my best and I let it be , because I am an adult who is responsible for other lives and responsibilities too, and I accept that I need to breathe and be or simply go sleep with the hope of a productive dawn. This psychology is a fundamental method to my creative fires [some call it madness].

Sometimes this journey is dark and perilous but I am in some decent company most times and there are moments that glitter more that any gold that sparks my heartfelt visions and soul. [ although some specks of gold is needed as resources for my project objectives, I admit].

Thank you for your time.

Substack [1] Article May 2026

Substack [8] Article Total 2025- current

I have learnt something from every post I have engaged with so far.

As I progress, I wish to continue sharing, connecting, collaborating, and expanding creatively in the timeline ahead.

This feels like an ocean of connectivity, where some waves are fleeting and evaporate into the blessed air,

where others are delightful, stirring up storms…

and then,

There are those,

that connect with the might and mystery of the Ocean’s source, returning, rewarding, merging, shaping…

Grateful to All.

Thank you for your time in this wonderful space.

Jenna

I have sometimes felt like Alice diving down the rabbit hole as I explored the unknown, navigating intuitive hunches as I faced the real world, integrating my dreams and written pieces, playing with other sources that served towards alignment, connecting with word formulation and expression, which brought life to vision.

The demons of realism, self-doubt, and the concepts of what defines success were merciless and had ordained that, when I woke up, I faced them with might and compassion, finding solace in the fact that, when sleep befell me, I was grateful to have survived and to have submitted to nature’s rhythm of rejuvenation.

This cyclical process led me to count my lessons, re-evaluate my strategy, and let myself filter any poisons into the abyss, bringing Ouroboros to life in numerous ways.

The Ouroboros is an ancient symbol depicted as a serpent or dragon eating its own tail, and is part of an interesting mythology worth exploring with an open-minded approach to both its negative and positive cultural views.

If you follow my notes and logs, you will observe that I love exploring matters in isolated fragments,

then the dualistic nature it presents,

then the varying perspectives generally available,

and then,

finally leaping to contemplations beyond the paradox [a rabbit-hole {hyperbolic} map formation that carries parallels to a web of connectivity in vast existential spheres].

The following workshops [A and B] accelerated things further:

WORKSHOPS ATTENDED

A:

Title: AVBOB Poetry Series #5

Theme: Where memory becomes myth

Type: Online [2 hours]

Funding: Free [I was invited]

Additional: Uncover how African storytelling and personal memory can shape transformative myths in your own poetic practice.”

The workshop was hosted by Xabiso Vili [Multi-award-winning performer, writer, new media artist, producer, digital strategist and social activist]

Following the prompts [ancestral-based] and exercises from Xabiso stimulated my poetic drafts, which I now intend to revise into an actual submission for the end-of-year poetry contest.

This class created a unique experience for me and led to deeper reflections about my grandmother through memory and the creation of related myth.

Note: Xabiso’s storytelling was an experience in its own right—engaging and immersive!

The fable he teased our senses with at the beginning of the session concerned the lamps’ flames in ancient households, a powerful trigger for memories of the ritualistic flame in my grandmother’s house and the stories she told me verbally when I was a little girl. She was a street-smart and resilient lady. Despite not possessing a formal education due to socio-economic conditions, my grandmother had an innate wisdom I connected with, especially in her storytelling and unique use of words and expressions [which were sometimes intensely exaggerated or hilarious].

This moment of reflection allowed me to recognise her value on her distinct timeline, acknowledging how this shapes who I am, as I get to live out my expression through my unique voice.

This workshop served as a constructive platform that allowed participants to identify how memories can create meaningful mythical expressions through the formulation of poetry, while tapping into the present, the past, the possible future, and, well…more on unconscious capabilities, imaginative possibilities, and the ability to heal through release.

Two hours flew by, and it became evident that many complex individuals out in the world are unaware of how to express themselves through storytelling as a release, and how certain expressive mechanisms, such as journaling and writing poetry or fiction, help us deal with our deep-rooted fears, hurts, and concerns about our reality in relation to our deciphering of the self, the other, and the world.

You may explore this further on: The AVBOB Poetry Project

B:

Title: Writing with Jen Thorpe

Theme: Memoir and life writing

Type: Online [4 hours]

Funding: Paid [from a rigid creative investment budget]

I was sceptical about whether to sign up for this, and once I was in, I was ever so grateful to have nipped my critical objections in the bud.

I do have a close friend who has already crafted a draft memoir, and I encouraged her to sign up for Jen’s workshop, too. This added a different dimension to our engagement and proved valuable for her own project, which I am very happy about.

I also connected with a writer whom I came across at the last workshop; this time, we connected in the breakout room, where we got to share our draft pieces from the exercises [I love that nobody is “obliged’ to share as well]. I realised that we both had pieces that touched on rich ancestral roots, with our connectivity resulting in discussions about our grandmothers’ stories and their influence in our lives.

All of this led to another meaningful mutual Substack subscription that puts a smile on my dial [I like being cheesy sometimes, as much as I like grilled cheese].

Takeaways from the Memoir Writing workshop overall:

There is so much more to memoir writing that I would have dared imagine.

This shattered my narrow perspective on it and stimulated a different view, which influences my play, concepts of reach and writing goals.

Learning about useful methods of generating content through memories and methodology for memoir writing.

Learning a unique poetic style in the last exercise was a delightful surprise that challenged my expressive style, and it now adds value to any writing genre.

Once again, Jen wrapped up the session by granting us access to related resources, which were mailed to me as an extra bonus after the workshop [which I can tap into as needed].

OTHER WRITING PROJECTS

My Novel Revision and Integration Through SA Writers’ College

I remain paused on module six, so I have time to focus on the Menagerie Anthology submission.

Fortunately, I am on time with my course timeline and targets, although my mind feels as if I am committing some sort of crime by deviating; therefore, I dabbled in a small portion.

I realised that having many other priority responsibilities makes it challenging to juggle many writing projects despite intensive scheduling. Though I have noticed that exploring different project variations adds a deeper value to my main concept.

My Anthology submission is 5000 words at this point, and I decided to submit it to Jen Thorpe for a close reading.

There are approximately another 2000 words to complete the entire story, which I am engaged in wrapping up and will consider Jen Thorpe’s guided self-edit workshops, which commence later in May.

This is my first short story for submission, and although I had drafted ideas, I am pretty amazed at how the creative process took hold. Most of the story revealed itself as I played between imagination, research and mild editing. This prompted me to reflect on Stephen King's On Writing and draw parallels with his comparison of story writing to archaeology.

Research:

[Everything here occurs in slow yet purposeful and absorptive increments]

Season 5 of 7: Buffy the Vampire

Slayer [recommended by tutor at the commencement of my course] *. Every season comes with an interesting change and some small displeasures. All are valuable experiences.

Understanding Dreams: Keith Hearne and David Melbourne [still in process]

The Company of Birds: Nerine Dorman [My personal selection - Book]. Paused until I knock off Menagerie]

The Bloody Parchment: Blue Honey and The Valley of Shadow [Nerine Dorman]

This book has been completed and was a very rewarding read. It opened my eyes to short stories, diverse voices and the beautiful local content available. It gave me some perspective on trusting my own voice in my anthology submission.

52 Life-Changing Quotes, To Inspire, Reflect, Transform and Lead: Denzil C. Lakay [1 quote a week discussed and logged into a shared journal with my daughter. Paused due to conflicting schedules]

Substack articles: There is much to learn from the writers I subscribe to.

I do my best to keep track of the articles that resonate and explore the rarities when instincts permit. I then share these on my notes.

Inspirational Track: How To Train Your Dragon Epic Cover [ We Go with the Sky], by Lucas Ricciotti [A powerful creative spirit boost with sound!].

Thank you for your time.

Substack [1] Article May 2026

Substack [6] Article Total 2025- current

Picture: Free Calender template

https://www.kiddycharts.com/printables/free-printable-fantasy-calendar-for-adults-and-kids/

Edited by Me

The AVBOB Poetry Surprise

The AVBOB Poetry project knocked at my proverbial door again, and I decided to leap through; little did I know at this point the world of wonder and resonance that awaited me.

The workshop was hosted by Dipika Nath [ South African teacher, independent researcher and activist whose poetic work explores ecology, war and transience],

The theme: ‘to see a world in a grain of sand’

[a line which sealed my deal since I recognised it— one of my favourite pieces of poetry by Willian Blake],

The workshop description:

“Explore the meeting point of science, ecology and poetry as you tune into the wonder of everyday creatures and the natural world.”

Note: Ten pieces of my beloved poetic creations were rejected during AVBOB’s Poetry competition last year [accepting rejection with honour is part of the process],

And I missed the chance to attend the February workshop offered due to a rsvp glitch,

I chose to make the most of Dipika’s deeply engaging workshop. I got to read and receive encouraging feedback on one of the exercises. [ A huge courage boost!!!]

I had never viewed science as a poetic mechanism that merges with our human emotions and expression until this mind-bending workshop. This is a game-changer for me going forward.

It was inspiring to hear what people of all ages and walks of life constructed from the provided exercises, and we were all reminded of the beauty of poetry, whether we succeeded in the competitions or not.

After the workshop, I immediately RSVP’d for the remaining four that will be held in the upcoming months.

This got me wondering about AVBOB’s objectives, and upon reading more about their project’s aims and initiatives, I can’t help but be humbled by the privilege of such a poetic space, free for those who are simply willing to register and take a chance at expression.

Link for if you dare to explore: The AVBOB Poetry Project

Discovering the South African Pub Hub and dabbling with Speculative Fiction Matters

Discovering Jen Thorpe on Substack was a breath of fresh air,

She is a feminist writer and researcher with many great books and writing projects to her name, including the South African Writers’ Pub Hub, which I have recently been acquainted with and added to “A living list of South African Substack Writers”. [Posted on March notes]

Exploring the efforts behind the project and what it offers readers and writers on Substack, along with a simple request to consider buying her a virtual coffee or one of her books, the very freedom of this leaves me inspired and in awe.

Well, I chose not to buy Jen Thorpe the coffee just yet…

I am a writer on a budget, who has already signed up with The SA Writers’ College, as a means to develop my craft while integrating a second draft revision [taking a life of its own at the moment], of my debut novel, navigating unknown territory with loads of other obligations, I decided to sign up for her Speculative Fiction Workshop [Online Version], instead. I concluded that this was a sweeter, mutually beneficial deal for that moment.

This workshop took place on 20 March from 9 am until 1 pm.

It was great to connect with other amazing writers and listen to their work. What was remarkable and blew my socks off was getting the opportunity to read one of my exercises to Marius Du Plesis [the founder and publisher of Mirari Press], and I also got to listen to his. Although I nearly shook in my imaginary boots from nerves, it was also one of those priceless moments that will be etched as miraculous and inspirational for the rest of my journey. [Ginormous courage boost!!!]

Note: I did engage with Marius a week before making a purchase of the book I posted in my notes [The Company of Birds, by Nerine Dorman], so this subsequent experience made the workshop feel like an alternative universe of dreams and potential, a bit more tangible.

Takeaways from the Speculative fiction workshop overall:

• Jen Thorpe is an enjoyable and engaging teacher.

• Learning more about how broad the genre is [ despite my personal research]

• Learning about a useful tool that is an effective way to generate possible speculative fiction stories [jaw-dropping stuff]

• Access to endless, related resources, mailed to me as an extra bonus after the workshop [which I can mess around with and use whenever.]

• Information about Mirari Press opening submissions for Menagerie [which I decided to participate in using the tools acquired from Jen Thorpe’s Workshop].

My Novel Revision and Integration Through SA Writers’ College

I chose to take a slower approach with module five of The Write a Novel Course, considering the additional explorations mentioned above in conjunction with my notes [posted in March] on the flash fiction competitions and The 5 Day Awaken Your Senses Writing Intensive experiences.

Despite my intentions, I was surprised to conclude and submit module five [2470 words merging scenes with course exercises] on March 31.

Upon reflection, as I sit here writing this, I realise that March has been the most creatively rewarding month since my journey, and I can’t help but glow like the magical essence of the moon in my fantasy-verse.

Although… there is always suspense awaiting feedback on my constructs…

Research:

[Everything here occurs in slow yet purposeful and absorptive increments]

• Season 3: Buffy the Vampire Slayer [recommended by tutor at commencement of my course] * My Novel Character Zander existed before discovering the Xander in Buffy.

• Understanding Dreams: Keith Hearne and David Melbourne [ A book gifted to me]

• The Company of Birds: Nerine Dorman [ My personal selection- Book]

• 52 Life-Changing Quotes, To Inspire, Reflect, Transform and Lead: Denzil C. Lakay [1 quote a week discussed and logged into a shared journal with my daughter. We are on quote 3]

• The Bitter- Sweet Symphony of Life [music in all relevant variations]

Conclusions:

Substack: I reiterate that this space has led me to many great connections and sources of inspiration, which you will continue to find in re-stacks and notes, in real time.

General: I am not sure what the future holds, especially with the current real-life horrors.

I do find that immersing myself in the things I do have control over and in my creative explorations makes me feel alive and hopeful about the miraculous potential, despite it all.

Thank you for your time.

Substack [1] Article April 2026

Substack [5] Article Total 2025- current

There is a vast amount of writing resources available. The challenge is always figuring out what the right resource for me is right now.

I have found that there is a balance between testing, trying, filtering, and ultimately selecting, based on observations and intuition as to what works for me in the moment.

This approach has been my saving grace.

Therefore, I share my path as a source of inspiration, with the hope that some element may resonate with you on your own path.

Initial start-up

The moment I decided to stop living in my head and over-entertaining storylines that brought nothing but trouble and distraction to my real life was exactly when I got down to writing more than I had before [self-orientation is an ongoing process in a chaos-driven world].

My journey began with simple A4 notebooks, 2 fancy journals, a regular pen and pencil, and a fancier one for pure inspirational vibes [this has grown into an annual ritual, symbolic of intention, reflection, recalibration, and active direction].

I chose to sign up for Facebook writing groups because there were no local groups I knew of in my town. Filtering out distracting and destructive content from my feed became a daily practice, both online and offline.

This led to my brief contributions to Tolkienology [a fan page dealing with all things JRR Tolkien], which helped build my writing confidence and reconnected me with Tolkien’s great legacy. It later came to my attention that this group disbanded because the founder was battling his own real-life version of darkness.

I moved on to a mentorship program with Echart Aurelius Hughes, the founder of the Online Book Club and author of The Beautiful Struggle Uniting Us All. I then worked as a reviewer representative for 11 months. The material from the mentorship training and doing paid reviews eventually made me realise that it was time to start focusing on my own unfulfilled dreams of writing, while efficiently supporting our small business goals [survival 101] with my partner, enabling holistic support and presence for our young daughter in the process.

Exploring and Filtering Further:

With time and exposure, the Facebook author groups that have proven most beneficial for my journey are :

The Writers Forum

Authors Supporting Authors

Writers Helping Writers

Creative Writing

Note: There are issues everywhere, as such is the nature of reality. I use the groups intentionally to identify what is relevant to my goals and to encourage others. There are some really useful discussions, challenges, tips, and even lessons to learn when people occasionally do incite chaos. I access these through gaps in my day, so convenience and accessibility are great features.

A discussion on The Writers Forum provided insight into my use of Microsoft Word [for narrative creation] and Excel [for worldbuilding], noting that I already had experience with the software from studying and working over the years.

One day, a Jacana Media Masterclass advert appeared on my Facebook timeline at an affordable price, which led me to attend:

Gabeba Baderoon in her masterclass on Cultivating Habits of Dreaming, Reading and Daily Writing, which then led me to sign up for,

Helen Moffet in her master class on An Introduction to Editing for Authors, Editors and All Wordsmiths

These workshops were pivotal in many ways and sparked my awareness of the writing landscape in South Africa and its relation to the world.

I progressed to participating in my first writing contest, a Flash fiction contest with a critique option from Cranked Anvil. As anxiety-driven as I was, I received a wonderful critique. Although I did not win, I experienced the significant transformational power of receiving a critique from a professional writer.

I took a leap of courage and jumped into the Novel November Challenge hosted by Pro-WritingAid. Thanks again to the Writers Forum for a discussion about overcoming first drafts. I achieved a 50,000-word target of a super messy draft and experienced my first sequence of international writing sprints. Note that I was a Grammarly user before all of this [purely for checks] and still use it now.

During the December Pro-Writing Aid, offered video resources to help one move forward with possible revision and publishing paths for the first drafts. The cost of publishing and the concept of using beta readers and an editor became alarming, leaving me in a pickle. Reading about scams and wasted expenditure relating to these in the Writer’s group got me thinking endlessly.

I was reminded of an advert that I had come across from the SA Writers’ College. I had read up on The Write a Novel Course (obsessively, with research into similar courses offered elsewhere), and this one won hands-down in terms of time, value for money, and the opportunity to work with an established author while maintaining the core priorities in my life.

I signed up for the course and began the new year, approaching my second draft revision as an integration of developing my craft skills with the basics of the novel course. Among the available tutors, I was assigned to (and was fortunate to be accepted by) local author Nerine Dorman. I am currently on module five of twelve with deep gratitude for the rewarding process of growth and guidance offered thus far.

With my novel project growing, I realised the limitations of my tools. It was as if by divine timing that, at the book reading by author Denzil C. Lakay [which I recently posted in my notes], I was introduced to his friend and sponsor [also working on a book], who advised me to consider using Scrivener. I researched the tool’s use and found a brilliant YouTube video [Is Scrivener Worth It in 2026?] by TC Burr that propelled me forward.

I am currently on the trial version of the Scrivener word-processing program, with TC Burr a click away for additional knowledge and support regarding this writing tool. I am happy to confirm, in terms of organising and viewing my novel project, it was the next best value-for-money and time-saving decision I have made (Yes, I am signing up for the affordable, paid version).

Lastly, on Substack: I reiterate that this space has led me to many great connections and sources of inspiration, which you will continue to find in re-stacks and notes, as well as in my Novel Experiment articles/progress logs.

Thank you for your time. Wishing you the best in all ways.

Picture Description: A very special, gifted ornament with a Dragon Fairy, holding her staff. A notebook for collecting resources and notes. My Laptop, purchased six years ago, was intended to turn a few crazy dreams into my reality. Piles of research books and notes for my novel experiment with survival 101 paperwork.

Substack [2] Article March 2026

Substack [4] Article Total 2025- current

Picture: A gifted notebook, whimsical pen, and biscuit box (recycled as a stationery box).

Methodology :
[ ] Use cost and time- effective resources to improve crafting, confidence and research skills to construct a reasonably marketable contemporary fantasy novel that will either be published/ self- published.
[ ] Create a traceable pathway through public journals and various communication formats.

Expected outcomes:
[ ] Personal enrichment
Exploring conscious and subconscious integration through creative expression

[ ] Skills development and resource enrichment
Possible material, resource and social enrichment (if the book exceeds expected outcomes)

[ ] Spiritual enrichment
With some reference to studies by Carl Jung, Joseph Campbell, Quantum theory, and various philosophies and general observations that encourage art and holistic human betterment, through explorations that result in deep-rooted connectivity, balanced with authentic expression

Limitations and Barriers:
[ ] An environment that is intolerant of creative writing as a worthy lifestyle choice
[ ] An environment that views fantasy as absurdity or with dark motives and negativity.[ ] Limited real- time writing resources
[ ] Funding/ Financial resources
[ ] Technology skills and resources
[ ] Time ( survival 101)
[ ] Health ( Dry eyes/ Astigmatism)

Targets:
[ ] Publish/self-publish a quality and marketable contemporary fantasy book
[ ] Nip a nagging thought/fulfil a vision
[ ] Reach 100 potential readers who enjoy this book
[ ] Reach 50 aspiring creatives that my documented journey may find useful, even in a small way, on their own journey
[ ] Boost and credit existing materials and resources used that have guided me ( artists, platforms and resources), as an act of gratitude/ active acknowledgement

Fleeting Conclusion:
- In the middle of a wild adventure until I type “ The End” to a gateway of a modified reality!

Life happens at a rate beyond expectations-savoring the bittersweet has become a moment-to-moment approach.  This has made all the difference,  like sipping on a magic brew of divine coffee!

One morning I awoke with much anguish, influenced by certain life situations that I had zero control over, and this sensitized me to similar events and experiences ( i.e, the number of people and pets that go missing every day!). 

I noticed a flash fiction competition hosted by Cranked Anvil (  A creative platform founded in 2012 by Actor and Writer Paul Dunn) appeared on my Facebook page via the Jake's Gerwal Foundation page. I instinctively decided to channel my experiences and observations into a written piece.

After all, why not?

The deadline was in 2 days at that point. I opted for the critique service offered, and although I was extremely nervous about this, I gathered that some external input from professionals in the writing world can only act as a constructive opportunity for my personal growth.

Well, I did not win the contest,  nor was I long-listed _shortlisted in the competition. What  I  DID WIN, though, was a sense of confidence,  courage, and strength thanks to the insightful critique received - now a treasure piece, enriching my writing journey forward!

I trust you will find value in the enclosed attachments. You can DM me for further engagement on the flash fiction piece/ submission process.

Best wishes, always Me

Speaker: Brandon Sanderson

Credentials: American Author of High Fantasy, Science Fiction, and Adult Books.

(https://www.brandonsanderson.com/)

Lecture One: The Philosophy of Writing (Science Fiction and Fantasy).

(Link: https://www.youtube.com/watch?v=MEUh_y1IFZY)

The enclosed link will take you to the Lecture series from 2025 (older versions are doing their rounds on the net).

My View:

This was worth every minute as Sanderson discussed the pressures of writing in a captivating and hearty manner.

I watched this lecture twice to grasp as much as possible for good measure.

Sanderson points out the possible realities that exist on a spectrum, and I appreciate the value of this. I agree with his view that writing in itself is a priceless reward.

Developing into a professional author, writing full time (being paid for it), although a rarity (which he, however, eventually achieved after passionate toil), would be the ultimate dream!)

He highlights that everyone writes for different reasons, and it is important to be grounded in one's purpose, as it becomes easy to lose the joy and reward of it.

So why do I write?

I write to connect with my subconscious and play with my creative abilities consciously. To connect with other beings on this wavelength (I later discovered that Stephen King refers to this as telepathy). I write to create what I wish to read with a sincere hope that this pleasure I derive holds as a reward to the hearts of others who are open to exploring such possibilities.

In terms of writing styles, the comparison of George R.R Martin and Stephen King to gardeners (no outline) and architects (outline and structure) with hybrid styles existing in between was great in allowing me to visually establish my particular style (pretty hybrid at this point).

Sanderson emphasizes the importance of knowing when to tune into one's instinct and also iignorethe advice from others, including him ( a pretty golden mindset)! I particularly navigate life through observation and testing until I establish my own sense of reality (in relation to the universal one, of course!).

Sanderson writes 2000/4000 words every day, comprising two 4-hour sessions. This works for him. However, he discusses other options, such as one 4-hour session every Saturday for a year, as a possibility for completing a book in a year. This was great in putting things into perspective and establishing goal-setting.

When the term “Brain space” (for creativity) rolled off Sanderson’s tongue, it hit home for me. The years of inner turmoil of dealing with a concept that nagged at the corner of my mind subtly and consistently, but due to a very adventurous, survival mode phase, I had no brain space for crafting, and I feel that space now. Chiseling out time is tricky, but I am chiseling away. Recognizing this, set my creative neurons on transformative fire.

So, yes, this video had a lot of wins for me, and I intend to pursue his other videos dealing with plot, setting, character, and business, forging forward.

Stay connected, and all the best!